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Purchase City of God (2002) Movie Online and Download - Fernando Meirelles, Kátia Lund 🎥
Year:
2002
Country:
Brazil, France
Genre:
Crime, Drama
IMDB rating:
8.7
Director:
Fernando Meirelles, Kátia Lund
Alexandre Rodrigues as Buscapé Criança - Young Rocket
Leandro Firmino as Dadinho - Li'l Dice
Phellipe Haagensen as Bené Criança - Young Benny
Douglas Silva as Dadinho - Li'l Dice
Jonathan Haagensen as Cabeleira - Shaggy
Matheus Nachtergaele as Sandro Cenoura - Carrot
Seu Jorge as Mané Galinha - Knockout Ned
Jefechander Suplino as Alicate - Clipper
Alice Braga as Angélica
Emerson Gomes as Barbantinho - Stringy
Edson Oliveira as Barbantinho Adulto - Older Stringy
Michel de Souza as Bené Criança - Young Benny
Roberta Rodrigues as Berenice - Bernice
Luis Otávio as Buscapé Criança - Young Rocket
Storyline: Brazil, 1960's, City of God. The Tender Trio robs motels and gas trucks. Younger kids watch and learn well...too well. 1970's: Li'l Zé has prospered very well and owns the city. He causes violence and fear as he wipes out rival gangs without mercy. His best friend Bené is the only one to keep him on the good side of sanity. Rocket has watched these two gain power for years, and he wants no part of it. Yet he keeps getting swept up in the madness. All he wants to do is take pictures. 1980's: Things are out of control between the last two remaining gangs...will it ever end? Welcome to the City of God.
Type Resolution File Size Codec Bitrate Format
1080p 1920x1040 px 8957 Mb h264 N/A mkv Purchase
720p 1280x688 px 6717 Mb h264 N/A mkv Purchase
HQ DVD-rip 720x384 px 1908 Mb h264 0 Kbps mkv Purchase
DVD-rip 496x272 px 701 Mb mpeg4 640 Kbps avi Purchase
Reviews
a mixture of brilliance and utter disturbance
this movie is pseudo-documentary meets Little Rascals meets Peter Parker meets Scarface meets Godfather meets Lord of the Flies meets so many other classics. it's not derivative at all, but it certainly makes you compare elements to the all-time greats of entertainment.

you hope for closure for our young photographer narrator but never quite get it, coming to the realization that this City of God is truly the Land of the Damned, even today subject to profound political corruption and gang violence. this isn't your Rio from the travel brochures...

it's quite sad that more people haven't seen this film while it's been out in arthouses and other cinemas around the country. i hope someone who hadn't seen the movie will read this and be spurred to at least rent it.

verdict: 10/10.
2004-04-22
If it's not from Hollywood, it must be good
There are certain people who have developed a very negative view towards Hollywood movies and U.S. cinema. In this mindset, any movie coming from the US is automatically lambasted, while non-US cinema is praised without merit. City of God, or Cidade de Deus, is one such case. Its serious overvaluing can only be attributed to a cloudy-eyed sentimentalism for the real situation behind the movie without even considering whether the movie itself has value in portraying that situation. And the unfortunate case is, no. Meirelles and Luns' generic directing is completely devoid of feeling and insight, and the actors are merely going through the motions, lacking any emotional impact in the actual proceeding of the screenplay. For these failings, the film collapses into a jiltingly generic mashup of violence and crime, with nothing to tell. There is no shock value, there is no empathy, there are no thoughts evoked. Perhaps this movie has some appeal and bearing to people who are more closely connected to Brazil and the kind of events portrayed, seeing as they can draw from another experience to put some weight into the matter, for this film by itself has none. It takes a special kind of pretentiousness and self-delusion to rate this film highly on its own merits, and the kind of a critic that dares not criticize a film with a sensitive subject. Yet this film desperately needs more of a voice of reason to call it for the empty shell it is.
2007-09-29
The Hype and Acclaim is Real: Cidade de Deus delivers.
Long before have I seen movies being overly praised but were not worth the hype and time and vice versa for the rest. It's been like that for a few years already.

But now finally, I can see a film that's pretty close to perfection and one that everyone has been right about for four years already. This is the story of Rocket and Ze, one who becomes the most notorious criminal and dealer in the "City of God" and the other who tries to make a hard, honest living while tasting the temptation that is drugs, sex, and vengeance.

The movie portrays the "City" as a land of corruption but at the same time undeniably beautiful to look at. Through the cracked walls and deteriorated letterheads from decade old paint, there lies an incredible and breath-taking city. Through a style similar to Tony Scott's Man on Fire, Fernando Meirelles and Kátia Lund portray the city in a "grunge-shine" point of view, with a realistic shaky camera (complete with zoom ins and outs) to enhance the city and its inhabitants. Its use of colors and interesting angles throughout the entire film (with a few creative shots tucked in) gave it an edgy look that makes it near impossible to turn away from. The visual imagery I thought was incredible...but not the only reason to like the film.

The story is surprisingly well-thought out. Before you know it, twists are implemented here and there, which I think is fantastic. The best films, to me, let you soak into the atmosphere and characters and while you gaze and become fascinated with them, *BOOM*! The writers secretly add in a few flashbacks and interesting twists and slam them into the picture, which prevent you from guessing beforehand on what's about to happen. And how can you? The movie captures you and absorbs you, making you feel that you're apart of the "City". While I wish certain characters, like Angelica, were emphasized as much as all the other characters, overall what you get is definitely worth the price of admission.

The characters themselves are pretty memorable. We have Rocket the photographer, Benny the stylish dealer, Ze the notorious bad guy, Knockout the good guy gone vengeful, and the little Runts. We have a whole lot of other characters as well, but these are the main characters we focus on. Through clever and interesting flashbacks, we get to know each of those characters more and find out more about events that have happened in the beginning of the film. As we near the end, the piece of the puzzles come together, the evil are finally punished, and the story is finally told. Poetic justice involving Ze, Knockout, and the Runts is especially evident near the end. Its pretty sad, yet fulfilling.

Top #20 material? Maybe. It has the goods and it delivers. But while it entertains, it didn't impact me immensely or have any catchphrases and whatnot. But for what I saw, it was a good film. One that should be viewed by all. I would recommend this to anyone who's even remotely interested in film, gang life, or stories about coming together in the face of destiny in general.
2006-08-31
The best Brazilian movie ever made !
A film that portrays the life of the poor Brazilian class, mainly from Rio de Janeiro, portrayed by locals themselves, amateur actors and did a great job, many revealed to the great Brazilian entertainment industry. The film has excellent direction, fantastic subjective elements, and time does not continue in a single line, the director approaches different moments in different times of the film. Amazing. This film was a great revolution in Brazilian cinema, it was nominated for international awards, which for the Brazilian film industry was new.A great film to know the reality of the poor class, and the history of the city of God, favela of the rio.
2016-12-17
City of God Review
*Spoiler Alert*

City of God, the erratic and fast-paced thrill ride that is as violent as it is coming of age. With a cast of characters that seemed so organic and believable that you confuse the story for their day-to- day reality. Throughout the film, I marveled at the techniques that the director and cinematographer used to amplify their messages. The use of Zooms, Long shots, Split-screen, Freeze frame, slow-motion, and lighting, just to name a few. These techniques made the film extremely visually stimulating and engaging, which coincided with the dark and gritty subject matter. It also has music that is reoccurring to add an emphasis on the culture and to juxtapose with the environment. An environment where the people need "God" the most, meaning: A city of death and violence.

A specific scene that encapsulates this film's tone, subject matter, and techniques is the "Lil Dice bathhouse scene." The bathhouse scene is so significant because of the direct combination of a child, sex, and murder. This scene emphasizes Lil Dice and his psychological development as a child, meaning he displays psychopathic tendencies. The scene also relies on technique to flesh out Lil Dice as dangerous, coupled with the narration to continue a string of narrative. The cinematography focuses on making the victims yelling out of focus (depth of field) to show a mental disregarding of life by Lil Dice. He then murders them, which leads to the mise en scène becoming emphasized. The lighting behind lil Dice is complete low-key, his figure completely disappears in the darkness (figuratively and literally). There is also a yellow-tinted lens used in the scene to set a glorification of killing.

Overall, City of God, is an extremely layered film that is defiantly worth a watch. It is violent but also has a meaning of passion through the main character. I highly recommend this film as a developmental and cinematically engaging journey. The only problems I had were more about the narrative and the films approach in gimmicky story-telling (Rocket and his camera), it felt contrived in the way that Rocket was omniscient.

4/5
2017-10-16
The Three-Body Problem
Spoilers herein.

The first choice a modern filmmaker has to make is deciding who is the camera. Everything flows from that decision, inheriting already maturing visual vocabularies for each path chosen. It's very hard to be novel today: most interesting projects come from careful integration of a novel eye with a novel narrative stance - parallels, time reversals, untrusted narrators, etc. But here is something new, thanks to the creative incubator of Brazilian TeeVee commercials, one of the more vital pockets of popular art around.

In this case, we have three characters: a narrator/photographer, a dancer, and a `pusher' who literally pushes the linear logic each step at a time. Each of these is represented by a camera philosophy (and accompanying editing style) which are mixed up helter-skelter. The most obvious is the notion of the `running camera' which sometimes looks at the road or away as it moves in frenzy.

This is interspersed with a rhythmic camera. This camera (Benny's eye) is the one that permeated most: it is reasonable yet hedonistic. In the first few seconds, we are introduced to these two in masterful composition: the observing, recording chicken who subsequently runs with a following POV. This is mixed with the aggressive logic of rhythm. If opening shots are promises, this is a strong promise. Over time, the third eye is folded in, literally a folding of linear stories. Each is tightly linear until it hits a node, then goes off on a tangent or a new direction usually paralleling something already seen. Garrison Keiller is the master practitioner of this sort of storytelling; not chopped Clancey-style; not shuffled Tarantino-like; but direct until hitting a capricious nexus, then direct again.

All three are shooters. The story is irrelevant: kids killing kids, albeit sometimes viscerally. The characters are literally disposable. The experience is nominally about the place, but it is really about how we are shown the place. I do not think this will reinvent film like a few projects have (from Welles, Tarkovsky, Greenaway, Kurosawa, even recently Luhrmann) but it is a visual adventure worth taking and a fresh experience.

Ted's Evaluation -- 3 of 4: Worth watching.
2003-03-09
What a Film
The characters in this movie were what made this piece so special. It almost felt like we had to choose what side we were fighting with, Knockout Ned or the infamous Li'l Ze. The movie begins by explaining the "City of God" a small scummy place in the middle of Rio DE Janeiro, Brazil. Drug dealers run the streets and kids kill other kids just for fun. Li'l Ze begins his life by joining the older kids with petty crimes but escalates to mass murder within a few minutes. He grows up to be one of the most feared and ruthless drug dealers in the "City of God." Knockout Ned, with the help of Carrot, led the other drug gang in the city. Li'l Ze kills Ned's family and destroys his family home. This is when the war begins. The film pushes us to join Ned's force because he wants justice, all he wants is revenge for his families' death. We follow every move up until his death. This is the scene that got me the most. We see the most caring person, even in the middle of battle field, try to help a wounded child. The moment Knockout Ned turns around the child shoots him in the back. This scenes amazing because it showed me everyone was in this war for some personal reason. The reason the kid was in the war, to get revenge for his father's death. Who killed his father you ask? Knock Out Ned. Nobody cared about the cause of the war, but the war gave them a cause to fight and kill those who did them wrong.
2017-10-16
DVD has even better doc!
As riveting as the film is, the documentary on the DVD reveals a world that is even sadder and crueler. We get the history behind the madness and why nothing will ever change. There is so much evil in the world it boggles the mind sometimes. I'm so privileged to be able to turn this off and go back to my safe little life. I know I'd never survive in the horrible environments some people must live in.

I really wish IMDb would eliminate the 10 line minimum. I have said all I want to say! Do yourself a favor and rent the DVD to see the doc, even if you can't bear to watch the film again. Not to be missed. Okay, last line!
2009-11-21
one of the best
I would say this is one of the best movie I ever seen. when you talk about cinematography, editing and story etc.

it amazed me how many different characters plays in this film and how well it has been structured.

one of the styles I find fascinating is that it started from character and it passes to the other. Styles its amazing. I really how like how their friends leads to different life styles. the main protagonist Rocket, when he first saw photo camera that how that turns a different path in his life. and in the last scene when he(Rocket) was stuck in-between the cops and goons. I love how the effect and transition which goes to flashback, it was really nicely done. I didn't know much Rio but after seeing movie I would say it gives me overall information about how the people in Rio.
2016-02-05
Breathtaking
City of God is the name of a city in the slums of Rio de Janeiro where this movie takes place. It tells the story of what its like living and growing up in a city where violence is common and drug lords had more power than the police.

By the short synopsis I just gave, one might think that this is a dark and horrific film to watch. While some scenes containing violence are scary, others are not and that is what is interesting about this film. Sound largely influences the film, upbeat music plays while a drug lord shoots a child, the drug gang smiles big for a picture each one slinging an assault rifle, kids becoming soldiers is celebrated… This film is shocking in the various ways that it tries to desensitize its audience to murder, rape, and drugs. In this way, the film truly attempts to get its audience to understand how common these tragedies were in the City of God.

Although a violent movie, there are times when the mise en scene is absolutely breathtaking. Taking place in Rio de Janeiro, the sun is shining and the beaches are hot. When the movie cuts to the beaches, we see a happier and safer City of God. These scenes are not long because the film tries to maintain that nobody is truly ever safe if they live in the City of God. I highly recommend this thought provoking movie to anyone.
2017-10-16
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