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Purchase Modern Times (1936) Movie Online and Download - Charles Chaplin 🎥
Year:
1936
Country:
USA
Genre:
Drama, Romance, Comedy
IMDB rating:
8.5
Director:
Charles Chaplin
Paulette Goddard as A Gamin
Henry Bergman as Cafe Proprietor
Tiny Sandford as Big Bill
Hank Mann as Burglar
Stanley Blystone as Gamin's Father
Al Ernest Garcia as President of the Electro Steel Corp.
Richard Alexander as Prison Cellmate (as Dick Alexander)
Cecil Reynolds as Minister
Mira McKinney as Minister's Wife (as Myra McKinney)
Murdock MacQuarrie as J. Widdecombe Billows
Wilfred Lucas as Juvenile Officer
Edward LeSaint as Sheriff Couler
Storyline: Chaplins last 'silent' film, filled with sound effects, was made when everyone else was making talkies. Charlie turns against modern society, the machine age, (The use of sound in films ?) and progress. Firstly we see him frantically trying to keep up with a production line, tightening bolts. He is selected for an experiment with an automatic feeding machine, but various mishaps leads his boss to believe he has gone mad, and Charlie is sent to a mental hospital... When he gets out, he is mistaken for a communist while waving a red flag, sent to jail, foils a jailbreak, and is let out again. We follow Charlie through many more escapades before the film is out.
Type Resolution File Size Codec Bitrate Format
1080p 1440x1080 px 6719 Mb h264 128 Kbps mkv Purchase
HQ DVD-rip 720x576 px 1504 Mb avc1 N/A mp4 Purchase
DVD-rip 544x400 px 698 Mb mpeg4 1172 Kbps avi Purchase
Reviews
The fear of Chaplin and his tramp Carlitos is the fear of the common man.
The fear of Chaplin and his tramp Carlitos is the fear of the common man. The uncertainty of a world that in the measure of its modernity, excludes the individual and the spaces for the human feeling.

"Modern Times" uses the facet of satire and at certain times of the parody to result in a critical and conscious comedy. It promotes a laughter contained in a world where the population is comparable to a flock grazed by large corporations and corporations, and even being a film scripted and directed by Charlie Chaplin in 1936, has a strong prophetic or futuristic character, timeless and certainly helplessness, when we reflect In the position of the contemporary world.

Chaplin in "Modern Times" already philosophized on so many important issues that when reviewing his films, we were amazed by his futuristic vision in terms of technology with surveillance systems monitored by cameras, a mix of reality show with face time, (Such as Skype), voice messaging (WhatsApp), digital recording, and the interference of man's banal activities, such as having lunch, being interfered with by machines and everything to ensure more work efficiency, Wasted time with human activities.

In addition to the technological advances, there is in the film, or at least in its first part, an analysis of the effects and reflexes of modernity on man and the world, expressed by relations of subordination and power, by the totalitarianism of business groups and by the inexpressiveness of trade union movements Which result in meager advances and are brutally repressed by the police force. A well-presented paradox in the film is how man has managed to advance in technological modernities that, on the other hand, only increase the differences of social classes, generating groups concentrated by industrial power and a whole mass that is at the mercy of a great employment opportunity Part exploratory and enslaved. Living in miserable conditions, in a daily struggle for survival and without the prospect of a better future, there is nothing left but a passive position of the people, who fulfills their expectations with dreams and fantasies of consumption and a life less unworthy.

The critical character of "Modern Times" knows how to measure well the moments of comedy, in fact, they mix in a homogeneous mass so well structured that allows the public, if it so wishes, to stick only to moments of comedy, but if you want, Just look more closely and we can see and see our world through a critical humor perspective. Perhaps the fear of Chaplin and his tramp Carlitos is the fear of the common man. The uncertainty of a world that in the measure of its modernity, excludes the individual and the spaces for the human feeling.

Particularly, I believe in an attempt by Chaplin to soften his critical stance, for, in structuring the script of "Modern Times," the story is divided into chapters that resemble chapters, and which can, as a filmmaking feature, be relocated without Major implications, since the dependence of one chapter does not strongly interfere with another. This structure that border the sketch or "sketch", are, in my opinion, a weak and harmful feature to the film. So much that the resolution for this is a passage of days, there are no missing cards that inform the next action (chapter), it occurs ten, seven, five, two days later or within weeks. This division is so explicit that we can structure the film in the following way:

Chapter I - Factory; Chapter II - The Prisoner of the Tramp Chapter III - The Life of the Poor Girl;

Just in the middle of the movie, we have an unfolding of this critical and political comedy for a romantic comedy that nothing resembles the initial idea proposed to the film. The only vestige that remains of this trait is in the labor relations, the search for a job and a change of life.

With the proviso to the slip of his narrative structure, you had a great work, and one more impeccable work of Chaplin. When "Modern Times" was made, cinema already had the sound feature, but Chaplin, mainly for his ideologies of creating a universal art cinema, which was not hampered by differences of languages ​​and other motives, remained faithful to the comic of mimicry , Which made him deservedly famous and admired all over the world.

Conversely to those who say of their fear of using the soundtrack, we have in this film a Chaplin conscious of the advances of the sound and that knows to take advantage of that, the sound is presented as a technology that allows the sending of recorded messages, in the sound games like beats In the door that serve to confuse the actions, in the use of a radio to inhibit the sound of the gastritis and where the radio announcer remembers exactly to take the medicine to heal this evil and especially the sound, like match point of the history. If the hobo can not get a joint job, how about trying life as an artist? But for this it is necessary to sing, therefore he who never speaks. The result
2017-06-20
Similar to Lang's Metropolis
I didn't look the history of Metropolis but Modern Times is very similar to Metropolis. Only one difference is that Modern Times isn't just a musical, there are some speeches.

A cruel boss about working conditions of workers, a poor girl and the other factors. But there are some scenes that make you watch. For example; the machine that feeds workers without giving a break or the song which Chaplin said are unforgettable.

After watching this film, there are no top 250 film that I haven't seen. All these films are product of Chaplin's smart intelligence.

Chaplin deserve all praisal words...
2008-03-11
This was the end of the road for The Litte Tramp
"Modern Times" (1936): Charlie Chaplin isn't my favorite comedian from the 20's & 30's. I'm partial to W. C. Fields, Buster Keaton, Harold Lloyd... Chaplin is a little too stylized and feminine for my taste, but this is an interesting film for a couple of reasons: One, it's presented as though a SILENT film from the earlier days of movies – yet was more than a decade past silence by then. Two, the sets, costumes, and locations are pure 1936 middle and upper class Art Deco, which is a pleasure to peruse. WHY was "Modern Times" done as a silent? It HAS music and dubbed tracks of all sorts, so it's NOT actually silent, but all the dialog IS, with the old style use of caption cards. I think the film tried to straddle eras and audiences. It was the middle of the Great Depression. People needed laughs, and comfort "food" - so to speak. Presenting a new film in the old style took the audience back to BEFORE the stock market crash of 1929, if for no longer than 90 minutes. I also wonder (and have not researched) if Chaplin, though still famous, was by then something of an anachronism, and could not make the full transition. This WAS the last appearance of his "Little Tramp" character. LOTS of actors lost their careers when "Talkies" came along. They did NOT have good voices. Valentino apparently sounded like a girlie-twirp. Chaplin also got himself into trouble with the Government - OUR "free speech" Government – by espousing unpopular politics. There are other reasons I enjoy this film: the black/gray/white value range is lovely, and so is the leading lady, a young Paulette Goddard. What a babe! She could easily be Courtney Cox's genetic Great Grandmother. Oh, and I laughed out loud a few times...some of the wit still holds up. You have to hand it to Chaplin – he directed, wrote, scored...did it all in this film, and THAT'S a serious effort worth respect.
2006-01-24
Chaplin's happiest film : )
"Modern Times" A story of industry, of individual enterprise - humanity crusading in the pursuit of happiness."

this is my first Chaplin film and favorite Chaplin film cause it has a great message about how man has gone with the machine and the movie is hilarious i never laughed so hard in my life and its not crude or anything its so happy.its really a beautiful story.

but what you learn about him being more happy in jail than in the factory, and a great dramatic performance by Paulette Goddard too. this film has great performances even if its silent.

and this film also tells you to not give up like he said "Buck up - never say die."and the music is great too and sound.modern times is must see for anyone.

now you know "modern times" delivers great laughs, some tears and Happiness.

10/10.
2008-03-17
Hilarious comedy with a serious message
"Modern Times" is in my top 5 films, and #2 in my list of favorite comedies. Charles Chaplin is arguably the most talented human being, nevermind film maker, that ever lived. I first saw this treasure about 8 years ago, and I watched it again recently to make sure that it really WAS funny, and that I had not given it too much praise because it was simply a Chaplin film. "Modern Times" passed my test with flying colors. I laughed hysterically from start to finish. Each and every scene is innovative, well thought out, and executed with the genius that only Chaplin possessed. Among my favorite scenes are the "automatic worker-feeding machine"; the jail scene in the cafeteria when The Tramp accidentally sprinkles cocaine on his food, thinking it is salt; and the roller skating scene in the department store. No special effects or computer animation, just pure, simple, genius.

The storyline in "Modern Times" is purposefully naive, a trick Chaplin used time and again to bring a profound humanitarian quality to his films. Watching this film is comparable to watching a Warner Bros. cartoon, which coming from me is a sincere compliment. The level of physical comedy in "Modern Times" is on par with the masterful short films of Chuck Jones, Friz Freleng, and others.

Finally, as was the case with most of his later films, "Modern Times" is a serious social commentary. Its message is as relevant today as it was more than sixty years ago when it was released. In fact, it is arguably even more relevant today, and unless the world changes drastically in the future it will continue to be. "Modern Times" is essentially the story of a simple but extremely kind man caught in the traps of industrialized society. The opening scene, which compares a crowd of workers boarding the subway to a flock of sheep, is Chaplin's warning against standardization, mechanization, and other facets of life which rob men and women of their individuality. Chaplin always tried to speak for the downtrodden, because despite his enormous success and wealth, he never forgot where he came from. In the end, "Modern Times" is a reminder that no matter how bad things are, you can still smile. Charles Chaplin has made more people smile than almost any other, and his legacy of love and laughter lives on in his films. Its up to us to keep his legacy alive.
2000-09-10
Modern Film
I admit my rating is biased since I talked a girl into seeing it with me and that we saw it on the big screen.

But the fact remains he showed the world that a film doesn't need sound but a good story and great acting.

But the fact remains the film was well-paced and didn't seem out of date in its outlook of the world, which shows that we didn't invent fast paced editing.

But the fact remains the subjects he brings up are portentious. The boss wanting to maximize production, worker's strikes, drug use, jail life, he has to actually work to make money isn't always true, and life isn't always that grand; where Matchstick Men has a feel good ending that is false here Chaplin ends his film genuinely in a bittersweet ending. It still amuses me how he was locked up in the film for mistakenly being labelled a Communist while in a few years he is prevented from reentering the US.

It's worth watching many, many times. And if you have a pair of wrenches in your hand, you will never look at a girl the same way twice.

PS I still can't figure how many times he stumbled before getting the roller skating scene just right.
2003-10-22
Classic Chaplin
Favorite Chaplin film. Packed with social commentary that is still relevant today. Chaplin does a superb job of representing the average worker of the time and the mental impact that the daily motions of what we consider normal in society. Such as the opening of the movie in which a scene of a morning rush of people going to work fades into a herd of sheep. Chaplin hilarious slapstick comedy is also present in this film while still keeping serious undertones. The best example of this is the eating machine. This particular scene was a perfect representation of the problems in our society (a machine meant to further regiment the day of a worker only to break in the process) while also causing a laugh out loud reaction. My favorite part of this film is definitely the ending in which Chaplin sings a song and dances. What makes this scene so great is not only the fact that it was the first time Chaplin/The Tramp ever spoke but that it was also a stance against "talkies". Although Chaplin sings the lyrics are complete gibberish but the audience understands regardless. All in all I believe Modern Times is Chaplin's greatest film, this was the first Chaplin film I had ever seen and since then have watched all of them and found a great respect for Chaplin and silent movies overall.
2016-01-27
A Classic
This is where I decided to have a look at Charlie Chaplin and his famous "Modern times" - we are all familiar with scenes in a factory but honestly there is much, much more happening later and it truly surprised me that film turns into a such epic saga. Another example of things I just assumed I know. It charmed me instantly, of course, because Chaplin was a true genius and magician - his creation, "Little Tramp" is easily understood to anybody no matter what background and we love him dearly, for all his sweetness, clumsiness and old heart. This story apparently happens in Metropolis-like factory where work, machines and buttons are parodied mercilessly until we (audience) roar with laughter - I was honestly surprised that something filmed almost a century ago was still so fresh and funny. Basically, everything after the first start on the fast track was new to me and I laughed and laughed, until I found myself rewinding scenes and enjoying them again. What a genius!

Once Little Tramp looses his job - there is a whole unspoken atmosphere of unfairness, poverty and depression around - he quickly ends up in a prison, from which he doesn't even want to leave. However, he gets Cocaine in his salt, (Charlie Chaplin on a Coke!), saves policemen from escaped criminals, meets minister's wife (very funny scene) and gets release from the prison, with job recommendation letter. And this is still just a beginning of the movie! There is much, much more coming up later - it really goes on forever but its wonderful, heart-warming and joyous to watch. I almost forgot everything about myself and my whereabouts while I was so deeply lost in this masterpiece. Film is so immensely rich with characters, stories, little details and magic that I honestly think its one of the best things I have ever seen.
2015-07-31
Chaplin's Best, No Debate
This is the story of the modern man, living in a time with busy streets, tiresome jobs and nervous breakdowns. How will he cope? What of the modern prisons and drugs? And of unemployment (between a Great Depression and a World War)? Written by, directed by, produced by, edited by, music composed by, and starring Charlie Chaplin. A true genius.

The factory is not just "modern" but futuristic in a sense, looking like 1950s and 1960s sci-fi films. There are monitors everywhere (shades of "1984") and gigantic switches and cranks, and robots doing uniquely humanlike things.

Chaplin, a socialist sympathizer, was clearly attacking the capitalist system in this film, particularly the idea of the assembly line and how monotonous it is. The film even goes so far as to show ways a company could make men even more like machines -- feeding them in line so as not to need a lunch break.

Hooray for the "gamin" (Paulette Goddard), the child of the waterfront who refuses to go hungry! (The film's use of "gamin" is interesting to me for two reasons: one, the word is male, with the female being a gamine; two, it is today a more or less dead word, with the current popular term being "street urchin".) And hooray for Chaplin's dancing, which was just about the highlight of the film.
2010-12-27
SMILE!!!
This is the supreme Chaplin picture of them all. As a fond farewell to silent pictures, Chaplin and a young, gorgeous Paulette Goddard (his wife at the time) deliver groundbreaking performances in this moving drama/hilarious comedy about not one, but two tramps trying "to get along". I recommend this film to anyone looking for a good laugh, or in the case of this picture, a million. Although at first when/if you sit down to watch it, you'll think what you're watching is a completely silent movie. Believe me, for a mostly silent film, it's pretty loud. Both in it's synchronized soundtrack (with the exception of voices) and it's emotional stand point.
2003-11-08
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