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Purchase Reservoir Dogs (1992) Movie Online and Download - Quentin Tarantino 🎥
Crime, Drama, Thriller, Mystery
IMDB rating:
Quentin Tarantino
Harvey Keitel as Mr. White - Larry Dimmick
Tim Roth as Mr. Orange - Freddy Newandyke
Michael Madsen as Mr. Blonde - Vic Vega
Chris Penn as Nice Guy Eddie Cabot
Steve Buscemi as Mr. Pink
Lawrence Tierney as Joe Cabot
Randy Brooks as Holdaway
Kirk Baltz as Ofcr. Marvin Nash
Edward Bunker as Mr. Blue
Quentin Tarantino as Mr. Brown
Steven Wright as K-Billy DJ
Rich Turner as Sheriff #1
David Steen as Sheriff #2
Tony Cosmo as Sheriff #3
Storyline: Six criminals, who are strangers to each other, are hired by a crime boss Joe Cabot to carry out a diamond robbery. Right at the outset, they are given false names with an intention that they won't get too close and concentrate on the job instead. They are completely sure that the robbery is going to be a success. But when the police show up right at the time and the site of the robbery, panic spreads amongst the group members and one of them is killed in the subsequent shootout along with a few policemen and civilians. When the remaining people assemble at the premeditated rendezvous point (a warehouse), they begin to suspect that one of them is an undercover cop.
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Tarantino's masterpiece
Being a young, aspiring film maker, I try to learn from the greats such as Spielberg, Fincher, Scorsese and yes, Tarantino. I've seen all of Tarantino's films from Pulp Fiction to Django Unchained but I had yet to see his directorial debut Reservoir Dogs. Now having seen it, I can easily say Tarantino has not yet topped his first film and likely never will.

For those who don't know, Reservoir Dogs is about 6 total strangers, Mr. White, Mr. Pink, Mr. Brown, Mr. Orange, Mr. Blonde, and Mr. Blue who come together to pull off the perfect heist on a jewelry store. But, when it all goes wrong and the police show up, the remaining men start to smell a rat.

Where this film really excels is the dialogue and direction. Contrary to popular belief, the violence in this film is not overly grotesque, but more driven by the story and it is very realistic. The dialogue in this film is so witty and smooth, it makes it impossible to be bored and it's hard to look away from the screen even if two side characters are having a conversation.

The relationship between Mr. White and Mr. Orange is a big driving point for this film in my opinion. Mr. Orange is shot in the stomach by a pedestrian during the getaway after the failed robbery and Mr. White tries to comfort him while they race to the reandevu point in a warehouse. Mr. Pink shows up shortly after and He and Mr. White argue about who the possible rat is. And during the argument, Mr. White says that Mr. Orange is without a doubt NOT the rat, and "MAJOR SPOILERS HERE" when Orange shoots Mr. Blonde as Mr. Blonde is about to burn a cop alive and confesses to the cop that he is actually a police officer, it leaves you breathless and you totally sympathize with Mr. White when he finds out later in the film.

The non-linear story telling in this film is also a big plus as it makes it easier to get to know the characters as the story unfolds before our eyes. This is a film that had truly stood the test of time and will continue to be a classic for the years to come. This is one of my all time favorite films and my favorite film by Tarantino and I give it a 5/5.
A simple story told in original way
What is good about this movie? Probably the same things what makes other Tarantino's movies good: great soundtrack, good actors, stylish direction and of course - violence (actauly there was only one scene which I would call really violent). The plot is pretty simple but it's portrayed out of chronological order (just like in Pulp Fiction). Probably that is what makes this movie different. Also everything in a movie looked pretty realistic (like violence) and all characters acted very natural (there were many memorable dialogs, so you could know each character better). This movie is very original, stylish and worth your time.
Major Letdown
I heard so many good things about this movie before I finally saw it, and I was misled. With a shorter running time, it seemed like there was an attempt to pack in a vast amount of plot, but it ended up seeming like more time was wasted because of it.

With such a fine cast, I was expecting some fine performances. I wasn't disappointed as far as that goes. I'll admit the variety of characters was interesting and fun to watch at times, most notably during the first scene. That's about all it has to offer though.

The basic concept of strangers getting together for a crime isn't a bad idea on paper, it just didn't work out at all for this script. I kept hoping the writing would get better as the movie went on, but after about a third of the way through, I knew what I was in for.

I really don't think there's anything groundbreaking here, even for 1992. Crime movies have been done, and been done better. This seemed more like a fantasy crime movie that would only be interesting to the person thinking about it in their own unique way.

There's also some torture scene put in, which I really thought didn't need to be. It didn't seem like it fit in, at least to the extent of what happened. So what's the bottom line here? Well, it's crime movie with a semi interesting plot, a lot of tough guy talk, and an overall letdown of what could have been. 4/10
Stolen file
I watched Ringo Lam's city on fire and I was upset to see how Quentin stole everything from it to make Reservoir Dogs, Yes I like the way he combines different movies to make one but reservoir dogs was like an American Version of city on fire with white actors (not in a bad way).

I know it has been said before, but I recommend you to watch City on fire, things that didn't make sens or if you don't want to waste your time listening to those tough guys talking about what they did, City on fire will just show you what happened in a small box of time.

But anyway, I think Mr Blond and Pink made it look pretty though.

I am sorry, just in case he paid for the rights.
Reservior Dogs is a classic film and Quentin Tarantino is just an absolute genius.

I really liked this film, it was gripping and suspenseful. Straight to the point and extremely well acted. A few of the scenes were very gruesome but they needed to be. Michael Madsen as Mr. Blonde was just crazy but my personal favourite in this film was Chris Penn who played Nice Guy Eddie Cabot, I found him to be hilarious. The story developed at a good pace even though it was mostly set in one place with just a few flashbacks.

Overall this is well deserving of its place in the IMDb top 250 list, a classic film that everyone just has to see.

I don't mind the language, it's the beating I don't need
I know that this film is highly regarded and that my adverse view is a minority one, but I found Reservoir Dogs unsubtle and uninteresting.

I don't really like violent movies, but I liked Pulp Fiction, which I found clever and compelling. Reservoir Dogs shows some signs of similar flair, but only the odd flicker of it.

The strong language I was promised was not particularly ripe - I learned no new ways of saying "f*** you" having experienced the entire canon in Glengarry Glen Ross. Indeed, Mamet does foul language better. The introduction of the prefix "mother" in Pulp Fiction took the language genre much further. Mostly this film is distinguished only by the gratuitousness of its violence, which is disturbing at times, especially Mr Blonde's frenzy.

What little plot there is (and boy, is there little) didn't quite stack up for me, nor did it bring out any real complexity in the characters.

I enjoyed the opening scene in the diner, haggling over the morality of tipping, but it was downhill from there for me.

Good performances by Tim Roth and Harvey Keitel in particular.
These 'Dogs' bark a lot, but they bite, too ...
Bloodily violent, irreverently shocking, politically incorrect, inventively funny and so on and so forth… I'm trying to find the right expression to describe "Reservoir Dogs" and I finally got it, it stands in three letters: N-E-W. There was something waiting in the abyssal wombs of cinema, so repressed it was waiting for deliverance with a fierce impatience, a deliverance with a quite original and cool-sounding name: Quentin Tarantino, the new incarnation of modern violence with STYLE. "Reservoir Dogs" is more than a debut; it's a sensational entrance that consecrated Tarantino among the most influential directors of his generation, and THE reference in independent film-making.

Tarantino invented a new style that would never desert his films, and would make each of his creation, the epitome of coolness. It's so fresh to watch "Reservoir Dogs" now and to realize how new it was at that time. I remember the first time I watched the film, I was 17, and the movie literally blew me away in every single aspect, and I guess the fact that I wasn't familiar with the Internet or IMDb was a good thing since it didn't intercede with my approach of the film. I didn't want to know what's so cool about Tarantino, I just discovered him with his film, shortly after watching "Pulp Fiction", and for some reason, I loved "Reservoir Dogs" a little more. Tarantino quickly became my favorite director as a teenager, and in my early 20's because of this level of creativity in the writing, the directing, and the editing.

The writing is Tarantino's trademark and his greatest quality, the movie starts with a whole discussion about the meaning of "Like a Virgin" told by a fast-speaking Tarantino, himself as Mr. Brown, then a whole debate starts about tipping and non tipping. That's the question raised by the first minutes of "Reservoir Dogs" and the least we could say is that the talk is so trivial it sounds real and authentic in its rawness and makes the characters more human, if not sympathetic. More generally, the whole characterization is driven by dialogs so delicately vulgar you never miss the action, or wait for something 'to happen'. Script 'happens' in Tarantino's films, like meals you've already eaten but with a new special taste, something juicy, creamy, and spicy. It's almost an indigestion of creativity … I don't need to tell you the lines, if I start them, you know the rest : "You shoot me in a dream …", "Are you gonna bark all day, little doggie?" etc. etc. And these dogs not only bark, but they do bite a lot.

Indeed, if the movie was all dialogs, it wouldn't have had the same impact. It's like Tarantino already knew his lesson, and wanted to make something big, from the beginning. From the iconic slo-mo walking scene down the alley with the opening credits, you get the idea that this "Little Green Bag" song will be the 'hallelujah' glorifying the birth of a new style of film-making, and instinctively, you know something special will happen after these credits, and you're not disappointed by what follows. Blood, blood all over the car seat, and probably one of the most convincing painful screams ever. You really can feel for Tim Roth in that scene, it's like the real actor got one real bullet, and the rest is the touching expression of a growing friendship between Roth as Mr. Orange, and Mr. White, his mentor played by Harvey Keitel. He combs his hear, whispers something that provoke Orange's cute but heartbreaking smile: the chemistry is so believable, you understand that the movie is not just about cool dialogs. Then, comes Mr Pink as Steve Buscemi, asking who the rat is! Because this is the first serious element we have. It's the story of a botched jewel robbery, with a traitor among these gangsters. This question will be the starting point of the narrative with three specific back stories told in flashback.

The three characters depicted in flashback are Mr. White, Mr. Orange, and Michael Madsen as Mr. Blonde. And in the memorable-action department, the winner is undoubtedly Mr. Blonde: the one who provided the most iconic and recognizable moment of the film. The iconic ear-cutting scene with the "Stuck In the Middle With You" music, like a reminiscence of "A Clockwork Orange" rape scene with 'Singin' in the Rain' as a musical background, the scene is disturbing, violent, bloody, but also … iconic. The violence is not meant to be cool, but just to show how psychotic Mr. Blonde, one of the most twisted gangster villains, is. And his torture is also crucial because it will unmask Mr. Orange as the snitch, and will make his relationship with White, even more complex. In one minute, the movie raises a new dimension, deeper and more tragic.

Forget the cool and raunchy dialogs, the creative editing, where flashbacks interfere with parallel stories, as when we witness a great scene where Orange tells a story within another story. Too many insertions as to create a confusing feeling until the last iconic scene : after the slo-mo opening, the ear-cutting, the Mexican stand-off, as the last memorable scene that would lurch this movie into Pop Culture. Forget the wonderful ensemble cast with so many colorful characters (literally) and such believable actions and reactions like childishly arguing about nicknames instead of preparing a serious job. All these elements are great, but it would have been nothing without the tragedy …

The beauty of the film relies on this profound relationship between Mr. Orange and Mr White, made of respect and honor, and the last minute of the film was something that reminded of Peckinpah's films, a moment of honesty and loyalty, incarnated by Orange's last confession, and White's heartbreaking gesture as to redeem the act of a man he still loved as friend … Keitel's last look before the movie ends will haunt me forever.
Pure Useless
Easily one of the worst films I have ever seen. I don't know how some people love it. Seriously overrated. Basically set in the one scene. One scene of gory violence which is hard to watch. A few pathetic attempts at humor. People who say its one of the best films of all time probably haven't watched much films. I don't think it's a proper gangster film like good fellas or Casino Which are classics. I also don't like how some characters try to come across as tough. Complete Waste Of Time ... Watch a real film like casino Twasnt worth the money I paid to watch it . I have to stretch this out to fill in ten lines of text
Don't Believe The Hype - It's Not That Good
RESERVOIR DOGS exploded onto cinema screens in 1992 and I can still remember the shock waves it caused due to the excessive violence . If memory serves me right Glasgow Council came very close to banning it from cinema chains in the city and they weren't alone in trying to do this either as newspaper headlines and word of mouth screamed how violent the movie was as Quentin Tarantino became the most infamous and influential movie director of the mid 1990s . RESERVOIR DOGS was finally allowed a British network TV transmission in the Summer of 1997 on channel 4 . I was rubbing my hands in anticipation at seeing this movie . After seeing the movie I felt disgusted . Not because it was a movie whose violent content had sickened me but because I'd fallen for the hype like a total shmuck . This must be the most overrated movie of the 1990s


First of all the characters meet in a diner . If you're carrying out a heist is it a good idea to gather in a public place where potential witnesses can identify you ? And would a bunch of robbers be interested in discussing the lyrics of Madonna or the films of John Holmes ? It might be cool and trendy to discuss pop culture but in the context of this movie it's illogical . Soon the narrative switches to a warehouse where the robbers have arrived after their disastrous heist and we're treated to some very obvious exposition : " F***in' sick f*** . Why'd he do that ? Did you see what he did to that girl ? How old was she ? Nineteen ? F***in' sick motherf***er " After the movie finished this is what bothered me - I had expected the movie to end by showing us the massacre at the bank BUT THIS NEVER HAPPENS ! and I can't describe how cheated I felt . Okay we're shown the various robbers making their getaways but not once are we shown the much referred to robbery itself which made me feel very disappointed , not because I wanted to see teenage girls get murdered but because it instinctively felt like it should have been the centrepiece scene / climax scene of the movie

As for the rest of the movie's reputation for violence it's ill deserved . There's buckets of blood but many , many movies also feature buckets of blood and gore and don't receive half as much attention as RESERVOIR DOGS . Remember the much criticised scene of the cop getting his ear cut off ? Didn't anyone notice that this actually happens off camera ? Ironically enough the only murder that did disturb me - " What this cop ? " BANG - is chilling because it's committed so coldly not because it's graphic in any way .

Is there anything I like about RESERVOIR DOGS ? Harvey Keitel is the type of actor I'd watch even if it involved him reading out his shopping list , and the scene where it's revealed who the undercover cop is memorable along with the compelling " How's he going to explain that to the bad guys when they return ? " storyline . But at the end of the day I can't help thinking RESERVOIR DOGS is ruined by its much hyped reputation . WHITE HEAT is a very similar movie and a much better one

RESERVOIR DOGS gets six bones out of a possible ten
My Favorite Tarantino Production???
There are so many perspectives on which to praise "Reservoir Dogs". First and foremost, it has the edgy realism that began to slip away in the "Kill Bill" films (which I still very much praise and enjoy), and was completely discarded in his recent film "Inglourious Basterds". It's like recently Tarantino let his fame go to his head and just went all out without thinking about if what he showed on screen made any real sense. This film of his, basically his first three, are the ones I admire the most. Not to mention the way the story is told, it's just very intriguing from the start. We see only brief glimpses of what actually happened at this bank job that apparently went very, very, bad. The cast was phenomenal throughout and this film had the chemistry to really make the tension play out realistically and brutally later on. The atmosphere is solid and full of well acted malice and is pretty unpredictable. In fact, amidst all the insane and gruesome scenes which some may struggle to sit through ("Can you hear me now?")is a very nicely paced plot that in reality is probably one of the greatest crime/thriller pieces ever written.

The talent here is undeniable, and every performance is just awesome. The ones I really admired the most were that of Harvey Keitel as Mr. White, and definitely Steve Buscemi as Mr. Pink. And where as I believe every individual character stood out quite well, the two that stirred up the most in me was Tim Roth as the nefarious Mr. Orange, but over all Michael Madsen as the sadistic Mr. Blonde. I will never forget Madsen as the soda sipping psychopath. Tarantino does well himself I must admit, and kudos to the often over-looked performance of Kirk Baltz as the unfortunate Officer Marvin Nash.

With its tremendously talented cast breathing life into these characters we know so little about, coupled with its very involving story and well placed music, it all comes together as arguably Tarantino's most refined work.
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