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Purchase Dr. Strangelove or: How I Learned to Stop Worrying and Love the Bomb (1964) Movie Online and Download - Stanley Kubrick 🎥
Year:
1964
Country:
UK
Genre:
Drama, Thriller, Comedy
IMDB rating:
8.5
Director:
Stanley Kubrick
Peter Sellers as Group Captain Lionel Mandrake
George C. Scott as General 'Buck' Turgidson
Sterling Hayden as Brigadier General Jack Ripper
Keenan Wynn as Colonel 'Bat' Guano
Slim Pickens as Major 'King' Kong
Peter Bull as Russian Ambassador Alexi de Sadesky
James Earl Jones as Lieutenant Lothar Zogg
Tracy Reed as Miss Scott
Jack Creley as Mr. Staines
Frank Berry as Lieutenant Dietrich
Robert O'Neil as Admiral Randolph
Glenn Beck as Lieutenant Kivel (as Glen Beck)
Roy Stephens as Frank
Shane Rimmer as Captain 'Ace' Owens
Hal Galili as Burpelson AFB Defense Team Member
Jack Creley as Mr. Staines
Storyline: Paranoid Brigadier General Jack D. Ripper of Burpelson Air Force Base, he believing that fluoridation of the American water supply is a Soviet plot to poison the U.S. populace, is able to deploy through a back door mechanism a nuclear attack on the Soviet Union without the knowledge of his superiors, including the Chair of the Joint Chiefs of Staff, General Buck Turgidson, and President Merkin Muffley. Only Ripper knows the code to recall the B-52 bombers and he has shut down communication in and out of Burpelson as a measure to protect this attack. Ripper's executive officer, RAF Group Captain Lionel Mandrake (on exchange from Britain), who is being held at Burpelson by Ripper, believes he knows the recall codes if he can only get a message to the outside world. Meanwhile at the Pentagon War Room, key persons including Muffley, Turgidson and nuclear scientist and adviser, a former Nazi named Dr...
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Reviews
Just the best
That is it really, the best movie ever made! But they want four lines so: Kubrick's best film, it combines humor with one of modern mankind's greatest fear, nuclear holocaust. See this today! It is an AFI top 100 for a reason!
2002-08-23
Outstanding, timeless classic!
One of the best films ever made, this remains timeless despite changes in technology, foreign policy and world politics; the military/political madness remains the same. Gets better all the time, with successive viewings and its luster has not dimmed since its first release.

With three show-stopping performances from Sellers (amongst his best work, if not THE BEST), and an unexpectedly hilarious turn by George C. Scott (if Sellers weren't SO dead on-target, Scott would easily steal the show), STRANGELOVE is filled with cartoonish, over-the-top characters that, despite the lunacy, still ring true. Special mention must be made for Sterling Heyden's controlled, brooding paranoia as General Jack D. Ripper. He's funny, he's scary.

All-in-all, a brilliant piece of work by all involved.
1999-01-19
The are movies and there is history...this is movie history !
What can I say about this 1964 black-comedy...nothing short of pure brilliance. From the cracking caracters to the incredibly insane story, this is the cold war at its best.

My favourite part must be the unpacking of the emergency boxes. I can't describe it how hilarious this is.

If you really want to enjoy the movie to its fullest you better do some research on the cold war days. Maybe a nice double feature is to watch Thirteen Days and after it Dr. Strangelove.

Go out and see the best one Kubrick has made.
2003-06-05
Brilliant, just brilliant
The film opens with a simple printed disclaimer: `The US army claims to have safeguards in place which render the following events impossible', or words to that effect. Well, I'm willing to believe that. Besides, that was 1964. Things have changed since, and the chances of an accidental nuclear exchange - between the United States and Russia, at any rate - have dropped considerably. But `Strangelove' STILL gives me a small thrill of panic. Kubrick plays on our nerves masterfully. At one moment it seems as if the forces of sanity are going to win, the next minute it seems as though they don't stand a chance: I won't reveal all the cleverly constructed reversals of fortune, but part of me is itching to.

Peter Sellers's performances (all four of them) are gleeful fun to watch. It was a stroke of genius NOT making the president a buffoon. In fact he's a decent and intelligent man, by no means a weak leader, and his relationship with Dmitri (the Russian general secretary) is almost touching - not that any of this helps him very much.

I've noticed that a number of people who say they aren't fond of Kubrick in general make an exception for this film. I can see why - even though I AM fond of Kubrick in general.
1999-12-16
Kubrick Becomes a Master
Stanley Kubrick directed the greatest dark comedy of the 20th century. Amidst the height of the Cold War and the assassination of American President John Kennedy only months before, Dr. Strangelove is an exaggerated view of the Cold War to see how ridiculous it could really be. America and the Soviet Union were really going to use all those nuclear weapons on each other?! That would destroy the whole world in one day! That's the point Kubrick wants to make. Kubrick always at the dark side of humans throughout his films. The cynic, satirical, and heartless humans that are always depicted in his movies. Even if they don't start like that (The Shining, Full Metal Jacket), the characters already have the potential to go berserk. That happens in Dr. Strangelove, which is a comedy. It doesn't matter what genre Kubrick covered, may it be drama, war, science fiction,or crime movies, Kubrick always got his message across. Who would believe he would create another masterpiece four years later in 2001:A Space Odyssey?!
2002-03-21
One of my all time favorites
This black comedy is a truly great movie, and possibly Kubrick's best effort. Peter Sellers does his usual magnificent job, and George C. Scott and Slim Pickens both turned in outstanding performances. While Kubrick had to take certain liberties with real-world procedures in order to make the story fly, the attention to realistic detail makes the film completely believable, which only adds to its comedic impact. One of my all time favorites.
2002-12-13
Black comedy at its Zenith...
Never has the absurdity of war been so bitingly and accurately skewered as it was in the 1964 classic Dr. Strangelove: Or How Learned to Stop Worrying and Love the Bomb. a scorching black comedy that sheds a very unflattering but unfortunately probably spot-on look not only at war, but the mental capacities of the people who have their hands on the button.

Director Stanley Kubrick has created his masterpiece here, chronicling what happens when a clearly insane military general who triggers an attack on the Soviet Union that could lead to nuclear holocaust and how the President of the US and his advisers try to deal with the repercussions.

Released during the infancy of the Vietnam War, this film probably ruffled a lot of feathers in Washington, though I don't know for sure, since I was only six year old at the time, but the film can now be cherished for the scathingly brilliant satire that it is.

Kubrick's masterful direction is only surpassed by the brilliantly tongue-in-cheek screenplay by Kubrick, Terry Southern, and Peter George, that was clearly robbed of an Oscar. As for casting, it's perfection...Peter Sellers' powerhouse performance where he effortlessly brings three different characters to life is a joy to behold. Sellers, too, was robbed of an Oscar for Outstanding Lead Actor. My personal favorite of his three characters was President Muffley, who is given the best line in the movie and whose first phone conversation with the President of the USSR (Dimitri) to explain what's going on had me on the floor. Sellers has never made me laugh so hard, and I've seen most of the Pink Panther movies. Kubrick pulled the performance of his career out of Sterling Hayden as the insane general as was George C. Scott's bigoted military leader who is possibly as crazy as Hayden's character. Scott is brash and funny and was Oscar-worthy as well.

Kubrick's attention to detail in bringing this epic story to life works on every level. The black and white photography only adds to the realism and there is impressive art direction and inventive camera- work, but it is the Oscar worthy work by Kubrick, Sellers, Scott, Southern, and George that make this one sizzle and earn it the well-deserved reputation of a classic.
2015-12-09
Possibly the best film ever?
Well, I suppose that would be a matter of opinion. But this is one my all time favourites. There is just nothing wrong with this film. I can't think of one moment in this when I am not laughing out loud, no matter how many times I have watched it.

This is probably Kubrick's most focused film. His other efforts are generally mixes of whatever good idea comes to him next. This still has his wildly fluctuating style but this never strays from its major focus point... Peter Sellers. When working on Lolita, Kubrick had grown fond of Sellers and loved to watch him perform. This is very apparent here as most of the film consists of hilarious monologues for Sellers's three characters. Sellers doesn't disappoint either. He brings to the screen a wonderfully restrained performance for these three characters, which makes it even funnier when he dives into a physical act of hilarity. He even gets all the best lines such as "Gentlemen, you can't fight in here! This is the War room!"; "I'm sorry, Jack. The string has gone in my legs" etc. He even manages to make his three characters so physically different from each other that it's hard to believe that they're the same person; he seems to change the shape of his face and even the way they hold a phone (As Muffley he comfortably rests the phone in his hand but as Mandrake he clings onto the receiver nervously with both hands, ready to hide the mouth-piece). Sadly he didn't win the oscar he was nominated for.

The laughs don't just end with Sellers though. The script - written by Kubrick, Terry Southern and Peter George (author of source novel "Red Alert") - never lets us rest, chances are we will be laughing so much at a great line that we won't hear the next one. Also, Kubrick frames each shot to unmatched perfection, comedy has never looked this good. Everything, right down to the whimsical special effects are perfect.

The supporting cast are brilliant too. Slim Pickens (If that is his real name) was never told that he was starring in a comedy. Kubrick wanted him to believe that it was a drama as he thought it would make his performance funnier. He was right. George C. Scott battles with Sellers for the best lines in the War room scenes whilst Sterlyn Hayden battles for the best monologues in Ripper's office.

The film was originally set for release in 1963 with an ending that burst into a custard-pie fight in the War room and the president being knocked down by a pie. Due to the Kennedy assassination this was removed and the film was released in 1964. Ironic, considering this was released right in the middle of the cold war.

So watch and enjoy.
2002-04-09
...I don't get it
Yeah. It was funny. It was entertaining. It's not a bad movie by any means. I think Kubrick did a great job with the visuals and the settings.

Beyond that, it's not very dramatic or suspenseful. There's not much depth or intellect. I laughed modestly a few times, but mostly, the humor consists of lazy military stereotypes. The premise was interesting. I could've done with less cockpit and gun firing scenes. Perhaps the general and his descent into madness could've used more fleshing out. I don't know. It feels like it's missing something.

Maybe it's one of these meme movies like Napoleon Dynamite that you either "get" or you don't.
2016-05-16
"WE MUST NOT ALLOW A MINE SHAFT GAP!!!"
Pitch black comedy that finds humor in the unimaginable, due to its outstanding direction, great performances and tight, witty script. This is director Stanley Kubrick, at his best. The use of tight angles, eerie B&W photography and great pacing are key assets. The menacing aspect of such a situation, treated with such over the top style by Kubrick, will solidify this film as "one to watch" for generations to come.

The performances are super, with Scott and Sellers leading the way. The script is a stellar piece of brilliance by Kubrick, Terry Southern and Peter George (who wrote the original novel). The balance of subtlety and mind-zinging absurdity empowers a raw, distinctive genius to the screenplay.

Those who don't pay much attention to the dialogue, will be crinkling their noses and mumbling, "What's so funny?" The intensity of this farce lies as much with the spoken word, as it does the physical. The humor pokes fun at bureaucracy, blind patriotic zeal, hypocrisy and human nature.

DR. STRANGELOVE OR: HOW I LEARNED TO STOP WORRYING AND LOVE THE BOMB was courageous, landmark film making for it's time. The USAF was going to cooperate with the making, until the brass read the script. It was simply too much for sterile defense department types, which alone should let you know, it's a great movie. A definite classic, worth ringing up the boss to call in sick for.

Highly recommended.
2002-06-19
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