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Purchase Baby Driver (2017) Movie Online and Download - Edgar Wright 🎥
Year:
2017
Country:
USA, UK
Genre:
Crime, Thriller, Action, Music
IMDB rating:
8.1
Director:
Edgar Wright
Lance Palmer as Baby's Dad
Eiza González as Darling
Micah Howard as Barista
Morgan Brown as Street Preacher
Hudson Meek as Young Baby
Sky Ferreira as Baby's Mom
Viviana Chavez as Diner Waitress
Ansel Elgort as Baby
Lily James as Debora
C.J. Jones as Joseph
Jon Bernthal as Griff
Jon Hamm as Buddy
Storyline: Baby is a young and partially hearing impaired getaway driver who can make any wild move while in motion with the right track playing. It's a critical talent he needs to survive his indentured servitude to the crime boss, Doc, who values his role in his meticulously planned robberies. However, just when Baby thinks he is finally free and clear to have his own life with his new girlfriend, Deborah, Doc coerces him back for another job. Now saddled with a crew of thugs too violently unstable to keep to Doc's plans, Baby finds himself and everything he cares for in terrible danger. To survive and escape the coming maelstrom, it will take all of Baby's skill, wits and daring, but even on the best track, can he make it when life is forcing him to face the music?
Type Resolution File Size Codec Bitrate Format
1080p 1920x804 px 3958 Mb h264 4912 Kbps mkv Purchase
HQ DVD-rip 720x304 px 1410 Mb mpeg4 1749 Kbps avi Purchase
Reviews
Masterful Film Noir 2017
This is one of the best movies so far in 2017. With a super mix of charismatic characters, catchy music a lot of humor this film is a sure fire winner. A genius get-a-way driver with problems and issues finds himself in a spiraling tangle of events. The opening car chase followed by a musical coffee dance is worth the price of the ticket alone! All the players in this film are likable for different reasons and the whole production is masterfully done:

8/10.
2017-09-14
Easily my favorite Edgar Wright Film
Plot: After being coerced into working for a crime boss, a young getaway driver finds himself taking part in a heist doomed to fail.

I was so happy walking out of this film, I was worried that this would be a case like Mad Max Fury Road where everyone praised it and it turned out to be not that good, but this is not the case. This film combined music and action in a very original and interesting way, which was nice to see in a crime film. The story managed to be engaging, exciting and even tense towards the last half.

The cast all did a really good with their characters, the standouts being Ansel Elgort, Jon Hamm, Jamie Foxx, and Kevin Spacey who all put effort into their characters and made them interesting. I was especially happy with Lily James being given a proper character unlike in Pride Prejudice and Zombies, she was very likable, and had really good chemistry with Ansel throughout the film. The action is also really good, especially the car chases which are some of the best that I've seen in a while.

This is the kind of summer film that Hollywood should be doing now, not all the reboots, remakes, or even sequels that come out now. I've liked most of Edgar Wright's films throughout, but this one stood out to me more than those. This film is a definite to see in the theater, you won't regret it.
2017-06-30
Baby Driver (2017)
I'm not the biggest Edgar Wright fan but man, I saw the trailer for this and I knew I had to see this as soon as I could. Everything about it seemed like a good time. I like the Three Flavours Cornetto trilogy, each film is funny and solid. I absolutely loathed Scott Pilgrim vs The World though and thought it was terrible. I was hoping for the best Wright ever made with Baby Driver and its pretty nice to say I think we are there with this film. I had pretty high hopes and have to say while the film isn't perfect and struggles a bit at the end its still a satisfying ride.

The film follows a quiet but expert heist driver named Baby, and his toils in life which include finding love and the high risk/high reward lifestyle he lives as a getaway driver. Baby is constantly listening to music on different iPods to drown out the sound of tinnitus he developed during a traumatic childhood car accident which killed his parents. I really loved the interactions between Baby (Elgort) and Debora (James). I loved Lily James in Cinderella but I love her even more as the innocent waitress in love here. Side note, but holy cow she really looks like prime Shelly Johnson from Twin Peaks in this.

I have to say Edgar Wright puts a wonderful spin on a heist film. Unlike his previous films, the film is really light on comedy and is solely action and style. Its great though. The car weaving scenes are very fun to watch, action scenes edited quite well. As with previous bank heist films the action brings it either with the guns or the frenetic car chases. I have yet to really like Ansel Elgort in something, but this has to be the film that's going to make him a star. I love the characters in this film. Spacey works so well as the leading mastermind behind the heists. Jon Hamm in a villainous role works just as well as Jamie Foxx as Bats. Eiza González is new to me but wow is she such a gorgeous actress, I may actually take up the From Dusk Till Dawn series now.

The best touch in the creation of this film is the ever present soundtrack. Almost every part of the film is accompanied by Baby's iPod song. Its fantastically eclectic and does well to keep pace with the film and accompany different moods and themes as the film progresses. Things get a little messy near the end but I think Edgar Wright is somehow still able to keep it coherent and crazy till the end. This is the type of film that needs a second watch. Its possible that it will go down in in rating on a re-watch. However, its also equally possible for this to enter a personal cult status with another viewing. I'd say Edgar Wright did very well with this one.

8/10
2017-07-02
A Movie Actually Deserving of the Title "Perfect Summer Movie"
I think mostly everyone can find something in this movie that they would enjoy. The chase scenes feel realistic and intense unlike many of the current car focused movies like the Fast and Furious franchise (apparently many of those scenes where shot with a stunt driver and very little CGI if any at all was actually used, which always is nice to see). The music in this movie blends well and never felt out of place. Is it Guardians of the Galaxy level amazing... debatable but Baby Driver will definitely have one of the better soundtracks this year.

The comedy throughout was well timed and most of the characters showed off their own sense of humor. There was really no comic relief character although many of the movies funnier scenes would be attributed to Jamie Foxx. The high level of comedy in this movie should be no surprise as director Edgar Wright known for the Cornetto Trilogy always knows how to insert the right joke.

All of the characters were great for the screen time they were given. My personal favorite was Buddy. When it comes to playing an intimidating character Hamm can do no wrong. He had the right level of charm with don't mess with me that made Baby feel safe and uneasy at the same time. Speaking of Baby, I wasn't too fond of the character right away. He seemed kind of dorky and trying to be cute with the street walking scene. Eventually though he became a rather interesting character, especially when he meets up with the waitress. You start feeling for him and you want those two to make it. James and Elgort had good chemistry and they will probably stand out as one of the better movie couples in 2017.

Everything in this movie was just so well done. The only real hit this movie takes that I can think of after just watching it was that the story kind of dips in the interesting department in the middle. It starts strong and ends with an even bigger bang. I believe the climax and ending are worth the price of the theater ticket alone. This is a can't miss movie. I find myself debating if this is a movie that I have to see in the theaters twice which I rarely even consider. There however is no doubt in my mind that this will be a store purchase as I can see myself watching this movie over and over again.
2017-06-29
2/10, complete waste of time on awful movie
Similar to Dunkirk, this movie is overrated. But Dunkirk at least has some good parts, but Baby Driver is a complete mess all around. 1. The main guy Baby is irritating. Moronic 2000+ born kid with ear pods and glasses. A bit autistic, no charisma, no acting skills. Terrible 2. The plot is a mess full of holes. Some guy (Spacey) rents a crew for his dirty jobs. OK, I can live with this. But the escape scenes seem to easy, you cant get away so easy from police these days. 3. The love story. OH MY GOD. Autistic kid and stupid waitress. No chemistry whatsoever. They like music and that's it. Their plan is to get away and listen to songs with word "Baby" in them??? 4. Motivation of main characters. We don't know much, but all the villains seem generic, we don't know what Baby did to Spacey, we don't know why Foxx attacked undercover cops or why Spacey didn't told them that they were on his payroll? We don't know why Foxx kills everyone in plain sight? 5. Music. Very bad actually. Irritating kid who you wanna slap and some kinda good but average music. Also this mix of musical+action doesn't work. Absolute rubbish, I've walked away from cinema.
2017-09-09
All those lines of dialog ending in "baby" ...
... give me flashbacks to DIRTY DANCING.

1. You can't force "clever." Something is either clever or it is not. This film is ambitious but not clever. If you want clever, done right, watch Lucky Number Sleven.

2. The romantic arc is weird, too convenient, not well developed and there is no chemistry.

3. To borrow a line from Kevin Spacey's dialog, you want the good news? The good news is that the romantic arc is not an issue because this film a much bigger issue. No audience connection. By the 60 minute minute I did not care about Baby, or his instant girlfriend, or Spacey, of anyone. OK, I actually did care about the little kid who played the nephew. He should have starred.

4. For those who care about dramatic structure, Fox's character is so top-heavy that he should be counter-point. But to who? Baby is so lightweight for most the movie that he cannot be counterpoint to Fox and Spacey at the same time.

Over-rated to a scary degree. No wonder no two people can agree on anything anymore.
2017-07-14
A summer film so cool that air-con is optional.
There's something inherently appealing about the concept of a getaway driver.  A skillful 'bad-boy', but not normally bad enough to actually DO the nasty crime stuff…. merely be an active accomplice to it.  As a result, it's a subject that the movies have returned to time after time.  I'm old and crusty enough to remember being wowed at seeing Ryan O'Neal in Walter Hill's "Driver" on the big screen in 1978. And well before that, as a kid, my poor departed mother used to be driven crazy by me begging her to take me to see "The Italian Job" (the original 1969 version) YET again… probably the greatest getaway chase in movie history: I must have seen that film at least 20 times in the cinema. Of course more recently we've also had Ryan Gosling and Carey Mulligan in "Drive" on the same theme. 

But with Edgar Wright at the helm, a big name cast and an enticing trailer, I had high expectations for "Baby Driver" – and boy was I happy! This is such a seriously cool film on so many levels.

Opening with a bank heist followed by a kick-ass car chase, we follow 'Baby' (Ansel Elgort, "Allegiant", "The Fault in our Stars") as a tinnitus-suffering, music-infused getaway driver under the thumb of the criminal overlord Doc (Kevin Spacey, in icy Frank Underwood mode). Doc recruits an ever-changing mix-tape of villains for each job, including the psychopathic and appropriately named 'Bats' (Jamie Foxx, "Sleepless"), the chillingly dangerous Buddy (Jon Hamm, "Mad Men", "Keeping Up With The Joneses") and his "Bonnie-style" wife 'Darling' (Eiza González) and the moderately incompetent JD (Lanny Joon) (who changed his neck tattoo of "HATE" to "HAT" since it improved his job prospects…. "everybody loves a hat"!).

Baby's life gets more complicated when the hoods become aware of his fledgling relationship with fellow-orphan Debora (Lily James) a waitress in a diner and another lever to keep Baby locked into the job that he is just so, so good at.

On the surface this might be perceived as being just another good excuse for a lot of CGI-driven car stunts in the style of "The Fate of the Furious". But no. Firstly, as Edgar Wright declared before the special screening I saw, all of the car stunts were actually performed for real on the mean streets of Atlanta (and hats off to the film's stunt coordinator Robert Nagle and his team for these).  And secondly, the car scenes are almost secondary to the fabulous story and character development in the film. The script (also by Edgar Wright) is just brilliant. There are genuinely laugh-out loud moments in the movie, with one of the highlights for me being JD tasked with procuring Michael Myers "Halloween" masks for a heist. If you don't find this scene hilarious, you are not human – official.

Elgort is really strong in the lead role, and suggested to me that if the role of the young Han Solo in the upcoming Star Wars spin-off hadn't already gone to Alden Ehrenreich, then here was a very strong contender.  All of the supporting roles are strong (as you would expect from such a stellar cast) with Jon Hamm being a standout, appearing truly demonic in the closing scenes.  The one role I was less sure about in the film was that of Lily James, whose performance as the 'sweet as apple pie' waitress seemed a little too "animated" for the big screen in the early scenes - I remember an acting class by Michael Caine where he advised that given the size of the movie screen 'stillness was good' sometimes. What works well on the small screen (I am a big fan of her roles in historical TV dramas like "Downton Abbey" and the impeccable "War and Peace") perhaps sometimes needs modifying for the wide-screen experience. I greatly warmed to her portrayal in the action sequences later on though: she's a great actress and one that this film can hopefully now propel into the higher echelons in Hollywood.

Another star of the film is the fabulous soundtrack coordinated by Oscar-winner Steven Price ("Gravity") featuring (amongst many other classics) Queen's "Brighton Rock", Golden Earring's "Radar Love", the Simon and Garfunkel classic (obviously) and Bob & Earl's "Harlem Shuffle", all used to brilliant effect.  This latter track leads me on to some early Oscar predictions:  if this film doesn't get nominated this year for Oscars for Best Editing (Jonathan Amos and Paul Machliss, "Scott Pilgrim vs the World") and Best Sound Editing (Julian Slater), then there is no God! The "Harlem Shuffle" coffee run sequence is a masterclass in editing and direction.  Starting off with what I thought might turn into a tribute to "Saturday Night Fever", the scene neatly takes on a style all of its own. It's use of – erm – "subtitles" is just brilliant.

The often subtle, and occasionally not so subtle, edits between scenes are also truly masterful, making this moviegoer laugh-out-loud with delight periodically at the movie-making skill on display.

All of this is orchestrated by Edgar Wright as director who – for me – has been a little inconsistent over the years (loved, loved, loved "Shaun of the Dead" and "Hot Fuzz";  "The World's End" – not so much).  Here, he delivers in spades and this film rockets immediately into my Films of the Year list for 2017.  Awe inspiring. 

Beg, steal, borrow, rob a bank - - do what you have to, but make sure you catch this film on the big screen.

(For the full and graphical version of this review please visit bob- the-movie-man.com or One Mann's Movies on Facebook. Thanks.)
2017-06-21
This Year's Smartest Thrill Ride has Arrived, and Baby's Driving
The opening bank heist sequence -- set to the backdrop of "Bellbottoms" by The Jon Spencer Blues Explosion -- is indication enough that Baby Driver is, quite literally, driven by its music, and I'm so glad I went along for the ride. Edgar Wright's latest film is a stroke of pure genius.

Baby (Ansel Elgort) is a getaway driver for some pretty nasty people. Of course, he doesn't ever partake in the actual heisting -- expressing distaste in blood and gore at nearly every turn -- as he just waits outside for his crew (different every time), jamming out over sweet tunes to drown out his tinnitus. Or, as gang leader Doc (Kevin Spacey) puts it: his "hum in the drum."

During one of Baby's regular coffee runs he meets Debora (Lily James), a diner waitress who's cheerful energy evokes within him a desire to escape from the business that started out as debt fulfillment -- "to head west on the 20, in a car we can't afford, with a plan we don't have." The problem, and the main source of conflict, is how difficult it actually is to get away from the getaway profession. And with such note-perfect direction from Wright, we are swiftly guided through this musically driven experience that uses its melodies -- from the likes of Queen, Martha Reeves & The Vandellas, The Shake, The Five Stairsteps and many others -- to enhance the narrative. Much like La La Land did last year. It's like a musical in disguise!

It's also really innovative in the way that it comes across as an elongated dance routine; never before have we seen a film that matches the rhythm of its music -- all chosen before writing the script -- with the beats of sound, movement and dialogue scattered throughout, in the way Baby Driver does. Fasten your seat belts, people. This is one ride you won't want to miss out on.
2017-07-07
"Baby Driver" delivers, even if it doesn't quite make a clean getaway.
I am someone who has enjoyed Edgar Wright's work immensely. In fact, Hot Fuzz is one of my all-time favorite comedies. So obviously, I went to this movie with high expectations, knowing how much he can deliver a good time at the movies. After seeing it, I can say he most certainly did, although some things did drag it down from it standing toe-to-toe with his best.

First, the positives: the music direction is phenomenal. Nearly all the soundtrack utilizes a vast selection of music from the past 50 years, and it's clever in how it doesn't use super-overplayed songs (with a few intentional exceptions) and instead uses music most people have never heard before. This does a wonderful job of emphasizing Baby's encyclopedic love for music. How the film cuts with the music is truly a work of art. Each chase scene felt like a exciting, but focused rush I usually don't see in summer blockbusters.

The main character, Baby, has a backstory and arc that feels completely natural. His decisions throughout the film make sense relative to his situation, and Ansel Elgort does a great job portraying both social awkwardness and focused training. Most of the other characters are funny as well. Although I do feel like they could have fleshed out some of them more, most of them do get the job done. It is a bit disappointing, however, considering that even some superhero films this year did a better job with building their characters. Jamie Foxx does a stand-out performance which bought out most of the laughs for me.

Now for some drawbacks: the love interest fell completely flat for me. While Lily James' performance is solid, the material feels, well, a bit lacking. I felt they needed to better justify her and Baby's strong emotional bond. Since that spark isn't quite there, I ended up questioning why she played along with the events of the movie. That reason isn't quite given and it is distracting. Also, while the music is great, there are brief moments where they use a more traditional film score. If they wanted to show this bond Baby had with music, they should have completely immersed us in his ears, which they do, but in a couple scenes I felt as though they forgot or phoned it in. Silence can sometimes be as powerful as score, especially when it contrasts.

Despite some gripes, I do think Wright has made another solid addition to his short, but impressive, library of work. I do recommend you see this one in the theater if you get the chance, because we all know the last thing we need is another Edgar Wright film to bomb at the box office.
2017-06-28
Fun action-crime flick that is unrealistic and a tad bit overrated
Is it a fun movie? Besides the boring parts of it (and there are plenty of boring portions), yes. But is it an Oscar-worthy 10/10 or 94% score on RT the reviews and ratings would have you believe? No.

Baby Driver is a fun, if yet awfully unrealistic action-heist-crime flick. While parts of it excel, parts also falter; it's not a perfect movie. The main character's driving strategy is a good metaphor for its quality: speed forward, hit brakes, then go backwards in reverse; it's all over the place.

However, overall I did like it and it is good. I just don't quite understand how a movie this unrealistic scored so high with critics. Usually movies with this much deus ex machina don't fare as well overall. But if you are in the mood for action packed mindless entertainment, it does a good job in that department keeping you entertained. And it has some laughs mixed in.

6.5/10
2017-08-19
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