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Purchase A Clockwork Orange (1971) Movie Online and Download - Stanley Kubrick 🎥
Crime, Drama, Thriller, Sci-Fi
IMDB rating:
Stanley Kubrick
Patrick Magee as Mr Alexander
Michael Bates as Chief Guard
John Clive as Stage Actor
Adrienne Corri as Mrs. Alexander
Carl Duering as Dr. Brodsky
Paul Farrell as Tramp
Clive Francis as Lodger
Michael Gover as Prison Governor
Miriam Karlin as Catlady
James Marcus as Georgie
Aubrey Morris as Deltoid
Godfrey Quigley as Prison Chaplain
Storyline: Protagonist Alex DeLarge is an "ultraviolent" youth in futuristic Britain. As with all luck, his eventually runs out and he's arrested and convicted of murder and rape. While in prison, Alex learns of an experimental program in which convicts are programed to detest violence. If he goes through the program, his sentence will be reduced and he will be back on the streets sooner than expected. But Alex's ordeals are far from over once he hits the mean streets of Britain that he had a hand in creating.
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My brief review of the film
A disturbing but yet very beautiful piece of film-making, Kubrick has created the ultimate study of mind manipulation in this film. It is a protest against reform programs that take away freedom of a choice, and the message of the film in terms of paying for one's sins in all eternity is inescapable, evident to a large extent in the sardonic nature of the tale. Although set in the future, it hardly feels like it is, this being because the message of the film is overwhelmingly powerful and capable of applying to any age. The film has a number of possible hidden meanings to it – a feat equaled on scale only by Kubrick's former film '2001: A Space Odyssey'. Besides for the meaning behind the film, there are still the marks of a masterpiece. Kubrick's direction is superb alongside the good photography, capturing shadows and angles needed to establish tone. The editing is excellent too, done in a flashy, brainwashing style at times to have relevance to the film. The choice of cast is again inspirational, however the film achieves the most in terms of music. Kubrick manages to use one of the earliest forms of art, classical music, and give it an unforgettable style and importance in the film. It is truly a difficult task to explain what is so great about a film such as 'A Clockwork Orange' – it is maybe best explained by watching the film itself.
We All Are Ready For A Little Of The Old Ultraviolence
Spoilers Ahead:

What a masterpiece!! He loves to hold a mirror up to our monstrous faces beneath our masks and laugh at our vanity. Stanley delighted in having fun with our hubris about ourselves. Yes, little Alex has all violence removed from him and he is set free in that idyllic paradise we kid ourselves is our society. He is as helpless and defenseless as a little lamb. His former gang members, now cops, proceed to torture and almost kill him. I hear feminists yelling what is the point of all that sexist violence in the beginning. I have never found one women who liked this movie; this is largely due to the rape scene and where Alex chases the women with the giant porcelain male sex object. Well, the point is for fools, who like Aristotle, hold that nobody enjoys doing evil; they only do evil because they believe it to be good. Sorry, the world is filled with monsters who enjoy hurting others for the wonderful feeling of power it gives them. Look at Alex's home life, how little and powerless he is, but at night he goes out and gives himself a real ego boost at the expense of everyone else.

It reminds me of Freud's letter to Alred Adler: "Why on earth should I care for creatures the majority of whom will do me great harm for the smallest gain and a minority who will harm me just for the enjoyment it gives them." This is the point; WE ARE ALL READY FOR A LITTLE OF THE OLD ULTRAVIOLENCE. It is neither a popular nor pleasant truth; Stanley loves to let us see what irrational violent savages living within a complete psychotic delusion of our real nature. The bone thrown into the air becomes a nuclear missile platform in space in 2001. The same message: you are still the murderous violent savage do not be so impressed with yourself, you big phony. The whole thesis of DR STRANGELOVE is this: despite all this technology these dangerously irrational fools will wipe themselves all out. We will meet again somewhere, do not know where or when: human irrationality and world destroying technology equal only one thing: ANNIHILATION.

The core of the film has nothing to do with Alex; it is the society around him that thinks non violence is the cure of criminality when the world is a dangerous and violent place. But, they will never let that reality into their little bubbles they live within to keep up a happy soporific coma. Alex is you; Alex is me we are monsters. Let the power grid go off and we will all be Alex I assure you. The monster is within each one of us; Kubrick wants you to see when he was released among us it did not quite go the way we expected. Self delusion the theme of Kubrick you will find it always in his works that and how in the dark we are about our real nature.
After hearing about this movie for years I finally saw it, and all I can say is WOW! What a statement this movie makes about the human mind and the human spirit. How could anyone ever think they could tackle this issue in a few hours of reel time. How could anyone actually achieve this? I am amazed. It makes you think!
Meet one of the most deviant characters in cinema history
I read somewhere that the late Stanley Kubrick was reputed to be against conventional and repressive forms of establishment.If that was so, then I believe that he potently expressed it in "A Clockwork Orange."

Based on Anthony Burgess' 1962 novel, the film introduces us to one of the most violent, amoral and deviant characters in cinema history---Alexander (but of all the film characters, protagonists and antagonists alike, whom I've encountered so far, he's the only one who has registered so strongly in my mind;and Malcolm McDowell's realistic and complex portrayal has greatly helped in making that happen).

I can't forget the opening shot where, while we begin to hear his introductory voice-over narration, we see Alex, together with his fellow "droogies," sitting idly on the floor and staring sharply at us, as the camera slowly pulls back and then we notice marble (or is it wax?) figures in strangely provocative poses.It serves both as an invitation and a warning:we're invited to take a peek into a "new friend's" visionary milieu, but then be prepared for the consequences.

At first, one can't help but be disgusted at the atrocities---devilish and whimsical at best---that Alex and his gang have committed (they maul an old and sick beggar, involve themselves in a violent gang fight, barge into a quiet household, tie up the couple, torture the man and rape the woman).Alex even disdains his family and entices women (total strangers to him) into sex as if he were asking them for a dance in a party (and this might be so, if one is to have his own "reading" of the outrageous scene where Alex does sex with two pretty ladies in fast motion and to the tune of Rossini's "Overture to Wilhelm Tell").Such kind of "rebellious" attitude of Alex may strike one as being done out of youthful capriciousness---at best, a mere show just to satisfy some self-serving ends;nowhere is to be found any justifiable or rational basis at all.

But not until the film reaches its critical point where Alex murders (with the use of a "phallic" furniture) a woman (who's fascinated with cats) when the latter aggressively refuses his advances does one start to rethink his/her thoughts.You have to see for yourself how Kubrick manipulates the narrative from this point on for the viewers to have a "change of attitude" toward Alex.

After that, one can already make sense of Alex' "rebellious" attitude, for the conflict has become clear:it's Alex vs. all the conventional and (as it turns out) dubious forms of establishment---family, government, mass media, education and state.They have laid down the standards on how one must think, feel and act within a given system, but once it is achieved, they are at a loss as to what to make of the individual---to have a firm grip on him or to leave him out in the open---leading them in the end to play the game according to the rules set by the individual himself.

And in Alex' case, as the state's program of reforming criminals and producing pliant citizens will be put to shame because of the former's failed suicide, the people concerned are now willing to fall on their knees before Alex---let Alex be what he is."Now, I was finally cured" has become a classic line.

A film for half-baked sociologists.
The tale of a violent man (a boy in the book) and societies attempt to reform him.

Never before has so much junk been written about a low budget movie that fails on so many fronts. You can read quite a bit of this cheap sociologist gobbledegook in the reviews that surround this one - in case you doubt my word!

Let us start with a few facts for a change: The film was made on the ultra cheap. Look at the lack of extras or expensive sets (all filming took place in real locations). Look at the cheap TV lighting. Look at the amount of hand held camera work. Warner Brothers didn't really want to make this movie, but Kubrick told them it would make pots of money and that won them over - in this he was right!

(To quote a Clash lyric: "They wear smart suits. And think it's funny. Turning rebellion in to money...")

Alex is living in a society we don't really see (in the movie at least). So how can we judge "society values?" Is Alex a one-off or common? This is a society that sells penis-shaped ice-lollies to children so it must be a bit sick in the head, but no attempt is made to give the movie on-the-ground context.

Set in the future is it? Well it is a future that looks a lot like the year it was made right down to the trousers and haircuts. Maybe the future looks a lot like 1972!

I look for films to do two main things: To educate or to entertain. Clockwork Orange does neither. Many scenes are quite revolting - and bizarrely they are even found revolting by some of the people who rate the movie highly!

I went to a rough house school that housed real football hooligans, rapists and sociopaths. Let me tell you now, they didn't like classical music or have the ability to explain their actions in clear language to anybody. Several were too stupid to even form sentences.

Having experienced/suffered the real thing why would I prefer to listen to the version of a highly protected/highly privileged middle class man (Kubrick) who - in success - chose to live his life behind barbed wire, protected by big dogs and shotguns?

I can stand rape and violence if it has a point to it, but here it doesn't. I am not surprised the original "rape victim" quit the movie, who would want to be portrayed on screen like that? Being held down and stripped, while someone with a bad comb-across tries to worm a hand held camera between your legs?

I don't attack Anthony Burgess's book (which I have read) because I think that is a valid exercise in literature. Not that it is that good or that original. Even AB admitted that the use of slang was borrowed from elsewhere.

I hate this film and the reasons that it was made. I also hate the people that make excuses for them. They should all be ashamed of themselves. Avoid at all costs.

Worst Movie Ever Made
I knew what I was getting into with Kubrick, and I've either strongly liked or disliked every movie he's made.

This was a whole other experience.

This film was total garbage. To enjoy any aspect of this film you have to completely walk away from the concept that films should be enjoyed.

If when you pick up a movie, rather than popcorn, you prefer to buy a bag of broken stained glass from a orphanage window to eat while you watch it...than this is probably the show for you and ignore my post.

As for me, I like popcorn. And I like movies that are enjoyable on some level. Inspite of what appears to be a ton of movie critics want to tell you, this movie is not enjoyable, educational, or even deep.

First and foremost, it is long. Really long. Ridiculously long for as little as it ties to accomplish. And just when you think "my god, this film has been on for a week and half, surely it has to be over soon," it keeps going. Of the six people who came to my house to watch this movie, I was the only one that didn't walk out.

Most of the aspects of why this film sucks have already been discussed at length. I will tell you why I hated it most.

It wasn't the violence, I can handle that. I found it poorly incorporated (which was remarkable as it is the primary focus of the entire film).

It wasn't the artsiness. I can usually enjoy that in films.

What bothered me most was after I watched this film, I read a ton of reviews and internet analysis of this movie thinking that there has to be more to this than what meets the eye.

There wasn't. I actually got it.

There was little depth to what this movie was trying to say other than the kiddie pool deep discussion of the definition of morality, conformity, and behavior that a 4th grader could have picked up on.

I am not anti-violence. I am not anti-creative. I am anti-worthless. And this movie is worthless in every level I can relate to you.

The only people who will like this movie are those stuck up, smarter than thou, I am so much deeper than you that I urne to find stuff the rest of the world hates, snobbish pricks who have no friends and probably work at the video store you rented this from.
The epitome of all 'art house' cinema.
If A Clockwork Orange was a painting, today it would stand alone as a masterpiece, the jewel of Stanley Kubricks impressive crown, its value incalculable.

After watching a film like ACO all preceding and subsequent viewings of movies (with the exception of a rare few) pale into significance and are easily forgotten compared to this engrossing, visually stunning, intelligent, shocking, darkly humorous, grand movie that it is. Forget this film in a hurry you will not. >From the perplexing opening scenes to the time the credits role the film grabs you by the ears (and eyes!) and doesn't let go.

ACO is surely Kubricks defining masterpiece. The Background score is incredible (Beethoven anyone?), Malcolm McDowell is unbelievable and given his performance you can see why Kubrick said he wouldn't go ahead with the film if he couldn't get his signature. Visually the film is fantastic, and the vernacular used (called NASDAT I believe) is enthralling.

The greatest motion picture of all time- enough said.
An empty and unpleasant film.
People say that this film is somehow amazing. To me it is far more about image and very light on any content. I am all for the freedom to depict unpleasant acts where appropriate and where it has some purpose to it, but I don't see any point to the vast majority of this film. The whole thing seems to be designed to appeal to base instincts through violence and sex without ever making any valid or thought provoking points about either these or any other issue. I realise it is in the top 250 list but personally I feel this film owes more to its notoriety (people thinking it was banned despite the fact it was actually willingly withdrawn by Kubrick in certain countries) than to any real merit in the film. The characters seem to me to have very little real depth and the film is just a series of scenes designed to shock and court controversy. This probably won't be a popular review but I just don't see that this film in itself justifies its position in the polls.
One of the greatest films ever made
I haven't read the novel that this film is based upon, and I didn't know that much about it before I sat down to see it. I decided to see it after hearing pretty much nothing but praise for the film(in fact, the only negative comments I've ever heard about it is that it deviates too much from the original novel... which is something Kubrick was famous for) and because I immensely enjoyed The Shining and Kubrick's directorial style as seen in it. I must say, it's been quite a while since I saw something so full, spectacular, exhausting and powerful. From the very first frame to the very last... amazing. Kubrick's style is magnificent, his storytelling is among the best ever seen in cinema. With this film he truly captures the raw and pure qualities of violence. I don't think(well, I certainly don't hope) that anyone who ever has or ever will see this film confuses this as an ode or a tribute to violence... this is not, in any way, shape, or form glorifying violence or violent behavior. Quite the contrary, you might say. The film proves, once and for all, that violence spawns violence. Visually, the film is absolutely stunning. The angles, pans, tracking shots... fantastic work. The ideas presented in the film are more than enough to disturb and freak out any normal person... which is(at least part of) the point. If I mention the words 'eyes opened forcefully' you probably already know what I'm talking about, right? That famous sequence has been referenced, spoofed and talked about more times than just about any other visual impression in the history of cinema. The way everyone and everything turns at Alex after he's apparently cured... truly disturbing. I found a surprise at every change in scenery or even in immediate situation, especially in the latter part of the movie. The way society turns against Alex after he rejoins it, apparently a better man... one of the most 'true' and real cinematic truths ever told of humanity. We are beasts, we are what is commonly referred to as 'inhumane'... and Kubrick tells us this in a truly astonishing manner. The plot is very good. It deals with the main character of Alex, beautifully played by Malcolm McDowell, who loves 'a bit of the old ultra-violence'. He is incarcerated and offered a chance to be re-entered to society, after being 'cured' of his psychotic tendencies. The pacing is... well, hard to describe, really... it feels slow, the movie seems to move slowly... but it hardly drags at all. It's exhausting, not to mention hard to sit through, both due to the extreme content and the slowly moving plot, but it's all worth it. The point is pure genius. Pure Kubrick. The acting is flawless... and believe me, that is not a term I use lightly. Every single actor performs perfectly. The characters are perfectly written, credible in every scene and interesting. The cinematography is pure beauty... pure excellence. I've come to love Kubrick's visual style. His cuts of varying speed and intensity, his long takes when dealing with dialog... truly amazing. His use of music is astounding... the use of classical music is great and really adds to the ironic tone and the atmosphere, the mood of the film. This is truly a work of art, and an exhausting but truly worthwhile film. I haven't seen anything quite like it for a while... in fact, maybe I never have. I recommend this to any fan of Kubrick or intelligent theater. If you believe yourself to be perceptive and intelligent enough to understand the film on most or all of its levels(I don't claim to, not at all), or even on the most basic levels, such as theme and morale(which is what I understood of it) then you should, nay, then you *need* to see this film. Be prepared, though, it does contain quite a lot of disturbing themes and ideas, and is not in any way for the faint of heart. 10/10
Beautifully unique
I started A Clockwork Orange with low expectations, as i am not a fan of 2001: A Space Odyssey, but boy was i wrong. This unique story of a psychopath is immensely entertaining and filled with an array of creative, interesting characters.

The film starts off interesting, gets weird, then interesting, then scary, then more interesting and carries on right until the finish!

I think I expected a bigger event towards the end of this film or some huge twist but this was not needed. After analyzing the final scenes of the film it is clear that there is already enough depth and thought in the plot.

what an excellent piece of cinema.

I normally like to suggest some similar films at the end of my reviews but I think ACO may be too unique!
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