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Purchase Seven Samurai (1954) Movie Online and Download - Akira Kurosawa 🎥
Drama, Action, Adventure
IMDB rating:
Akira Kurosawa
Takashi Shimura as Kambei Shimada
Toshirô Mifune as Kikuchiyo
Yoshio Inaba as Gorobei Katayama
Minoru Chiaki as Heihachi Hayashida
Daisuke Katô as Shichiroji
Isao Kimura as Katsushiro Okamoto
Yukiko Shimazaki as Rikichi's Wife
Kamatari Fujiwara as Manzo, father of Shino
Yoshio Kosugi as Mosuke
Yoshio Tsuchiya as Rikichi
Kokuten Kodo as Gisaku, the Old Man
Storyline: A poor village under attack by bandits recruits seven unemployed samurai to help them defend themselves.
Type Resolution File Size Codec Bitrate Format
720p 960x704 px 7680 Mb h264 4829 Kbps mkv Purchase
Kurosawa's triumphant epic- totally & successfully driven by character and story
Akira Kurosawa was and is considered the master of east-western film-making (in that he made his Japanese films accessible for fans of American westerns while still making the movies his country found popular), and out of the few Kurosawa movies I've had the pleasure of viewing (Hidden Fortress, Rashomon, and this) I'd have to say that while Rashomon is still my favorite, I nevertheless had a blast during this one. The story has become quite influential to filmmakers from the likes of John Sturges (The Magnificent Seven) to John Lasseter (A Bug's Life): a small village has been terrorized by bandits for far too long, amid times of civil war in the nation, and so on the advice of Grand-Dad, they decide to hire four - which soon becomes seven - samurai for the job. There's no money, just food and honor, even though the village isn't exactly pleased to have samurai back in their village. Each character is drawn and executed compellingly, though for my money Toshiro Mifune proves why he became one of Japan's most notorious film actors. His work as the brave, bold outcast of the seven is awe-inspiring practically all the way through, like the hero of a western that anyone can root for since he's a true rebel at heart within a group of men with a task at hand.

Kurosawa directs his tale and main and supporting players like a grand composer, orchestrating a vivid story and extracting from great actors like Takashi Shimura (the old, wise Samurai), Ko Kimura (the disciple Samurai), Daisuke Kato (Schichiroji), and Mifune (Kikuchiyo, which isn't his real name) just the right touches of humanity, humor, tragedy, romance, and intensity. The overall intensity, by the way, isn't over-estimated; its long length (almost 3 1/2 hours) isn't distracting in the slightest since Kurosawa's editing and photography (the later helmed by Asakazu Nakai) are extraordinary. Not to compare the two films, but one thing I saw in common with Seven Samurai and a Lord of the Rings film is that, if anything else, it definitely isn't a boring experience. Along with a score by Fumio Hayasaka that gives the film just a bit more of a pulse, and a showdown that is relentless with excitement, this is one of the must-see action films for film buffs, or anyone with an serious interest in having fun with an epic.
A Fine Film
Seven Samurai directed by Akira Kurosawa is the quintessential action flick. However, simply citing it as an action film is to discredit the comedy, tragedy, drama and humanistic qualities it possesses. It is the blue-print for any film that assembles a team of heroes with a common goal.

It has an extensive run-time that flies by and rewards those that were not intimidated by a 3 hour and 30 minute film. This time is well utilized to flesh out the characters and there is not a single scene that felt like "padding." Despite there being an array of characters, many of these characters are fleshed out and well developed and their struggles and successes evoke strong emotions from the viewer.

The strength of this film lies in the characters. For instance, we have Kambei (Takashi Shimura), the noble and wise leader of the troupe. Kambei is approached by a representative of the village asking for help in protecting the village from bandits that constantly raid them for resources. Despite the village offering a pittance for this service, Kambei is empathetic and decides to take on the job but is now faced with the difficult task of assembling other warriors that would risk their lives for little monetary value.

Each character has their own motivations for joining this rag-tag group and many of them have a character arc that develops them. These are no one-dimensional 'face-less' warriors that are characteristic of many films.

In contrast, the bandits are an ever present ominous threat but are not developed in any significant way. They are a concern to the village but ultimately they are a device which sets in motion the foundation of assembling this rag-tag group. This allows the focus to be on the protagonists, their relationships to each other and how they react when faced with adversity.

The bandits are given no more development than a natural cause; such as an earthquake or tsunami. They are an ever present threat but are a product of the environment for a small defenceless village composed of peasants and farmers. This is for the betterment of the film; as ultimately the film is about the villagers and seven samurai - not about the bandits.

Each character was well acted and enjoyable. However, I have to acknowledge Takashi Shimura and Toshiro Mifune for their performances as the characters Kambei and Kikuchiyo respectively. These characters had excellent chemistry with others on screen and contrasted each other well.

In summary, this is a must watch film. The run time may intimidate some viewers although you will be rewarded with one of the most humanistic and ingenious films ever made that does justify the length, utilizes it, and turns it into a strength.
Seven Samurai - My Review
One of favourite movies of all time is The Magnificent Seven and when this has been mentioned from time to time i have been asked if i had seen the film that it was based on - Seven Samurai , so i finally decided to give it the Valleyjohn Treatment thanks to a request from one of my Myspace friends and i can only thank that person for persuading me to watch this memorable movie.

Akira Kurosawa's epic tale concerns honor and duty during a time when the old traditional order is breaking down. The film opens with master samurai Kambei posing as a monk to save a kidnapped farmer's child. Impressed by his selflessness and bravery, a group of farmers begs him to defend their terrorised village from bandits. Kambei agrees, although there is no material gain or honor to be had in the endeavour. Soon he attracts a pair of followers: a young samurai named Katsushiro who quickly becomes Kambei's disciple, and boisterous Kikuchiyo , who poses as a samurai but is later revealed to be the son of a farmer. Kambei assembles four other samurais, including Kyuzo , a master swordsman, to round out the group. Together they consolidate the village's defences and shape the villagers into a militia, while the bandits loom menacingly nearby. Soon raids and counter-raids build to a final bloody heart-wrenching battle.

I'm not a big fan of old black and white movies . I used to watch many as a kid but as i have got older i have found i have not really got the patience for them. Because of that , Seven Samurai was always going to be a difficult film for me to watch. Not because of it's content but because of the length - Three hours and nine minutes!

So to stop me drifting i decided i would watch the movie in two parts and because of that decision i really enjoyed this epic movie. You can see many comparisons with the Magnificent seven . The Samurai all have distinctive characters and you can see the comparison to the Yul Brynner and Robert Vaughn roles from the 1960 film but despite the comparison's they are very different movies.

Seven Samurai is a far more brutal movie than the Western version but it also has some very poignant moments. None more so than the very last scene where the surviving Samurai are standing at the gravesides of their fallen comrades.

The performance from Takashi Shimura ( Kambei the samurai leader ) and Toshiro Mifune ( the crazy Samurai) are very memorable and at times i completely forgot i was watching a film that was made 54 years ago.

Although film purist's will rate this higher than the John Sturges remake i still prefer the Cowboy v Mexican version but i grew up watching that film so that is to be expected.

Seven Samurai is definitely going to be one of those films that will be embedded on my brain for the rest of my life and the split viewing was well worth it in the end.

I will leave you with the thoughts of Kikuchiyo - "What do you think of farmers? You think they're saints? Hah! They're foxy beasts! They say, "We've got no rice, we've no wheat. We've got nothing!" But they have! They have everything! Dig under the floors! Or search the barns! You'll find plenty! Beans, salt, rice, sake! Look in the valleys, they've got hidden warehouses! They pose as saints but are full of lies! If they smell a battle, they hunt the defeated! They're nothing but stingy, greedy, blubbering, foxy, and mean!"

Nothing changes does it!
A Very Long Movie that Manages to Stay Watchable
Akira Kurosawa's Seven Samurai is 207 minutes long, yes, but it is a movie that gives back to the viewer every one of those minutes. It's a 207 minute long movie in which every single scene is necessary, and everything is essential to moving the story forward. In spite of being so long, it manages to remain eminently watchable because, save for a tiny bit at the very end, something new happens every single time. The characters are perfectly acted and all are interesting and fit into the story. The tale manages to stay simple, but epic in scope - it's easy to see the plight of the farmers, but it's also easy to see how scared they are of the samurai invading their way of life, especially in the beginning and middle of the movie.

Of course, Kurosawa's direction is brilliant - the movie never lags, is loaded with subtle symbolism and small details, and the camerawork is always right on and highlights the action while still showing the details around it that enrich each scene. It's easy to see that Seven Samurai really is one of the finest movies ever made - it may take quite a while to watch from beginning to end, but it is quite engrossing and a real treat to watch.

After 53 Years, Still Fresh
The great Akira Kurosawa's epic action masterpiece "Seven Samurai" is an entertaining and thoughtful war epic set in 19th century Japan. Replete with colorful well-realized characters, and sensitively portrayed social and class analysis, Kurosawa's film entertains on all levels. Although not as visually engaging as many of Kurosawa's later efforts, Seven Samurai's cinematography is still masterful, and well above most contemporary films.

A farmer overhears some bandits talking about raiding his village as soon as the next harvest is ready and approaches an older Samurai master who is on the verge of retirement for help. The elder Samurai, recognizing the humility of the request and the dignity of the proposed work, takes up the cause and begins recruiting others for the defense of the village. He recruits five Samurai and takes on a young apprentice and a drunken, angry would-be Samurai avenger (Toshirô Mifune ... Kikuchiyo) as the sixth and seventh members of his newly established militia. The Samurai live among the villagers for most of a growing season, teaching them defense and discipline. In turn, the villagers - as fearful of the Samurai as they are in awe of them, hide away their daughters and some of their stores. As the inevitable crisis ensues, these two widely disparate classes of people learn to live and fight together to defend their homes and their crops.

Kurosawa's film is as much social realism as it is martial historic fantasy. Their is also a steady supply of humor and an entertaining romance - both of which are relatively rare in this genre. In summary, Seven Samurai is one of those rare works of art which takes on a vast scope and sustains it with apparent facility.

Highly recommended.
An Essential Piece of Japanese Film
Seven Samurai is a Japanese historical drama from 1954. It was written and directed by Akira Kurosawa (Yojimbo, Rashomon, Ran). It was also written by Shinobu Hashimoto (Rashomon, Ikiru, Throne of Blood) and Hideo Oguni (Ran, Tora! Tora! Tora!, Ikiru). It stars Takashi Shimura (Ikiru, Rashomon, Throne of Blood), Toshirô Mifune (Rashomon, Yojimbo, Throne of Blood) and Isao Kimura (High and Low, Ikiru, Stray Dog).

Seven Samurai is about the samurai (Takashi Shimura, Toshirô Mifune, Isao Kimura) hired to protect a small village from oncoming raiders and how they prepare the town and ultimately fight for it.

Akira Kurosawa is one of the most famous of all foreign directors for a reason. He has a way of composing his shots that is like no other. Every image in this film is a painting. His ability to truly put you in 16th century Japan is far superior to the Hollywood directors attempting to make an epic period piece. Watch this film if you want to see what Japan used to not only be like but felt like.

I feel if Takashi Shimura wasn't Japanese but American and had the same amount of talent he would be spoken in the same breath as Jimmy Stewart, Paul Newman and many other incredible 50's actors. It's a shame he isn't that recognized because his talent is incredible. I don't speak Japanese but this man transcends language. In this film, you believe every aspect about him and all of his small mannerisms. He truly feels like a real person.

Why I do think this is a really good film and everybody should watch it, I feel as if it is slightly overrated. Many filmmakers declare this as one of the best films of all time, I wouldn't consider it in the top 50. It is a bit too long (3 and a half hours), and could definitely use some cutting. This doesn't mean it is necessarily boring and maybe I just don't fully understand it and will take a few more viewings to understand. However I do still highly admire this film and you should spend a day and watch it.
The real Magnificent Seven.
Given carte blanche after the worldwide successes of *Rashomon* and *Ikiru*, Akira Kurosawa embarked on creating what amounted to a new national epic -- *Seven Samurai*. In the process, he changed movies forever.

You know the story even if you've never seen the movie: the citizens of a rural village, weary of being harassed by a local gang of bandits, recruit a rag-tag group of seven samurai warriors to help defend their homes. The only pay the farmers can offer to the samurai is three squares a day. Just the right inducement for these adventurers, led by Takashi Shimura as the wise leader, and Kurosawa regular Toshiro Mifune as a wanna-be samurai whose antecedents were farmers.

The story doesn't amount to much, but Kurosawa more than compensates for this lack of complexity by creating about 10 interesting characters and by setting a whole new standard for action scenes in the cinema. Therefore, the 3.5-hour length of the movie certainly isn't a handicap, unless good drama and well-choreographed action are too much for your CGI-conditioned brain.

Which brings me to a point: I tend to read a dozen or so IMDb reviews of a film before I add my own comments for this website, and I did so with *Seven Samurai*. It was rather disheartening to keep reading, over and over, even from those who LIKED the movie, that it's "pretty good for a black & white movie". Or, "pretty good for an old movie". Or, "pretty good for a foreign movie". Uh, yeah. *Seven Samurai* is pretty good, OK? Even if it's an old, black & white foreign movie. What's with the xenophobia and the complete lack of appreciation for film history? I'm glad that everyone has found this masterpiece "good enough" for today's standards, but in the meantime let me offer a tip: it's the recent, Hollywood movies -- in color -- that tend to suck. OK? *Seven Samurai* needs no apologies for being black & white, Japanese, and old.
Greatest film of all time
Akira Kurosawa made "Seven Samurai" because he wanted to make a real "jidai-geki," a real period-film that would present the past as meaningful, while also being an entertaining film. Kurosawa considered "Rashomon," the film rightfully credited with making the West aware of the Japanese cinema, with being neither. But in his attempt to make a truly "realistic" film, Kurosawa redefined the conflict at the heart of Japanese films. Before "Seven Samurai" this conflict was that of love versus duty, where the central character is compelled by fate to sacrifice what he loves in the name of duty. In "Seven Samurai" the focus remains on duty, yet the conflict is now between the real and the pretended. Calling yourself a samurai does not make you one, something proved time and time again in the film, from the test of skill turned deadly between Kyuzo (Seiji Miyaguchi) and the tall samurai to the first appearance of Kikuchiyo (Toshirô Mifune), with his stolen pedigree. Like Katshushiro (Ko Kimura), the youngster who wants to learn from the master, Kambei (Takashi Shimura), the audience is educated as to the true nature of the samurai.

For me this film deals with the heroic, albeit in realistic terms. I have shown the film in World Literature classes, after students have read Homer's "Iliad" and as they begin reading Cervantes' "Don Quixote." Within that context, compared to the brutal arrogance of Achilles and the gentle insanity of Quixote, the heroic qualities of the seven samurai become clear. Their inspiration extends to some of the villagers. Manzo (Kamatari Fujiwara) is crazed with fear over the virtue of his daughter, Shino (Keiko Tsushima), and Rikichi (Yoshio Tsuchiya) fights to avenge the disgrace of his wife and his precipitating the death of Heihachi (Minoru Chiaki), but it is the comic Yohei (Bokuzen Hidari), who finds within himself the ability to fight, a die a tragic death, who is the true barometer for what the samurai mean to the village. But the greatest tragedy is that despite this most noble effort and the bodies buried in honor at the top of the village cemetery, this has been but a temporary union between the villagers and the samurai. When Kambei declares, "We have lost again," he redefines the battles: it was not to kill all the bandits, it was to find a true place in the world. Yet we should have already known this, for the painful truth was driven home when Kyuzo, the master swordsman, is gunned down from behind. No better proof is needed in this film of the bitter truth that the world is not fair.

Mifune is the maniacal spirit of this film, as the faux-samurai Kikuchiyo, the dancing whirlwind whose emotions overwhelm everything including himself. But it is Shimura as Kambei, who embodies the mentor mentality with a minimum of effort, evoking more by rubbing his hand over his shaved head or giving a single piercing look than by any spoken dialogue. Even in a strong ensemble these performances stand out, for clearly different reasons. To fully appreciate Kurosawa's mastery in "Seven Samurai" you need to watch the film several times to better appreciate the way he constructs scenes, using contrasting images, evocative music and varying the length of cuts to affect tempo. For example, look carefully at how the early scene of the farmers searching the streets for samurai and the later sequence where Katsushiro watches Kyuzo and Kikuchiyo waiting for the bandit scouts to return to their horses. Both of these scenes are superb primers to Kurosawa's style.

For years we had to put with the 160-minute version of the film that was made for export, which was actually called "The Magnificent Seven" until John Strugis's Western remake. Fortunately, "Seven Samurai" has been restored to full 208-minute glory, saved from being a lamentable cinematic tragedy on a par with "Greed," "The Magnificent Ambersons," and "Ivan the Terrible." There is a sense in which "Seven Samurai" is truly my favorite film, because it was the one that instilled in me a love of cinema, of the craft and art of movie making, of compelling me to understand intellectually how Kurosawa was skillfully manipulating my emotions. The final battle sequences, fought and filmed in a torrent of rain, exhausting characters and audience alike with its increasingly relentless tempo, is given its potency because of the human elements that have been established in all that has taken place before hand. "Seven Samurai" is a magnificent film against which the vast majority of epics pale in comparison. Not even Kurosawa scaled these heights ever again.
Iconic influential movie
It's early 16th century and Japan is in the midst of civil wars. A poor village faces constant harassment from bandits. A villager overhears that bandits are planning to come back after the harvest. After a debate, the village elder proposes to hire samurai. The villagers have little to offer. They witness heroic ronin Kambei rescue a boy. Young Katsushirō is desperate to be his disciple. Kambei reluctantly agrees to help the villagers but he determines that the defense needs at least seven samurai.

This is simply one of the best movies ever. It is influential in so many other movies. The characters are funny and compelling. They are iconic in their simple characteristics. Modern audiences may find the over 3 hour running time a bit too long.
A Solid Defense of Art
Spoilers herein.

We are all villagers through whose small world great artists pass.

This is so clean, so effortless -- the originality is hard to appreciate because so much has been absorbed into the vernacular, but it still amazes.

My idea of genius is when someone can show you something you have never seen, but show it to you in such a way that you believe you knew it all along.

This is a work of genius.
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