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The Good is Blondie, a wandering gunman with a strong personal sense of honor. The Bad is Angel Eyes, a sadistic hitman who always hits his mark. The Ugly is Tuco, a Mexican bandit who’s always only looking out for himself. Against the backdrop of the Civil War, they search for a fortune in gold buried in a graveyard. Each knows only a portion of the gold’s exact location, so for the moment they’re dependent on each other. However, none are particularly inclined to share…

Two bounty hunters are after the same man, Indio. At first, they go their own ways, but eventually get together to try and find him. But are they after him for the same reason ?

Like a contagious virus, pretty and athletic girls in their teens start dissappearing around the globe one after another. The mastermind behind these abductions is Madame M (Almen Wong), who plans to train these girls into professional killers. After several years of gruesome training, only Charlene (Maggie Q), Katt (Anya) and Jill (Jewel Lee) survive and become the world’s most sought after professional killers. On a recent mission to assassinate someone in Hong Kong, however CIA agent Jack (Daniel Wu), who vows to help her reclaim her past by eliminating Madame M.

A hard-boiled Hong Kong detective (Chow Yun-Fat), who lost his partner in a gunfight, teams up with an undercover cop (Tony Leung) to stop a ruthless crime mob from smuggling guns and killing innocent people.

In a futuristic world, a strict regime has eliminated war by suppressing emotions: books, art and music are strictly forbidden and feeling is a crime punishable by death. Cleric John Preston (Bale) is a top ranking government agent responsible for destroying those who resist the rules. Whe he misses a dose of Prozium, a mind-altering drug that hinders emotion, Preston, who has been trained to enforce the strict laws of the new regime, suddenly becomes the only person capable of overthrowing it.

A drug lord who pretends to overthrow the Mexican government. A corrupt CIA agent (Johnny Depp) who at that time, demands retribution from his worst enemy to carry out the drug lord’s uprising against the government.

The machine army continues to drill towards Zion. Within hours, they will overrun the population of the Zionites and lay extinction to human kind. Meanwhile, Neo is held captive by the Merovingian at a train station. Trinity & Morpheus set out on a journey to release him from a mysterious train operator. Also, Smith resumes his quest to kill “Mr. Anderson” as he reveals his identity into the real world and resumes to replicate his program inside the system of The Matrix, causing it to decay. All hope is placed in the freed Neo, who must travel to the city of the machines in the Logos ship with Trinity and bargain to save each kingdom from destruction by finishing Smith once and for all. But even with his new powers over the sentinels, will he be able to fight them off?

Neo, Morpheus, Trinity, and the rest of their crew continue to battle the machines that have enslaved the human race in the Matrix. As their quest unfolds, Neo learns more about his super-heroic abilities, including the ability to see the codes of the people and things around him. Simultaneously, now, more humans are waking up out of the Matrix and attempting to live in the real world. As their numbers grow, the battle moves to Zion—the last real-world city and center of human resistance.

In the near future, a computer hacker named Neo (Keanu Reeves) discovers that all life on Earth may be nothing more than an elaborate facade created by a malevolent cyber-intelligence, for the purpose of placating us while our life essence is “farmed” to fuel the Matrix’s campaign of domination in the “real” world. He joins like-minded Rebel warriors Morpheus (Laurence Fishburne) and Trinity (Carrie Ann Moss) in their struggle to overthrow the Matrix.

Federal agent Elliot Ness assembles a personal team of mob fighters to bring Chicago crime boss Al Capone to justice using unconventional means during the mob wars of the 1920s. This fictionalized account of the arrest of Al Capone is heavy on style and gunfire. The end shootout combines a baby carriage and stairs with a nod to Eisenstein’s _The Battleship Potemkin_.