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Purchase Modern Times (1936) Movie Online and Download - Charles Chaplin 🎥
Drama, Romance, Comedy
IMDB rating:
Charles Chaplin
Paulette Goddard as A Gamin
Henry Bergman as Cafe Proprietor
Tiny Sandford as Big Bill
Hank Mann as Burglar
Stanley Blystone as Gamin's Father
Al Ernest Garcia as President of the Electro Steel Corp.
Richard Alexander as Prison Cellmate (as Dick Alexander)
Cecil Reynolds as Minister
Mira McKinney as Minister's Wife (as Myra McKinney)
Murdock MacQuarrie as J. Widdecombe Billows
Wilfred Lucas as Juvenile Officer
Edward LeSaint as Sheriff Couler
Storyline: Chaplins last 'silent' film, filled with sound effects, was made when everyone else was making talkies. Charlie turns against modern society, the machine age, (The use of sound in films ?) and progress. Firstly we see him frantically trying to keep up with a production line, tightening bolts. He is selected for an experiment with an automatic feeding machine, but various mishaps leads his boss to believe he has gone mad, and Charlie is sent to a mental hospital... When he gets out, he is mistaken for a communist while waving a red flag, sent to jail, foils a jailbreak, and is let out again. We follow Charlie through many more escapades before the film is out.
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A Satirical Masterpiece
Modern Times is a satire on capitalism; it highlights the drawbacks of the Industrial Revolution and how machines have burgeoned into a menace, dominating all aspects of human life. It is the story of an industrial worker who is trying to cope up with the various social and economic changes; generated with the advent of industrialization. It portrays how capitalism can push an individual to the periphery of the society. The first shot transforms from a flock of sheep to a crowd of people .Idea associative montage has been used to portray that human beings have lost their individuality and their lives are dictated by a social dogma. The movie was made when the world was going under an economic crisis and the political undertones employed, in this movie, are very conspicuous. Charlie Chaplin is shown as an industrial worker who is trying to cope up with the industrial and social changes. The movie is about his constant conflict with capitalists, police and the society in general; the movie is definitely a landmark in comedy. The impeccable humor timing of Chaplin makes him one of the greatest entertainers in film history; but despite being a comedy one cannot help but wonder about the various political and connotations made in a satirical and humorous way. The movie, in a subtle way, highlights the plight of the working class who are often exploited by the capitalists. The movie was made after the great depression during which thousands of people were unemployed and many families starved to death. The movie was light years ahead of its time and delivered strong thoughts in the form of humor; the movie has a lot memorable scenes which make us laugh and think at the same time. This movie is undoubtedly one of the greatest comedies ever made; made by a genius who was not only a great film maker but also a greet visionary. This piece of art has stood the test of time and has been appreciated by people of all ages. This movie serves as a testimonial to the artistic and creative genius of one of the greatest entertainers to have graced the celluloid screen.
Still fitting for these Modern Times of Smart Technology
Some of its relevant, and some of it not. This takes a look at the mechanization of society intermixed with the slapstick humor and physicality of Chaplin's acting. There's a reason why people still love to this day. Its part of my film history class that we watched it. Give it an honest look. For a silent movie made during the talkies era, surprising that it did so well.
As long as there is unemployment, poverty, or unhappiness in the work force, Modern Times will stand as a truly timeless masterpiece!
Charles Chaplin's 1936 masterpiece, Modern Times, reinvents its own title. It transcends what were "modern times" in 1936, and it every bit as relevant and powerful in 2005, our "modern times." A story of man vs. machine, individual vs. "the system," and hope in the face of a world that seems to have grown apart from humanity, Modern Times is an inspiration! It is not inspirational because of the laundry list of problems facing our heroes, but because of their unrelenting resilience, their ability to "Smile" at the end of it all. Chaplin social commentary is presented in a satirical, yet optimistic, way, so that we are free to recognize the size of the problems at hand, but never allowed to sink into the hopelessness that such troubles often bring. We are led by Chaplin through a tumultuous time in American history; one of labor disputes, high unemployment, poverty, and despair. Fortunately we are guided by The Tramp, in his final screen appearance, all the way to the light at the end of the long, dark tunnel, his humor and pathos as poignant as ever. Through his phenomenal brand of physical comedy and ingenious directing, we see that all we need to do is smile, and not give in to the world that surrounds us, and we will see a brighter day. An extraordinary film of great power, with a message that should be seen by anyone who has ever struggled through a hard time in their life! A masterpiece!
Modern Times
In the 1930s, technology was increasing faster than people could've imagined 30 years ago, and factories were simply becoming normal at this point. The world was moving faster than ever before, and I'm sure the workers at the factories couldn't help but feel like they were being used as just another cog in the machine. "Productivity" became more important than the workers well being and big company bosses - as well as the machines themselves - seemed to be controlling the workers. The machines seemed to be taking jobs from the actual human beings and this feeling is perfectly conveyed in Charlie Chaplin's great "Modern Times".

I don't need to go into an in depth analysis to point out the parts of the film that convey these points but the most impressive aspect of this film is how genuinely funny it manages to be while making this point. From the lunch machine and the Tramp's mental breakdown to the entire jail scene, this is by far the funniest Chaplin movie I've seen yet, and one of the funniest silent films I've seen.

Speaking of the lunch machine, the film's main point is perhaps portrayed with more clarity and hilarity in this scene than any other scene in the film, and that point is this: Humans aren't machines, and machines aren't perfect, and neither of those should be treated as such.

As well as that bit of commentary it has a sweet story involving a young homeless girl and the Tramp and an optimistic ending in which they literally walk off into the sunset. It may sound trite, but in this story there's no telling if they'll be OK, the important thing is that they believe they will and they shouldn't stop trying, and that seems to be the most important thing to Charlie Chaplin, who seems to convey this message in one way or another in every film he makes.
As relevant today as it was then - and still very funny
Part satire, part slapstick comedy, part melodrama; the great pioneer of film, Charles Chaplin, has created his own monument with this film. At the same time, "Modern Times" was Chaplin's last goodbye to the era of silent film - which, remarkably, had already ended almost a decade earlier.

After nearly 80 years, this screen marvel still makes me laugh, cry - and think about the ongoing automatization of practically every trivial little thing in our lives. Modern times, indeed.

To me, this film is as entertaining and funny today as I imagine it was then, and it's certainly as relevant as it was then.

The tramp still rules. My vote: 9 out of 10.

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The Tramp goes out with a bang...
The arrival of sound to films in 1927 (in the movie "The Jazz Singer") was definitely a major turning point in history of cinema, and one that would have enormous consequences in the motion picture industry of those years. Only 2 years after "The Jazz Singer" was released, sound films ("talkies") became the dominant format in cinema, and slowly the silent era reached its end and with it the careers of those who couldn't make the transition. Of course, sound faced harsh opposition from many prominent artists of silent movies like directors Sergei Eisenstein and Charlie Chaplin, who felt that sound diminished the art of cinema instead of elevating it. Soon, both directors would find themselves forced to get with the times and make the transition, but Chaplin wouldn't quit without a last laugh. 1936's silent movie "Modern Times" would be Chaplin's sweet farewell to his beloved silent era, and with it, to his most famous character: the Tramp.

"Modern Times" is the story of a factory worker (Chaplin as the Tramp), who works at an assembly line in an enormous industrial facility. The constant overworking begins to take its toll in him and suffers a mental breakdown that sends him to the hospital. After his recovery, he discovers that he is no longer an employee, as the workers are on a strike, and are now marching towards the factory. By a weird series of circumstances, the Tramp is arrested after being confused with a Communist leader, and sent to jail where he spends literally the best time of his life. After being released for good behavior, he finds himself again jobless and on a very difficult condition, so he plans to return to jail as soon as possible; however, his plans will change after he meets an orphan girl gamine (Paulette Goddard), who is living in a harshest condition than his.

As usual, "Modern Times" was not only a movie directed by Chaplin, but also written and produced by himself; and once again he returns to his familiar mix of drama and comedy that he had been perfect over the years with monumental classics like "The Gold Rush" and "City Lights". This time however, Chaplin takes a more politically charged approach and fills his comedy with his ideas about the harsh life of factory workers, dehumanization, and the Great Depression. While this often unsubtle use of comedy as an outlet for his ideologies could had been damaging for the story in other writer's hands, Chaplin creates a joyfully optimist and very humanist plot that helps to make easier to enjoy and understand the overtly political tone of the film. The story is written in an episodic form, but it flows with nicely thanks to its nonstop series of excellent gags that keep the fun coming.

Visually, the movie is probably Chaplin's greatest artistic achievement, as he extends the themes of his screenplay to the overall look of the film. With a clever use of montage (obviously inspired by Soviet filmmakers) and several nods to German expressionism, Chaplin brings to life his vision of society slowly transforming into a industrialized monster where there is hardly any place for love and happiness. The excellent art direction by Charles D. Hall and J. Russell Spencer is an essential piece for this and it's definitely a highlight of the film, as it truly makes "Modern Times" feel "modern". While for the most part Chaplin manages to keep a good balance between the drama and the comedy of the film, he can't help but fall on excessive sentimentalism, making the film feel a bit too preachy at times.

The main cast, as in every Chaplin movie, is remarkable in their performances, and each one of them truly add a lot of their personalities to their roles. As his most famous character, the Tramp, Chaplin here is pure gold and as always, he fills the screen with his charming presence and enormous comedic talent. His body control shines in several scenes of slapstick comedy that are nowadays classics, and he also shows off his total domain of pantomime as he easily transmits the audience that joyful optimism that has become the Tramp's trademark. As the Tramp's counterpart, Paulette Goddard is simply beautiful, displaying a natural charm and freshness that makes her character the Tramp's best sidekick since Jackie Coogan in "The Kid".

While this movie was supposed to be Chaplin's first "talkie", he quickly dismissed the idea as he considered that his Tramp character worked better without speaking; so with this in mind the legendary comedian decided to transform "Modern Times" into a hybrid: a "talkie" in the silent era style, where every sound in the film is audible except the human voice. In fact, the only spoken voices that become audible are the ones that come out of machines (radio for example), keeping in touch with the script's themes of humanity trapped by the modern industrial nightmare. This could also be seen as Chaplin making fun of "talkies", as while technically he shot a movie with sound, he faithfully followed classic conventions of the silent era like title cards and specially, the pantomime style of acting.

"Modern Times" is without a doubt one of Chaplin's best films, and one of the most interesting comedies of all time. While it kind of lacks that naiveté that made "The Gold Rush" such an amazing experience, it offers a new and more sophisticated style of comedy. As the last movie of the silent era and the Tramp's final on-screen apparition, "Modern Times" is a timeless classic that even today helps us to remind that despite the advent of the modernization, there's still place for happiness, as in the Tramp's words, "Buck up - never say die, We'll get along." 9/10
the end of an era
Charlie Chaplin had resisted the influence of 'talkies' for over half a decade, but not even an artist of his enormous talents (and ego) could stall the march of progress indefinitely, and so the Little Tramp's swan song shows the strain of a compromise between the freedom of silence and the straitjacket of sound. The distinction may be subtle, but 'Modern Times' is not so much a silent film as it is a sound film without sound, and Chaplin's tramp is all too clearly an anachronism among the humming dynamos and labor unrest of the 1930s (he might have called the film 'Changing Times'). Enough echoes of the old days remain to qualify it as a classic (including the mad dance through the factory and another great roller skating routine), but after his earlier 'City Lights' his sense of humor would never again measure up to his social conscience, and the hope with which the Little Tramp faces the future at the end of the film is not nearly so clear as Chaplin's regret at leaving silent film behind.
Charlie Chaplin's own deeply impoverished past plays an extensive role in the theme of his film Modern Times, which is probably the most potent of his dozens of films that deal with the difficult lives of th
It is a testament to Chaplin's filmmaking skills that he is able to impose such significant meaning on what really boils down to little more than a series of comedy skits strung together on an apparently flimsy clothesline of a plot. Indeed, the cinematic value of Modern Times is unquestionable, but it is ironically noteworthy that such a simple and even blocky plot is made into such a memorable film experience and delivers such a strong, time-transcending message about poverty stricken populations.

It is no secret that Charlie Chaplin was more or less dragged into the sound era against his will. In the early part of the 20th century, he had built a tremendous career as a silent film actor, and had created a character, the Tramp, that was purely a silent film character who could not be transported into the sound era. Charlie had built his career and his popularity with the Tramp, and the coming of sound to the cinema meant the end of that character (as illustrated by Robert Downey Jr.'s Charlie Chaplin in the 1992 film Chaplin, `The Tram CAN'T talk. The minute he talks, he's dead.'). Chaplin delivers to the world a cynical satire about modern technology as well as his own ode to the silent film with Modern Times.

Charlie plays the part of a man who works a dehumanizing position in a factory in which he is little more than a component of a machine, and he is controlled like a pawn by the menacing boss, who we see mostly as a looming face on a tremendous television screen. Clearly, the most memorable scenes in the film involve something to do with the factory, such as Charlie's brief trip into the innards of the machine, as well as his warm-hearted efforts to feed lunch to a man who has inadvertently become lodged in a machine, with only his head free. However, there is a very noteworthy but fairly subtle subplot that quietly reveals Chaplin's fondness for the silent film.

The first and most obvious thing is that for the most part, this is a silent film. There are intertitles, there is precious little dialogue, and the film's main character doesn't utter a sound until near the end of the film. But there are also a lot of other things that more subtly hint that silent films are better than sound films. For one thing, the only intelligible words spoken in the film are done so through some sort of barrier. There is the factory boss speaking demandingly through the television screen, and the feeding machine company speaking through the radio as they try to sell the feeding machine to the factory boss. This becomes the most obvious by the fact that anyone speaking on screen - such as the factory boss as he tells the men that the feeding machine is not practical - only does so in intertitles. We know that dialogue can be put in the film, but Chaplin chooses only to do this in a detached and mechanized way.

There is also a very strong example of Chaplin's endless sympathy for poor people at several points in this film. The most significant example of this is his interactions with the Gamin, played by Paulette Goddard, as well as his nearly constant contempt toward the police. After the scene where he gorges himself at a small diner (note that the window said `Cafeteria: Tables For Ladies'), he casually calls an officer into the diner and tells him to pay the tab, unable to pay it himself. As he is handcuffed to the officer, he gets a cigar from a nearby vendor and hands some large candy bars to a couple of small children nearby, who look to be the type of children who are never sure where their next meal is going to come from.

Charlie plays a hard working, lower class man in Modern Times, and no matter how badly he just wants to get some good work and earn a living so that he can buy a house for himself and Paulette, things constantly seem to go wrong for him. It seems that this bad luck is used to suggest that poor people are not poor as a result of their own shortcomings, but because they just can't seem to work their way up to a better life, no matter how hard they try. This social commentary is intertwined with such skillful intricacy with the story about Chaplin's love of silent film that there is really no switching back and forth between the two. Modern Times strikes me as especially memorable because it is a very simple story that is punctuated by a series of comedy skits, yet it also delivers several different messages that are important to society as well as to the filmmaker himself. In this way, the movie almost seems to deliver these strong messages without the audience even being aware that they are being presented with these issues. It is a great way to mix entertainment with important societal topics, and Charlie's decision to finally have the Tramp utter vocalized speech is done so in an endlessly watch-able song and dance scene, adding to the immeasurable number of film skits for which Charlie Chaplin will be remembered and loved.
A deep masterpiece with great sense of humor
This classic film is a masterpiece of the genius called Charlie Chaplin.A true piece of art with great acting and humor (as always ). Chaplin's vision was beyond his time and he clearly show us in his film how machines will turn humans to useless beings who can't even eat by themselves. In a scene, especially we see Chaplin inside a machine.That's something that I find pretty accurate with how we all are so addicted to smartphones etc . I totally recommend everyone to watch it .You will enjoy it
Monkey wrench...
Along with Fritz Lang's METROPOLIS, Charlie Chaplin's MODERN TIMES ranks as one of the greatest (and earliest) examples of the sorry plight of the working poor. MODERN TIMES begins with a shot of a clock (a time clock?) before cutting to a shot of sheep being herded along (to their deaths?), followed immediately by a shot of a herd of workers pressed shoulder to shoulder in their haste to get to work. Not exactly subtle, but the point is made. When The Assembly Line Worker (Chaplin) is selected to test an automatic worker-feeding machine (which will allow the workers to continue working during lunch), the contraption proves impractical. Not long thereafter, The Worker has a nervous breakdown and ends up quite literally caught up in the gears of The Machine. He's extricated and hauled away to a hospital. (Which means that he has better health care coverage than I ever did...) No sooner has he been released from the hospital than he's mistaken for a labor leader (a "communist") and hauled off to jail. He does his time, then meets a homeless girl ("the gamin") and they fall kinda sorta in love. He vows: "We'll get a home! Even if I have to work for it." And so it goes, from one f---ed up situation to the next. MODERN TIMES could very well be "rethought" for today's audiences, though I seriously doubt anyone could come close to what Chaplin wrought.
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