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The Muppets are back in a brand-new full-length musical comedy! After graduating college, the Muppets travel to Manhattan to have someone produce their musical “Manhattan Melodies”. When it doesn’t happen, the gang splits up. Kermit makes friends with Jenny (Juliana Donald) and Piggy is jealous, thinking that Kermit found a new girl. Now Rowlf is a vet secretary, Fozzie’s living in a cave, and Piggy is working at a hotel with her partner, but apparently they get fired and now Piggy lives next door to where Kermit works at Pete’s with Jenny. When Jenny and Kermit find producer-in-training Ronny Coleman (Lonny Price), he promises to produce their show. The gang returns to Manhattan, but after getting hit by a car in joy, Kermit gets amnesia and now finds work making ads with other frogs. When Kermit is found at Pete’s, they try to restore his memory.

After a series of ill-fated relationships, Jane (Ashley Judd) has finally met Mr. Right, Ray (Greg Kinnear) - he’s emotionally available, and not afraid of commitment. Six weeks into their blissful courtship, he asks her to move in with him, and they start looking at apartments. But little by little Ray starts to pull away, until Jane realizes that once again she’s been dumped. Jane’s womanizing coworker, Eddie, just happens to be looking for a roommate, and Jane reluctantly moves in. Desperate to understand what happened and get over Ray, Jane comes up with a theory of interpreting male-female relations by observing the behaviors of wild animals. She shares this idea with a friend who works at a men’s magazine (Marisa Tomei) and is given an anonymous editorial column devoted solely to her thoughts on the matter. But no one could have predicted the chord she’d strike among women with her theory, and the column’s wild success makes Jane start to question her conclusions - and opens her eyes to what might be right in front of her.

It’s 1987, and geeky Jenna wants to be popular. After her 13th birthday party goes awry, Jenna wishes she could just be 30 instead - only to wake up and discover that she’s flash-forwarded 17 years. Now a sexy, successful magazine editor, Jena finds out that being an adult isn’t necessarily all it’s cracked up to be.

Little Nicky is “daddy’s little girl” in Hell. He’s the son of Satan, who got the job from HIS father, Lucifer. Satan wants to retire, but none of his sons are good enough for the job. There’s Cassius, who’s big and strong, but lacks the ‘goodness’ to make the job real. There’s Adrian, who while really hot (no pun intended) and smart, has no goodness at all. Then there’s Nicky [Sandler] who, while having good, lacks any evil whatsoever. As seen in the previews, he is told to release his evil. He needs to release it to save his dad. Cassius and Adrain leave Hell, thereby freezing the wall of fire that lets the damned souls into Hell. Since no souls can come in now, Satan starts to die. It’s up to Little Nicky to go and get his brothers, putting them into a flask and bringing them back to Hell at the exact same time to save Satan from decomposition. If Nicky ‘dies’ on Earth, he will be able to get through the frozen wall and back up to Earth. The catch is that he has only a week, and that Adrian and Cassius are MUCH more powerful than he is.

A group of thieves steal a rare gem, but in the process, two of the men double cross the leader of the thieving group, Patrick (Sean Bean), and take off with the precious stone. Ten years later, prominent psychiatrist Nathan Conrad (Michael Douglas) is invited to examine a disturbed young woman named Elisabeth (Brittany Murphy). Patrick immediately kidnaps Nathan’s daughter, forcing Nathan to attempt to get Elisabeth to reveal a secret number which will ultimately lead Patrick to the whereabouts of the precious gem that has eluded him.

“Frida” chronicles the life Frida Kahlo (Salma Hayek) shared unflinchingly and openly with Diego Rivera (Alfred Molina), as the young couple took the art world by storm. From her complex and enduring relationship with her mentor and husband to her illicit and controversial affair with Leon Trotsky, to her provocative and romantic entanglements with women, Frida Kahlo lived a bold and uncompromising life as a political, artistic, and sexual revolutionary.

48 hours in the life of a burnt-out paramedic. Once called Father Frank for his efforts to rescue lives, Frank sees the ghosts of those he failed to save around every turn. He has tried everything he can to get fired, calling in sick, delaying taking calls where he might have to face one more victim he couldn’t help, yet cannot quit the job on his own.

This time, the Man of Steel has his hands full with a trio of super-powered villains who escape from their Phantom Zone prison (remember the weird flying diamond-shaped mirror that scooped them up from the planet Krypton?) and land on Earth, where all three have powers to rival Superman’s own. How does it all come out? With a fabulous duel above the streets of Metropolis, and a startling plot twist that neatly ties in Superman’s explosive past. Arch-criminal Lex Luthor plays both ends gleefully against the middle in hopes of a modest reward: Australia.

Sam is a recent widower who is seeking someone new. Sam’s son Jonah, is also looking for a new mother, so when Jonah puts his father on national radio, hundreds of women write to him. One of the women is Annie. She’s engaged to Walter, but he’s a bit strange. Annie goes to great lengths to meet Sam.

This movie transplants the classic tale of “Romeo and Juliet” to New York City in the 1950s. The two feuding families are replaced by brawling street gangs. The Montagues become the Anglo Jets, led by Riff (Russ Tamblyn), and the Capulets become the Puerto Rican Sharks, led by Bernardo (George Chakiris). At a dance, Tony (Richard Beymer), former leader of the Jets and Riff’s best friend, and Maria (Natalie Wood), Bernardo’s little sister, see each other across the room and it’s love at first sight. With opposition from both sides, they meet secretly and their love grows deeper. However, the gangs are plotting one last rumble, a fight that will finally end the battle for control of the streets. Will Tony and Maria’s love carry through a battle that threatens to destroy the people they love around them? With a young, talented cast, a gorgeous score and dance sequences that need to be seen to believe, West Side Story is a must-see!