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Crime, Drama, Mystery
IMDB rating:
Robert Mulligan
Gregory Peck as Atticus Finch
John Megna as Charles Baker 'Dill' Harris
Frank Overton as Sheriff Heck Tate
Rosemary Murphy as Maudie Atkinson
Ruth White as Mrs. Dubose
Brock Peters as Tom Robinson
Estelle Evans as Calpurnia
Paul Fix as Judge Taylor
Collin Wilcox Paxton as Mayella Violet Ewell
James Anderson as Robert E. Lee 'Bob' Ewell
Alice Ghostley as Aunt Stephanie Crawford
Robert Duvall as Arthur 'Boo' Radley
William Windom as Mr. Gilmer, Prosecutor
Crahan Denton as Walter Cunningham Sr.
Storyline: Based on Harper Lee's Pulitzer Prize winning book of 1961. Atticus Finch is a lawyer in a racially divided Alabama town in the 1930s. He agrees to defend a young black man who is accused of raping a white woman. Many of the townspeople try to get Atticus to pull out of the trial, but he decides to go ahead. How will the trial turn out - and will it change any of the racial tension in the town ?
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A classic book turned into a classic movie
To Kill a Mockingbird (1962), Robert Mulligan, is the story of a southern lawyer who defends an African-American man from being accused (wrongly) of rape. I really enjoyed this film. The cinematography was quite well done and I really enjoyed the opening credit scene. While I haven't read the book since high school, the film seemed to do a great job being faithful to it, which is always a plus. Being based off the book the writing is quite good. The acting also was notably excellent. As said, I really enjoyed To Kill a Mockingbird as a film and could easily see myself viewing this one again soon.
Almost as good as the book
This was some bold subject matter, and it is semi-autobiographical. The movie came out two years after the book, and the fact that Civil Rights was still going on is why this was all such a big deal. What really shows the risk factor, is how such a divisive issue is shown through the eyes of Scout, and not Atticus. It's a great idea, and really gives some thought provoking insight by framing such a big issue through the eyes of a young, precocious child. This also serves as a great way to educate children on the issue. The performances all around are brilliant. The kids are great and likable (which is quite a rarity), Robert Duvall makes a stunning film debut, Brock Peters is agonizingly sympathetic and compelling as Robinson, and then we get the man who really shines above all: Gregory Peck. This was a much deserved Oscar winning and career defining performance for him, and it really is one of the greats. He's wonderful through the whole thing, and he comes off as the kind of dad a person would love to have as their own. What seals the deal though is his lengthy courtroom monologue. I get all kinds of shaken and emotionally stirred up every time I watch that scene. It's some of the most powerful, riveting, and memorable acting ever put on film.
My Father, This Hero...
I wasn't yet the movie fan I am today but the first time I saw the American Film Institute's Top 100 heroes and villains, I could recognize almost every name, I expected a few exceptions but certainly not the number one hero: Atticus Finch, played by Gregory Peck, in the adaptation of Harper Lee's Pulitzer-winning "To Kill a Mockingbird". Seriously, who was that dork who had the nerve to be a worthier of the first spot than Indiana Jones or James Bond and that I even didn't know?

And "To Kill a Mockingbird" kept popping up in every AFI list and even on IMDb Top 250, so it was an emergency case in my watch-list of fresh new movie fan. So, I saw the film and could see what was so heroic about this noble-hearted white knight of the South, who dared to question racism at a time where it was common banality. And he was played by the noblest of all actors: Gregory Peck. I often criticized his acting as wooden but perhaps this is the one instance where it did fit the character and his Oscar wasn't stolen although O'Toole as Lawrence of Arabia, Lemmon in "Days of Wine and Roses" and Lancaster as "Birdman of Alcatraz" had more complex personalities to play with.

But there was something crowd-pleasing in the story of Atticus Finch, something that exceeded the expectations of cinema and satisfied the Hollywood conscience, it was still a time of relative innocence where the problem of racism could only be displayed through a white people centered story. Not that it's a bad thing but I wish the film had kept its original tone, as a story seen from the perspective of a growing precocious tomboy named Scout (Mary Badham), whose perception of her lawyer of a father and of the world of adults is influenced by one of the cases he must handle. "To Kill a Mockingbird" is a childhood story, inspired from Lee's memories the tired Southern town of Maycomb, but the film carries a child-like innocence that doesn't fit the case.

Scout is a girl spending time jumping, climbing hills and trees with her brother Jem and their friend Dill, inspired by her childhood friend Truman Capote, and she sees her widowed father as a super-figure who has an answer for every question. And it seems that the film has somewhat embraced this creed and made Atticus Finch the hero of this picture, which is puzzling because he's not the focus for the whole first act. But we're supposed to embrace his nobility and optimism because it is obvious the case he must defend is a sham, and it doesn't even take courage but common sense. It's not much Atticus who's noble but the other people who are downright bigots and hateful. It's an insult to intelligence that Robinson is declared guilty despite Finch' invitation for humanism and empathy, but the real heroism would have been to convert them. But Finch's aura is one of a preacher, powerful, symbolic but eventually, useless.

I actually enjoyed the film and it's never as good as when it plunges you in the universe of children, their interpretation of spooky local stories, Scout is like a little sponge trying to understand and appreciate the world as it comes to her eyes, learning from her father, the meaning of words like 'empathy', and the subplot also involves the identity of Boo Radley, which highlights one of these aspects of childhood when you tend to believe the adults, until you realize that they're somewhat corrupted and unworthy of trust. But when Atticus learns the news about the death of Robinson, I couldn't believe he believed he tried to escape. That the film doesn't even exploit the event and makes it look as it really happened that way, that the Black people would just be a sort of passive observers with no capability for action and when the town drunk, evil Ewell, spits on Finch' face, he doesn't flinch, I thought the whole sanctification of Finch was overplayed. A preacher, he might be, but a saint, he wasn't. Maybe in the eyes of her daughter, but at that point, the film was told from the adult perspective, not only it didn't work, but it didn't even fit the character.

Finch was genuinely furious during his trial statement, he expected to save his client but he was shot dead in what seems to be obvious lynching, instead of prosecuting the case and serving the cause to the fullest, he accepts the outcome and when he's confronted to Ewell, he takes the spit like Jesus would take a slap. Robsinson was dead at that time, was Finch so perfect that he couldn't even give the guy the punch he deserved, what was to lose anyway? Couldn't one of the black guys do it? No, it had to be the hand of God through the providential Boo Radley (a youngish Robert Duvall) to punish the bad guy as to mystify the whole thing again, and creates some deep symbolism between a sordid case of rape and the local village idiot. An unpunished crime to avenge the first, too much religious symbolism for what should have been a tale from a child's eye.

In the movie "Capote", when commenting about the success of the book, Capote says "I don't know what the fuss is all about". Speaking for myself, I can understand why the film is such a celebrated classic, but it doesn't hold up very well in today's context while the masterpiece from Capote "In Cold Blood" says as much as human nature and vileness as the book and is still relevant today. "To Kill a Mockingbird" is a classic, no doubt about that, but not all classics are supposed to be perfect. Maybe I will find in the book, these missing elements of 'perfections', though I trust Capote's opinion on it.
Decent movie with lesson to learn.
Movie is excellent. Maybe some people find it boring because of characters of children. Children does childish things but it is tolerable. Movie is simple no twist. But the main motto of movie, what message movie wants to give justifies the title.

I'll give 10 rating because I find story is new to me and shows the childhood days and movie has moral to learn.
A 1960s Look At The 1930s
Atticus Finch (Gregory Peck), a lawyer in the Depression-era South, defends a black man against an undeserved rape charge, and his kids against prejudice.

What seems odd about this film is how it was made in the 1960s, looking at the 1930s. What would the same film have been like if it was made in the 1930s? Would the tone be different if not made during the civil rights movement? And, in some small way, did this film help push that movement forward? Now, this is not to say it is a bad film. It is a very good, and very timeless film. Bigotry is not dead, not by a long shot. And the belief that everyone deserves a strong defense should never go away, whether they are guilty or innocent, black or white, rich or poor.
Peck at His Best
Could not of cast the bookish Atticus any better then with the legendary Gregory Peck. Film obviously was groundbreaking for its time in context with prejudice in the deep south. Interesting fact that Robert Duvall was cast in one of his first roles. The courtroom scenes were marvelous in there intensity and camera work provided great verisimilitude to the scene. Telling the story with the camera. Classic film based on classic book that truly laid the frame work in terms of content for future films attacking sore subjects in American history.
A very faithful adaptation of the novel.
This movie is a very faithful retelling of the classic novel of the same name. Faithfulness seems to be one of the main goals of this film; Even though colored film was very possible in 1962, they intentionally chose to film the movie in black-and-white in order to capture the feel of the 1930s setting. It also does a good job at tackling the themes of racism and discrimination in a manner significantly less vulgar than you'd expect, though I'll avoid going into details to keep this relatively spoiler-free.

Every aspect of the film is finely crafted. The child actors, despite their youth, do a great job at portraying their characters' emotions and stances changing throughout the film. The music intentionally plays primarily in scenes involving the children, whereas scenes focusing on grown-up Atticus have none to emphasize the essentially different world that the children and adults live in. The camera also uses a lot of low shots pointed upwards to emphasize how small the children are. It's a finely crafted film that allows you to pick up on different details every time you watch it.
Good story but not that well told
Told in hindsight by Scout this is the story of how she and her brother remember one summer in the Deep South when their father, Atticus Finch defends a black man (Robinson) who has been accused of forcing himself on a white girl and then beating her. Atticus finds himself in a battle for the truth in the face of racism and intolerance and also defending his children from the impact of the same on them.

I first read the book in school and have re-read it several times as it has really stuck with me. Since then I have seen the film a couple of times but have never felt that it really reaches the same height as the book does. The telling of the story is at it's strongest in the courtroom as it takes on the principles of a courtroom thriller however outside of this central piece it is almost a Southern cliché – with the kids, the community etc. It still works but it feels like a postcard compared to the reality of the South in the intolerance of the courtroom.

The film doesn't totally bring through the themes of the books – instead focusing on the specifics. This is necessary to make it all fit into the 130min running time but it is to the subject matter's detriment as it loses much of it's significance. That's not to say it is not impacting, because it still is. I do have a problem with the first half and the end of the film where the focus is entirely on the children before sudden jumps into the main plot. In the book it is all part of the same thing, here it does feel like it is a different chapter.

Peck is good in his usual moral indignation role and he is well supported by the two child actors who both seem natural – Badham (sister of the director) and Alford. A very young looking Robert Duvall is in the film briefly and adds a bit of interest to the generally good supporting cast. It is to the film's credit (considering the period and the setting) that the black characters are not just limited to `yessir' stereotypes although at times they come close.

Overall I enjoyed this film and the courtroom scenes are pretty tense even knowing where it is going. The narration of the grown up Scout is a little weak and some of the film appears to be wandering to no effect but it is still a good film. I, however, would still rather re-read the book.
Good & Bad, but music was awful!
In general I like movies from the 1950s and early 1960s, especially in B & W. Maybe I'm lazy, but they usually have a simple moral which is easy to understand and not hard to empathise with. This was no exception, even though it had periods when it was overly melodramatic and others when it was uninteresting - possibly, the book's written words held attention but didn't translate well to the screen.

The big thing that let the movie down was the background music by Elmer Bernstein. Did I say BACKGROUND? At times, you could hardly hear the dialogue and the music's mood didn't match the action, added to which, it was tuneless to the point of being awful. It's difficult to believe that it was by the same composer as The Magnificent Seven, just a couple of years earlier, which is a classic.
A well-adapted story about Morality.
'To Kill A Mockingbird' is a well-adapted story about morality. I like how half the movie establishes the different characters, and the remaining half deals with the case and town's attitude. The movie maintains proper pace and doesn't seem to be in a rush, and that really works for it. The acting by everyone involved is quite commendable; in this film, we see the dashing young Robert Duvall for the first time. I really like how it shows how a parent's attitude towards certain things really shapes a child. Our attitude towards things are always shaped by the people around us.

AFI named Peck's character as the number one hero of all-time; their choice was really interesting seeing the age of heroes (different kind) we live in.
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