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After a successful deployment of the Robocop Law Enforcement unit, OCP sees its goal of urban pacification closer and closer. But as this develops, a new narcotic known as “Nuke” invades the streets, leaded by God-delirious leader Kane. As this whole menace grows, it may even prove to be too much for Murphy to handle. OCP tries to replicate the success of the first unit, but ends up in failed prototypes with suicidal issues… until Dr. Faxx, scientist straying away from OCP´s path uses Kane as the new subject for the Robocop 2 project, a living God.

Ginger is one of the chicken at the Tweety Egg Farm, who is capable of escaping (and desperately wants to) but is constantly being held back by her incompetent partners. One night, feeling failed and depressed after a chicken is axed, she wanders out to the gate, where she sees a rooster triumphantly flying through the air. After crashing and injuring his wing, Ginger takes him in and learns he’s Rocky Rhodes, a cocky American who enjoys freedom - in fact, he escaped from a circus when she found him. In exchange for protecting him when the circus arrives asking for him, Ginger makes a deal with Rocky that he will teach them to fly so they can escape. Taking advantage of the situation, Rocky woos the chicken, irritating Ginger “Doll-Face” and organizer Officer Fowler, formerly of the Royal Air Force, in the process. Meanwhile, the Tweetys have purchased a machine to make chicken pies out of, intending to cook every last one of them.

The story begins of a sarcastic humanoid duck the size of a gentleman by the name of Howard from outer space is pulled from his home globe to terrain through a laser ray and somehow winds up in Cleavland where he meets with quickly befriends with Beverly Switzler, a lead soloist where they must stop an unknown invader famous as the Dark Overlords at all costs.

When the first manned flight to Venus returns to Earth, the rocket crash-lands in the Mediterranean near a small Italian fishing village. The locals manage to save one of the astronauts Colonel Calder, the mission commander. A young boy also recovers what turns out to be a specimen of an alien creature. Growing at a fantastic rate, it manages to escape and eventually threatens the city of Rome forcing the military to take drastic action.

Without words, cameras show us the world, with an emphasis not on “where,” but on “what’s there.” It begins with morning, natural landscapes and people at prayer: volcanoes, water falls, veldts, and forests; several hundred monks do a monkey chant. Indigenous peoples apply body paint; whole villages dance. The film moves to destruction of nature via logging, blasting, and strip mining. Images of poverty, rapid urban life, and factories give way to war, concentration camps, and mass graves. Ancient ruins come into view, and then a sacred river where pilgrims bathe and funeral pyres burn. Prayer and nature return. A monk rings a huge bell; stars wheel across the sky.

From the book by H.G. Wells, a scientist and tinkerer builds a time machine and uses it to explore the distant future where there are two races, a mild gentle race, and a cannibalistic one living underground. His machine is stolen by the underground race and he must risk being captured (and eaten) to return to his own time.

Adapted from the Hugo Award-winning, internationally best-selling novel, Coraline is a spine-tingling tale about a curious girl who unlocks a mysterious door in her family’s new home and enters into an adventure in a parallel reality. On the surface, this “Other World” eerily mimics her own life - though it is much more fantastical. In it, Coraline encounters different versions of her own life, including off-kilter neighbors and an Other Mother who attempts to keep her forever. Ultimately, Coraline must rely on her resourcefulness, determination and bravery to get back home.

Henry Spencer tries to survive his industrial environment, his angry girlfriend, and the unbearable screams of his newly born mutant child.

This animated feature-length life of Jesus boasts a stellar pedigree. Originally a BBC Wales production, it showcases the voices of some of Britain’s finest actors in any medium: Ralph Fiennes as a brooding and humble Jesus, Miranda Richardson as Mary Magdalene, Richard E. Grant as John the Baptist and David Thewlis as Judas. The lovely, flute-heavy score is by Oscar-winner Anne Dudley (The Full Monty). And clearly a lot of expense has gone into the Claymation-like animation. But while it’s hard to find fault with the rendering of this familiar story—it is respectful and definitely done, you might say, by the Book—it would have been nice if there had been a tad more joy, if it walked a bit lighter in its sandals. As it is, all the characters seem consistently subdued, whether they are expressing angst, rage, terror or bliss—none of which is helped by the figures’ blank-eyed stares (if animators are becoming ever more sophisticated, why can’t they get rid of those creepy blank gazes once and for all?). Still, the weight of having such formidable actors play these familiar roles lends the production a certain credibility, and parents looking for good religious videos that won’t insult their kids’ intelligence will be thrilled.

The Rocker tells the story of a failed drummer who is given a second chance at fame. Robert “Fish” Fishman is the extremely dedicated and astoundingly passionate drummer for the eighties hair band Vesuvius, who is living the rock n’ roll dream until he is unceremoniously kicked out of the band. Twenty years after his rock star fantasies are destroyed, just when Fish has finally given up all hope, he hears that his nephew’s high school rock band A.D.D. is looking for a new drummer. They reluctantly make him the newest member of the band, giving him a chance to reclaim the rock God throne he’s always thought he deserved, and taking the young band along for the ride of their lives.