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Purchase Pan's Labyrinth (2006) Movie Online and Download - Guillermo del Toro 🎥
USA, Spain, Mexico
Drama, Thriller, War, Mystery, Fantasy
IMDB rating:
Guillermo del Toro
Ivana Baquero as Ofelia
Sergi López as Captain Vidal
Maribel Verdú as Mercedes
Doug Jones as Fauno
Ariadna Gil as Carmen Vidal
Álex Angulo as Doctor
Manolo Solo as Garcés
César Vea as Serrano
Ivan Massagué as El Tarta
Gonzalo Uriarte as Francés
Francisco Vidal as Sacerdote (as Paco Vidal)
Juanjo Cucalón as Alcalde
Storyline: In 1944 falangist Spain, a girl, fascinated with fairy-tales, is sent along with her pregnant mother to live with her new stepfather, a ruthless captain of the Spanish army. During the night, she meets a fairy who takes her to an old faun in the center of the labyrinth. He tells her she's a princess, but must prove her royalty by surviving three gruesome tasks. If she fails, she will never prove herself to be the the true princess and will never see her real father, the king, again.
Type Resolution File Size Codec Bitrate Format
1080p 1920x1080 px 8563 Mb h264 10071 Kbps mkv Purchase
HQ DVD-rip 720x480 px 1725 Mb mpeg4 2028 Kbps mp4 Purchase
DVD-rip 528x288 px 701 Mb mpeg4 824 Kbps avi Purchase
fantasy does not live here
Just seen the movie only now out on Swedish screens. What a disappointment. I prepared myself for a beautifully done fantasy movie (judging from the trailers and the awards) and instead... instead I had a few scenes of fantasy in the context of a pseudo-historical Z movie, with trashy violence (that I found completely non functional to the story) and psychologically inconsistent characters. The movie looses tracks so many times you start thinking you are watching something that has not yet gone through a serious cut. Yes, you will notice a lot of post-production, but what about the cohesion and the necessity of the different scenes... do they hold? Ajajaj Gullermo Del Toro... what did you want to do with this movie? Why couldn't you choose a theme? You ended up making a weak hybrid that does not convince either the fans of splatter nor the fans of fantasy movies.

Go back to school.
a Spanish-speaking fantasy movie that will thrill the World
I was eagerly awaiting the release of the movie since I first heard of the project, and even more after seeing the trailers. I was not disappointed.

Arriving at the cinema, the cashier told me this movie is subtitled because in Spanish, and asked me if I was put off. I answered that I was expecting it, and this was very important to my eyes. Indeed, Guillermo del Toro did amazingly well to resist any pressure or any temptation to shoot the movie in English, but I really think there was not even a doubt as to what language to use. This adds to the magic and the beauty of the movie.

I am running out of superlatives to describe the movie, and my advice would be to go and see it for yourselves. It's a compelling tale of sadness, hope, innocence, passion, love, hate, power and drama. We are torn between two worlds: on one side the magical world of Ofelia, with its fairies, and on the other the cruel reality that is war. Both are extremely well mixed together and we are continuously drawn from one to the other with virtuoso handling from del Toro.

The actors were all superb. Having seen Sergi Lopez from its french movies I was really blown away by the performance he gives as the Captain. Ivana Baquero is just perfect as Ofelia, and Maribel Verdu gives also a great performance. The supporting roles (particularly the doctor) are also very strong.

I really hope Guillermo del Toro gets the recognition he greatly deserves, and wish this movie to stay on as one of the best of its kind for many decades to come. I can only conclude by advising you to see it and to be prepared for a lifetime experience
A masterpiece
This movie is a Mexican-Spanish co-production and in my opinion a Guillermo Del Toro 's masterpiece. If we defined a masterpiece as a content or form who finds an adequate expression in an art form then this movie is one . There are so many things to talk about but let's start with the photography that have an outstanding quality , it's almost like paintings . The screenplay unite 2 separate worlds , the world of fantasy and the post war era in Spain in a very wise way. Being Spanish myself I recognize many of the things the screenplay talks about . The actors and actresses do a once in a lifetime performances , for me this movie is a casting miracle . Ivana Baquero, Maribel Verdú ( in a performance full of dignity and courage), Sergi Lopez ( his fascist is a terrible character but he gives him humanity ).The music score by Javier Navarrete is full of subtle details and good orchestration .And the movie never takes the easy way , it's full of logic and good storytelling . A truly great movie that one cannot miss, be in cinemas or DVD.
Nice production value, meh story, boring characters
This movie had great cinematography and special effects as well as good acting. The basic idea for the story is a cool one, but the war-drama story line is just so boring, even though it is well made. It just goes on and on without really going anywhere, there is no clear goal for the story to reach.

Then there is a fantasy story line, which I found to be cooler and more thrilling then the war drama story line. But both story lines are kinda destroyed by the flat and uninteresting characters. My last point is that I didn't get the point or the message of the movie. It isn't a movie without any depth, but as the movie ends, there is no feeling of an appeal, the story is just... over.

Quite nice to look at, good acting and a decent soundtrack, but also filled with boring and flat characters and an interesting story idea, but it had no special appeal and just continues without increasing.
Good, but not as good as they'll have you believe
I went into this movie with no expectations, except that I'd see a Spanish-language, adult-oriented fantasy film with English subtitles. I think unmet expectations can hurt people in two ways: either the film disappoints them and they are overly critical as a result, or they are disappointed but too biased to admit it. I think the latter has led to an exceedingly generous rating for this particular film. Is it good? Yes. Is it the 65th best (according to current IMDb ratings) movie of all time? Not even close.

It is an interesting, original story. Virtually every actor appearing in the film is superb. The imagery is magnificent. Like I said, it is a good picture. However, I am puzzled as to why it is praised so highly. I would have a greater appreciation for the film if its adult-oriented nature was due to its substance, such as an intellectual, sophisticated and enigmatic storyline. It is adult-oriented, however, merely because of a few choice phrases and displays of graphic violence. This is not a film that is breaking new ground. It is too simplistic throughout, becomes fairly predictable, and lacks fluidity. The unimaginative way in which the fantasy elements come and go was a real put off. The 65th best movie of all time should have the fantastic elements blended seamlessly with the human elements. It should continue being original throughout. It should challenge the viewer in new and engaging ways. It should not merely curse, show some blood, and have pretty imagery.

Please, see this movie and enjoy it. I truly did. I also, however, allowed myself to make a realistic assessment afterward. I expect that the rating will come down as the novelty of an adult-oriented fantasy picture wears off. Maybe I missed something, but I doubt a specious film like this can conceal such intricacies.
NOBODY expects the Spanish Inquisition!
And I didn't expect what I got when I saw Pan's Labyrinth, either. Based on the marketing, the reviews, the previews, the buzz, etc., I was looking forward to a moving, visually rich mythopoetic tale that would feed my spirit and inspire my imagination. What I saw instead was a bloody, disgusting, depraved, amoral, aspiritual, nihilistic, and ultimately pointless horror film that fried my nervous system, left me furious, and made me fearful for any culture that embraces this sort of psychotic trash as art.

I signed up with IMDb just now for the sole purpose of warning others like me away from this soul-abusive celebration of torture, blood lust, killing, and graphic ultraviolence. I'm so glad I didn't see this in a movie theater, as it would have been severely traumatizing. Thankfully, this nightmare was a rental DVD from the local video store and I'm headed out the door to return it as soon as this review is posted. I don't want this sadistic violation of my senses and my spirit in my home any longer than necessary.

If you are a sensitive person with a kind heart, a vivid imagination, and a rich inner life, do yourself a favor and do NOT expose yourself to this psychotic splatterfest.
Superb performances
It is Guillermo del Toro's best film ( 22 minutes ovation at Cannes). Del Toro gets a brilliant film but also superb performances from all involved, particularly from Sergi Lopez as a brutal Fascist army captain Vidal and Doug Jones (Abe Sapien from del Toro's Hellboy) as the Pan and the wonderfully disturbing Pale Man. But the real find is Ivana Baquero (12 years old) as the young heroine Ofelia. She gives one of the best performances from a child actor we have seen since Haley Joel Osment in The Sixth Sense. Come to it unprepared and with your mind wide open and you will be rewarded with one of the best films of the year."
A somewhat disappointment
Ofelia is a small girl who loves books for their fairy tales. After she moves with her mother in her stepfather's camp, she is visited by a fairy who leads her to an old, magical labyrinth. There, a creature called Faun tells her that she's the daughter of the underground world king and that he was sent to get her back. But in order to prove that she hasn't become a mortal, she must complete three difficult tasks. Meanwhile, her mother struggles between life and death due to her pregnancy and her stepfather (a general of the Spanish army), a tough and almost soulless being, tries to find and eliminate a local rebellion who was being helped by "spies" infiltrated into his camp.

This is an emotional story, having two separate worlds running at the same time. A harsh human world dominated by the captain and his unhuman behavior and a fantastic world in which Ofelia tries to become someone she's only dreamed of. It's a good story but unfortunately it's being overwhelmed with violence, treason, lies, guns and death while the other world occupies only a small part of the movie and even that isn't as impressive as I hoped. The ending is split between the two worlds. A great one and a tragic one but you'll have to see the movie to find out which is which. Overall, I had a good time watching it but to be honest, I was expecting more from a movie who's in IMDb's top 100.
Extremely Violent and Depressing
There is no debating that "Pan's Labrynth" is a well made movie, but it is so relentlessly violent, sadistic, and depressing; that I could not enjoy it.

Judging by the popularity of this film on this website and the professional reviews, apparently the amount of sadistic violence does not bother most people. I have certainly been able to sit though my share, but this film was so repulsive that I cannot say I had a good time watching it.

I go to the movies to be entertained, not repulsed. "Pan's Labrynth" certainly has many attributes, but don't say I didn't warn you. If you like films like "Saw" and "Hostel," the violence will not bother you. If you are squeamish, you should stay away.
Characters are just stereotypes
After reading all the positive reviews and being a great fan of Maribel Verdu (since her role in "Amantes"), I had great expectations before seeing this movie. Quite honestly, I was disappointed. The characters lack depth. All falangistas are incredibly bad and sadistic, and all nationalists republicans are good in this movie. Stereotypic. If Del Toro wanted to make Capitan Vidal really terrifying, he would have made a little bit more sympathetic at times, like "Landa" in Inglourious Basterds - probably the most terrifying nazi ever on the silver screen. Vidal could at least have been a little bit concerned for his wife when she was bearing his unborn son. But now, he is a facha macho, so he can not show emotions at any time. Even the symbolism of the labyrinth is too easy : especially the end, where the self sacrifice of Ofelia is a clear sign of a Messias, including the invitation to sit at the right hand of her father in a sort of a pagan Trinity (with her mother). The cinematography however is wonderful and the actor perform well, but the scenario is just too shallow for my taste.
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