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Gay pornography mixes with tongue-in-cheek political commentary in this well-photographed and absolutely unique comedy written and directed by Bruce LaBruce as ‘a critique of terrorist chic’. An effervescently irreverent screenplay relentlessly attacks anything any normal person might consider to be within the realm of human decency, with clever but utterly demented dialogue delivered with utmost sincerity. Suzanne Sachsse portrays the kidnapping leader of a band of terrorists, but graphic gay sex never seems far from the film’s agenda.

In 1882, 20 years after an almost forgotten massacre took place, the only living witness to the crime, John Slaughter, returns to the town where it happened. Now finding the town run by the man behind the terrible act, Slaughter teams up with the mysterious gunslinger Savannah Starr to try and rid the west of one of it’s great evils.

This series operates on many levels. At the heart of the series is the tempestuous relationship between Margaret Hale, a young woman from a southern middle class family who finds herself uprooted to the north, and John Thornton, a formerly poverty-stricken cotton mill owner terrified of losing the viability of his business. Around them are class struggles between the workers and mill owners and ideological struggles between the industrial North and the agrarian South. After moving North, Margaret’s father befriends his student Mr. Thornton. Margaret has already formed her opinion of Mr. Thornton independently after seeing him treat his workers harshly. As the series progresses, she and we the audience begin to learn that his strict treatment is due to an overarching concern for his mill and by extension, his employees. John Thornton, on the other hand, is attracted to Margaret’s independence and position in society as a well-educated Southerner. As in “Pride and Prejudice” the marriage proposal comes in the middle of the series and is rejected by Margaret. Contrary to “Pride and Prejudice” it is mirrored in social upheaval as the entire town is brought to its knees by a strike. The latter half of the series is an unraveling of the former misunderstandings ending in a romantic reconciliation which is again mirrored by reconciliation between workers and mill owners.

Eighteen years after the murder of her parents, Sara Tobias searches for the meaning of the numbers ‘11:11′ that was scratched in blood beside her mother’s body. Following three sudden murders, supernatural events are unleashed as she gets closer to the truth…

HEAD IN THE CLOUDS is a sweeping romantic drama set in 1930’s England, Paris, and Spain. Gilda Bessé shares her Paris apartment with an Irish schoolteacher, Guy Malyon, and Mia, a refugee from Spain. As the world drifts toward war, Gilda defiantly pursues her hedonistic lifestyle and her burgeoning career as a photographer. But Guy and Mia feel impelled to join the fight against fascism, and the three friends are separated - seemingly forever.

The story focuses on a group of 6 beautiful women called Thralls, referred to as “the white trash of vampires;” effectively a lower species of vampire. They don’t kill people, they don’t have the ability to turn their victims into vampires and they can’t fly. These Thralls are under the control of Mr. Jones, the vampire who sired them, and whom they are trying desperately to escape. To do this they must complete a blood ritual which will turn them into full-blown vampires. Their plans hit a snag when Ashley, the younger sister of one of the Thralls, comes to visit. Ashley has no idea what her sister has been up to since moving to the big city nor what she has become…

Matt, a young glaciologist, soars across the vast, silent, icebound immensities of the South Pole as he recalls his love affair with Lisa. They meet at a mobbed rock concert in a vast music hall—London’s Brixton Academy. They are in bed at night’s end. Together, over a period of several months, they pursue a mutual sexual passion whose inevitable stages unfold in counterpoint to nine live-concert songs.

Set against the backdrop of a mythic “New West,” a satire that follows grammatically-challenged, “user-friendly” candidate Dicky Pilager, scapegrace scion of Colorado’s venerable Senator Jud Pilager, during his gubernatorial campaign. When Pilager finds that he’s reeled in a corpse during the taping of an environmental political ad, his ferocious campaign manager, Chuck Raven, hires former idealistic journalist turned rumpled private detective Danny O’Brien to investigate potential links between the corpse and the Pilager family’s enemies. Danny’s investigation pulls him deeper and deeper into a complex web of influence and corruption, involving high stakes lobbyists, media conglomerates, environmental plunderers, and undocumented migrant workers.

Cassidy Merteuil, the distant cousin of Kathryn Merteuil, arrives in Santa Barbara, California to attend college. There she meets Jason Argyle, a former friend from her high school also attending the school. Jason gets a roommate, Patrick Bales. Jason and Patrick form a mean-spirited partnership of seducing and dumping various young women on campus. When both of their latest conquests bore them, Jason bets Patrick if they can seduce a particular newcomer, who is under the wing of Cassidy. But nothing is what it seems as a triangle of Cassidy, Jason, and Patrick forms with each one scheming to outwit the other.

Near a backwoods Ontario small town, a young alien, on vacation, crashes in his ship. Disoriented, this confused young extraterrestrial is captured by a young boy who, after naming him Phil, introduces him to the stupor of hard liquor before the boy’s hick father throws him out. Roaring drunk and bunking with a friendly talking beaver, Phil eventually wanders into a bar where his new addiction traps him even while he wants to go home. Meanwhile, a secret US black ops organization activates a drunken field agent to find the alien. However, while he searches, Phil’s easily manipulated personality leads him down paths that profoundly affect his new native friends.