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Purchase Pulp Fiction (1994) Movie Online and Download - Quentin Tarantino 🎥
Crime, Drama, Thriller
IMDB rating:
Quentin Tarantino
John Travolta as Vincent Vega
Samuel L. Jackson as Jules Winnfield
Tim Roth as Pumpkin - Ringo
Amanda Plummer as Honey Bunny - Yolanda
Eric Stoltz as Lance
Bruce Willis as Butch Coolidge
Ving Rhames as Marsellus Wallace
Phil LaMarr as Marvin
Maria de Medeiros as Fabienne
Storyline: Jules Winnfield and Vincent Vega are two hitmen who are out to retrieve a suitcase stolen from their employer, mob boss Marsellus Wallace. Wallace has also asked Vincent to take his wife Mia out a few days later when Wallace himself will be out of town. Butch Coolidge is an aging boxer who is paid by Wallace to lose his next fight. The lives of these seemingly unrelated people are woven together comprising of a series of funny, bizarre and uncalled-for incidents.
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Is Tarantino Our New Kubrick?
It seems to be the fashion among film "intelligentsia" to give wild praise to the most incomprehensible and incoherent rubbish, sending the partly unspoken message that if you, the film-goer, do not get it, you are not smart enough to understand it. This applies to most of the oeuvre of the late Stanley Kubrick (with the exception of LOLITA, DR STRANGELOVE, and to a point A CLOCKWORK ORANGE), and it applies equally well to this odd and trashy bit of nonsense handed to us by Quentin Tarantino. To say that sitting through it was painful would be an understatement, but if that isn't bad enough, it is also incoherent and confusing (at one point the Samuel L Jackson character dies, if memory serves, only to show up alive later with no explanation given). Uma Thurman is striking to look at in that dark wig, and Travolta stretches what little acting talent he has, but I still to this day have no idea what the movie was about, and frankly, Tarantino failed to make me care very much.

Like most of Kubrick's work, this film is visually striking: the color palette in particular is stunning. But at the end of the day, how a film looks means nothing unless there is some substance underneath the surface, and if there is any here, I did not see it.

At the time this movie came out, the critics were falling all over themselves proclaiming that it represented a new direction for Hollywood films. Fortunately that seems not to have been the case.
For some strange reason, Pulp Fiction is regarded as a masterpiece, and its director a genius. According to some ancient legends, the movie is supposedly so awesome that most of its fans lose the ability to tell us exactly why it is so darn good.

One of my friends used to talk about how great Pulp Fiction was after he saw it with his stoner dad. I had of course heard positive stuff about it before, and decided to be polite and watch it when he showed up at my apartment with the DVD. We turned it off after maybe seven hours or so.

Some people will say: "but you didn't watch the last 20 minutes!!! It's the ending that is good!". I'm sorry, but I don't have to go outside and eat dog crap to know it's bad for me.

I really can't understand what's so great about it. When people talk about this piece of crap, they usually bring up the "distoibing" gimp scene, the fat Travolta dance or the part where the hit men accidentally blow the black guy's head off. Clap...clap...? My friend didn't even say why he liked it. He just had a blank look on his face and repeated: "bring out the gimp, bring out the gimp" over and over again.

Okay, so the last part didn't really happen, but I bet he only liked it because his father told him it was good. But why did his father like it? Drugs? I think many people brainwash themselves into liking Tarantino movies. "It's Tarantino, therefore it's good! It's Tarantino, therefore it's good!"

Had Tarantino made Pulp Fiction, Kill Bill or Inglorious Bastards under a pseudonym, people would just laugh and say "what kind of Uwe Boll garbage is this?".
What's the big deal?
I really don't know what the big deal is. This is obviously another one of those "highly intellectual" movies I am too stupid to understand. The critics compare it to "The Godfather"... I find that to be sacrilegious! I agree with one critic only when he states that the film "presents meaningless issues in an intensely-fascinating and almost lyrical fashion", and I would like to put a big emphasis on MEANINGLESS!!! How can something meaningless be good?

Another famous critic, Roger Ebert, claims "Seeing this movie last May at the Cannes Film Festival, I knew it was either one of the year's best films, or one of the worst. Tarantino is too gifted a filmmaker to make a boring movie, but he could possibly make a bad one..." That is amazing! One of the world's most acclaimed film critics watches a 'masterpiece', and right after that cannot decide whether it is really a masterpiece or garbage? Then he goes on to say, 'oh, but it can't be garbage if such an in-director made it, so it must be a masterpiece'. So much for competent individual judgment... I suppose you would not be able to call yourself a critic if you wrote that Tarantino simply screwed up this time...

In my opinion, the film has a ton of famous actors, an "in" director, and nothing else. The plot is practically non-existent, there is no message, no "higher" meaning, nothing but violence for the sake of violence..., and above all, it does not entertain either! If this is art nowadays, I want to go back to the past!
One of the best movies of the century!
If you think "Pulp Fiction" is brilliant, you're wrong. It's more than that. It's a milestone in the history of film making. It's already a classic. But why? Because of the many "f" words, or maybe because of the brain and skull pieces on the rear window of a car? No, that's surely not the point (unfortunately some other users - fortunately the minority - don't get it). Tarantino has made a movie that's someway different from many other action, gangster or crime movies. What's so different? He knows the subject of the movie is "cool", he knows it's a product of mass culture, and he even likes it by himself. But he smiles at it and tells three great stories with a lot of irony. And this irony is the first point. The second point is that he gave souls to extremely schematic characters. They surely aren't another action heroes who you forget as fast as you can twinkle. They are human beings like we are, talking about Burger King and McDonalds, about TV series and a foot massage. They just earn their money with killing others or selling drugs. What else is so great about "Pulp Fiction"? It's the acting, the directing, the cinematography, the soundtrack, the sense of humour and the whole rest. In my opinion it's all worth nothing less than a 10 out of 10. A masterpiece.
blood and f****** spirituality
I think one of the problems many people have with this movie is that it defined and set into motion an extremely irritating trend in contemporary film. The god-awful clones of Tarantino pouring out of indie and mainstream studios alike should not, however, detract from the brilliance and subtlety of this movie. It works simply because those moments of brilliance (I have to admit I know the whole "Jules redemption-speech" by heart) that its imitators lack come in the midst of the camp and gore they all do so well. Tarantino alone uses an adolescent obsession with shallowness and morbidity to high satirical effect--like all great films (or even novels), this movie sets itself into a two-dimensional genre (absurd, pop-culture, comic-book situations) and then undermines its own genre by exposing the heart and soul underneath. There are too many points in the movie in which this happens to mention, but a few come to mind: the blown kiss from Vincent to Mia at the end of the first (or maybe second) story; the death of Vincent; the obvious emotional dedication of Butch to his wife at the end of his own story; Vincent's unwillingness to believe in his own supernatural salvation without realizing he's doomed; and, of course, the climactic speech. With the exception of Jules's final words, many of these moments seem at first to be horrifying or funny--but this is only because they fit so well into the flow of the script. A second glance shows them to be moments so poignant that the only reason they work is because they are so unique to the characters and their situations. The changes in each (or the lack of change) come, in a sense, as they individually choose to either drive for them or fall behind. Most die-hard fans of the movie, I'm sure, have heard the story of the briefcase and the band-aids on the back of Wallace's neck (the entire movie being a quest to bring back his stolen soul), and although Tarantino has denied it, he can't deny that the movie is full of such heroic themes: escape by trial, the reclamation of past, love as both physical salvation and personal security, a will to believe in something beyond one's own selfish world. I won't say that if you don't like this movie that you're mistaken or ignorant, but I think that Tarantino puts his audience into settings much like his characters are in: cheap, full of profanity and nastiness, fleeting. The best of them break through; I think he asks that anyone watching do the same.
A piece of crap.
This movie is junk I've watched it twice I honestly don't see what people see in this garbage. Acting okay storyline garbage and predictable. I've seen this exact movie in 3 other totally different movies it's not original, it's an overrated thing just like breaking bad, game of thrones, the kardashians, and celebrity babies. This is garbage at its stinky's pulp fiction, pulp reality don't judge something on what other people think at the end of the day watch it,read it,play it,buy it, You have the power don't listen to me watch it you can be the judge. The movie isn't my favorite it sure isn't the worse its definitely not the best it's overrated and transformers is better.
It's Wild, It's Chaotic, It's Pulp Fiction!!!
My oh my. "Pulp Fiction" is one of those roller-coasters of a movie. It is both a joy and a trial to sit through. Amazingly original and unforgettable, Quentin Tarantino's trash masterpiece never gets old or seem outdated. It put a face on American independent film making in 1994. Miramax had been around since the 1970s and no one had heard of it before this film. Studios went into a panic when this film came out because they knew it would be an amazing hit. Of course it was. Independent film making became the rage and hit its peak in 1996 when four of the five nominated Best Picture films were from independent studios. The screenplay and direction by Tarantino are quite amazing, but the cast makes the film work. John Travolta (Oscar nominated) re-invented his career with this film. Bruce Willis cemented his celebrity. Samuel L. Jackson and Uma Thurman (both Oscar nominees) became marketable superstars. Others who make appearances include: Ving Rhames, Christopher Walken, Eric Stoltz, Rosanna Arquette, Steve Buscemi, Frank Whaley, Harvey Keitel, and of course Quentin Tarantino himself. They all leave lasting impressions as well. Samuel L. Jackson stood out the most to me, his lack of substantial screen time may have cost him the Oscar. Just an amazing accomplishment, all involved deserve recognition. Easily 5 stars out of 5.
Pulp Fiction may be the single best film ever made, and quite appropriately it is by one of the most creative directors of all time, Quentin Tarantino. This movie is amazing from the beginning definition of pulp to the end credits and boasts one of the best casts ever assembled with the likes of Bruce Willis, Samuel L. Jackson, John Travolta, Uma Thurman, Harvey Keitel, Tim Roth and Christopher Walken. The dialog is surprisingly humorous for this type of film, and I think that's what has made it so successful. Wrongfully denied the many Oscars it was nominated for, Pulp Fiction is by far the best film of the 90s and no Tarantino film has surpassed the quality of this movie (although Kill Bill came close). As far as I'm concerned this is the top film of all-time and definitely deserves a watch if you haven't seen it.
This movie is definitely the most overrated piece of sh*t ever.

No story, no plot, no message, just Tarantino so totally in love with his own "witty" dialogue.

The movie is empty in every sense of the word. In addition, it's also horribly boring and therefore ridiculously hard to watch. I always try to sit through every movie I start, but damn, with this one it was a hard task not to simply get up and walk away.

Pulp Fiction does not deserve to be on top of IMDb's list of best rated movies with actual masterpieces like "The Shawshank Revenge". The latter is a work of art, Pulp Fiction is merely a piece of sh*t dressed up as one and it's amazing how many people fall for it.
Pulp Trash
I have to agree with those reviewers that find this film disjointed, overly and unnecessarily violent, and just plain difficult to understand. I, for one, fail to see how this movie resurrected the career of John Travolta as his performance was just totally unbelievable. Focusing on what appears to be several unrelated life experiences, Tarrantino once again utilizes his penchant for violence, drug addiction, rape, and other assorted seedy topics. The plot (if you want to call it that) is non-existent and the scene involving Ving Rhaimes is just flat-out disgusting. For Tarrantino fans, this may be the ultimate. But for me, it's just not a good film.
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