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Purchase Psycho (1960) Movie Online and Download - Alfred Hitchcock 🎥
Thriller, Mystery, Horror
IMDB rating:
Alfred Hitchcock
Anthony Perkins as Norman Bates
Vera Miles as Lila Crane
John Gavin as Sam Loomis
Martin Balsam as Milton Arbogast
John McIntire as Deputy Sheriff Al Chambers
Simon Oakland as Dr. Fred Richmond
Vaughn Taylor as George Lowery
Frank Albertson as Tom Cassidy
Lurene Tuttle as Mrs. Chambers
Patricia Hitchcock as Caroline
John Anderson as California Charlie
Mort Mills as Highway Patrol Officer
Storyline: Phoenix officeworker Marion Crane is fed up with the way life has treated her. She has to meet her lover Sam in lunch breaks and they cannot get married because Sam has to give most of his money away in alimony. One Friday Marion is trusted to bank $40,000 by her employer. Seeing the opportunity to take the money and start a new life, Marion leaves town and heads towards Sam's California store. Tired after the long drive and caught in a storm, she gets off the main highway and pulls into The Bates Motel. The motel is managed by a quiet young man called Norman who seems to be dominated by his mother.
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The scariest ever...
I saw this movie as a teenager when it was first released in the 1960's. The promotional hype for the film ensured you did not have a clue what it was about and people who had seen the movie were asked not to reveal the ending. You went to see it anticipating something scary and thats what you got. Even 30 years later I still remember sitting in a dark theatre with my heart pumping and everyone, and I mean everyone, screaming their lungs out.

The movie set a new and very high standard in horror movies which I don't believe has ever been equaled. The characters were great, the direction perfect and the music, which I thought was absolutely fantastic, made this a classic.

I still get scared when I see it on TV.
You'll be frightened every time you use a motel shower.
This is one of the most stunning movies my eyes have ever gazed upon. Anthony Perkins was electric in his performance as a deranged motel owner. I feel the direction was quite magnificent. I was amazed every time the camara pointed up the path to view the house on the hill where Norman Bates lived. The suspense was immense, at the beginning where Janet Leigh is about to steal the money and then sees her boss when she's leaving town to what would be a terrifying death. Movies this good are very rare and if you don't own a copy then I advise you get one as you can watch it over and over again.
Shower of terror.
Marion is a naughty girl and she gets into some trouble with money. She steals a lot of money so she goes on the run and ends up at an old motel with a scary looking house behind it. Norman Bates runs the hotel and he seems really nice so then Marion decides to take a shower.

I think that this was one of the very first "slasher" type movies. A lot of people avoided taking a shower after seeing this movie. I think that this movie still holds up today as being great. This movie is a classic and the music stays in your head forever. Marion has no idea who Norman or his "mother" are. Avoid taking a shower after viewing- at least for a day.
Anthony's Norman
Getting into Hitchcock's Psycho, 57 years after its original release is like assisting to a masterclass of sorts. We can now identify what made this little lurid tale into a classic. Hitchcock himself, naturally, but now we know the first director's cut was a major disappointment and that Alma Reville - Hitch's wife - took over, re edited and the results have been praised, applauded and studied ever since. Janet Leigh's Marion Crane created a movie landmark with her shower scene. Bernard Herrmann and his strings created an extra character that we recognize as soon as it reappears under any disguise but, what shook me the most now in 2017 is Anthony Perkins as Norman Bates. His performance has evolved with the passing of time and its effect has remain as chilling, as moving, as funny and as real as it was in 1960. It's interesting to watch Gus Van Sant's 1998 version with Vince Vaugh as Norman Bates. If you look at the film, shot by shot with Berrnard Herrmann's strings - it's pretty fantastic. - Play it in black and white if you can. The problem and it is a monumental problem, we wait for Janet Leigh and Anthony Perkins, if the casting of Anne Heche was really bad - not a hint of Janet Leigh's humanity, the casting of Vince Vaughn was incomprehensible. Not just not credible for a moment but annoying, very annoying. Anthony Perkins brought something profoundly personal to Norman Bates and as a consequence we connected with his sickness. We felt for him. Okay, sorry, I didn't mean to go there but I felt compelled to because I saw again Psycho (1960) ad Psycho (1998) at 24 hours from each other and realized that the main flaw of the 1998 versions is the absence of Anthony Perkins.
"Television has brought murder back into the home - where it belongs." - Alfred Hitchcock
"Television has brought murder back into the home - where it belongs." - Alfred Hitchcock

I am often asked what my favorite film of all time is. My reply is always the same: I do not have a favorite from all the genres. But from the thousands of films I have seen, I have not seen a film more horrifying nor terrifying as Alfred Hitchcock's "Psycho," the only movie that has ever truly scared me in my entire life. And so I can honestly say that "Psycho" is the scariest film I have ever seen, and is quite probably my favorite horror film of all time.

This is the movie that redefined the genre, and literally gave birth to psychological thrillers. By today's standards, "Psycho" may seem - at the most - tame. Audiences may not be scared by the plot anymore - a plot that was, at the time, unlike anything other, but nowadays quite normal. Gus Van Sant remade Hitchcock's classic in 1998 with both critics and audiences blowing it off. Modern audiences of today are used to slashers such as "Halloween," "Friday the 13th," "A Nightmare on Elm Street," "The Texas Chainsaw Massacre," etc., and so Van Sant's "Psycho" did nothing but disappoint them. But I guarantee that if you place modern audiences in front of Hitchcock's "Psycho," they will come out of the film terrified to death (like I was when I first saw it).

Why is this? It is simply because modern audiences don't expect such creepiness and evilness to be in a 1960 film. Most modern audiences think that "Star Wars" (1977) was the start of motion picture history, that anything beforehand is stupid, cheery and not worth their time. They will go into Hitchcock's "Psycho" and expect a happy little picture, which is why they will come out pale with fear.

It all comes down to the fact that in 1960, mainstream films did not have such subject matters as split personality disorder (seen in this year's "Identity"), figures with homicidal tendencies (like John Doe in "Se7en"), or characters who are literally insane (like Hannibal Lector-type-criminals). "Psycho" set the course for these films. It blew audiences out of the water. They had never seen anything like it before. It is probably the only film that has ever really, truly scared me to death. I didn't want to take showers for weeks.

Hitchcock once said, "Cartoonists have the best casting system. If they don't like an actor, they just tear him up." I'm glad Hitchcock didn't try to tear up Anthony Perkins, who plays Norman Bates in "Psycho," as a shy, awkward fellow living off of a re-routed highway. He is perfectly cast and soundly directed by Hitchcock, coming off as a somewhat strange, implacable fellow. We aren't quite sure what to make of him.

Phoenix banker Marion Crane (Janet Leigh) is a poor creature living off of practically nothing. She wants to get married to Sam Loomis (John Gavin), but the costs of a wedding outweigh both their incomes. And so one night when her employer entrusts Marion with 40,000 dollars, she flees with the money in the back of her car to go find Sam. However, tired from a long drive, she stops at the Bates Motel for the night. She never leaves the motel, because Norman Bates' reclusive mother becomes jealous of Marion and kills her. Or does she?

Hitchcock masterfully weaves the suspense and horror in "Psycho," so much so that we simply do not know what to think until everything unravels towards the end. The infamous shower scene remains one of the most impressive and wonderful segments in all motion picture history, ranking up there with the unveiling of Harry Lime in "The Third Man," the revelation by Darth Vader in "Star Wars," and one of my personal favorites, the part in "Planes, Trains and Automobiles" when Neal Page and Del Griffith wake up in bed entangled with each other. ("Those aren't pillows!")

I think that the anticipation of fear, or the insinuation of something sinister lurking behind a shadowed doorway, is much scarier than blood and guts. Freddy Krueger does not scare some people. Modern horror films tell us what we are supposed to fear, whereas films such as "Psycho" leave the images up to us. Not every person may leave a Jason Voorhees movie scared. Everyone will leave "Psycho" scared. Because as our mind tries to place a face on the fear, our mind incorporates our very fears into the image.

Alfred Hitchcock is undoutedly one of the greatest and most influential film directors in the history of motion pictures. He can create suspense like no other and he can make even the simplest story the most nail-biting, terrifying picture of all time. I recently purchased a DVD with four of Hitchcock's early British films from the thirties, including "The 39 Steps" and "The Lady Vanishes." Hitchcock's sense of solid suspense can be felt even in those early films. He is, quite simply, the master of suspense. Is it no wonder he has gained the exact reputation as mentioned?

Some films land on greatness and don't always deserve their reputation quite so much as everyone seems to think so. "Psycho" is not such a film. Here is a movie that bent and broke every set rule of film making for the time, and changed the course of horror films for the better. The nineties have shown a return to the classic horror/mystery/thriller mix of Hitchcock and Agatha Christie. Here is the granddaddy of them all. Here is the best horror film ever made.

5/5 stars.

- John Ulmer
Hitchcock did it all in this one.
When Psycho came out, the horror industry of movies was merely monsters, zombies, werewolves, and vampires. So when Psycho hit screens, the audience was finally introduced to psychological thrillers. It hit with such a huge bang that the audience was shocked...with fear and suspense. Psycho created what the thriller genre is today. It sliced through clique monster movies and changed it forever. Still today when you look at Norman Bates and his extremely freaky look when you see him watching the inspector's car sinking into the swamp sends chills down my spine. And when Marion Crane met her bloody demise in the middle of the movie, Hitchcock proved to everyone that this movie is different, different from every other movie you have ever seen. The cinematography in this movie is fabulous, the music is marvelously freaky, the acting is magnificent, the story is exceptional, and everything else about the movie is great. Too bad the sequels and the new remake was complete trash.
Hitchcock's "Crazy" Film!
One of my favorites and I think Hitchcock's best film. Made relatively low-budget with his TV-show crew, this movie has haunted me for years and not because of the shower scene. Actually, the best scene is just prior to the shower scene and it's in the parlor with Norman and Marion. The only human connection moment in the film that doesn't show selfishness or ulterior motives. Quiet and full of info, as the camera looms over them, this scene is masterful in writing and acting. Perkins gave his best performance as the timid and lonely Mr. Bates who really is clueless. Janet Leigh is perfectly cast as the sexy, intelligent woman in over her head. The rest of the cast is top-notch and this film should have cleaned up at the Oscars in '60, but was considered too creepy for most folks.

A 10 out of 10. Best performance = Perkins. Brilliant editing and cinematography (b/w) with The Bates Motel a wonderful set. This film is highly undervalued and I don't consider it a horror film. Dashed illusions, loss of essence, and money-will-fix-it attitude while suspicions fly all over the place. Great stuff!
A Chilling Classic.
The first time I saw Psycho, I watched the first 20 minutes and stopped the tape. I thought it was boring. But, alas, I rented it again a few weeks ago and I didn't like it. Didn't like it at all. I bloody loved it! Psycho is a freakin' masterpiece! It is easily Alfred Hitchcock's best film, and it is definitely an unforgettable chilling classic. Anthony Perkins was brilliant as Norman Bates, I will certainly look out for more of his work in the coming months. Janet Leigh was also very impressive, she was a real gem of Psycho.

So, don't make the same mistake I did, watch this classic today, and I guarantee you'll never forget it.

Rating: 10
Creepy, Excellent, and Amazing Horror Flick! Best Thriller Ever!!
The first time I saw this movie it scared me incredibly. I have been an avid fan of the "Scream" movies since they first came out, and I must say, this movie surpasses them to be #1 on my favorite horror movies.

I wasn't expecting many scares from a movie made in 1960, but once again, Alfred Hitchcock proves why he is the Master of Suspense.

I don't know how the upcoming remake can accurately mimic the original's creepy and frightening feeling, but I'll still be there on opening weekend. BTW, make sure you watch the original BEFORE watching the remake.

I know you've heard it a thousand times, but if you haven't seen this movie, MAKE IT A TOP PRIORITY! It's simply incredible.
One of the best horror films of all time. **** out of ****
PSYCHO (1960) ****

Starring: Anthony Perkins, Vera Miles, John Gavin, Martin Balsam, Janet Leigh, and John McIntire Director: Alfred Hitchcock Running time: 109 minutes Rated R (for scenes of strong violence)

By Blake French:

Alfred Hitchcock is easily one of the most acclaimed directors in film history--right up there with Stanley Kubrick and Steven Speilberg. His films defined horror for generations, especially with what many people are still calling the scariest movie of all time: "Psycho." Over the years, the movie has been given much praise. It has had the honor to be placed in the American Film Institute's best 100 movies of all time list. The film has had the privilege to be re-created in 1998 by great director Gus Van Sant, who also added new actors and coloration to this classic tale. "Psycho" also has had the fortunate pleasure to have been followed up by several time-lapsing sequels, although not equal in quality, which continued the story and characters beyond the original film's restrictions. On top of all this, the movie has a unique story line, unusual characters, imagination-provoking motives, and manages to conduct its rare structure like no other film. "Psycho" is one of the better thrillers of our time.

First lets take a look at the unique but perfectly organized structure of this classic horror tale. It beholds what I call a false first act. The first act opens by introducing a character named Marion Crane, sister of Lila Crane, who steals $40, 000 from her employer one day and is in the process of leaving town when her situation is complicated even more. Marion is pulled over by a mysterious police man, who checks out the circumstances, and then allows her to continue on with her journey. He then follows her many miles to a car dealer, where Marion cleverly trades her current car in for a used junkie to camouflage herself from peering foes. Marion then continues to drive along the busy highway until a shielding rainstorm persuades her to stop to rest at The Bates Motel. (spoilers ahead) Then she meets the owner, Norman Bates, who explains to her that his mother is a lunatic. Marion then goes to her cabin where she is stabbed to death in the shower by an unknown predator who looks like an old woman.

Extraordinary, a simply flawless false first act. The movie introduces a character, a problem, and complicates it for the character involved. Then the conclusion (the murder of Marion) solves the first initial problem, throwing us off balance. While we recover, the filmmakers open a brand new series of events, this time detailing the missing Marion Crane. A detective, Milton Arbogast, who tries to investigate Norman's mother, is also killed in the process of doing so. Lila's investigation of her own evolves the second act problems, all winding towards the same awe-inspiring denouement, which I will not have the audacity to reveal to you.

Now for some nice pointers for "Psycho": The opening scene develops Marion Crane's romantic characteristics as well as her personal morals. The scene in which Marion decides to commit theft is never explained to us through dialogue like many lesser films would do, but through Marion's complex stares at the cash and her reactions to it. The police officer's behavior is a whole plot in itself, and since the character's point of view is so focused, we know nothing more about this suspicious man than Crane herself. The Atmosphere of the Bates Motel is one of the creepiest moods I have ever experienced in the movies. Not to mention the famous shower scene, certainly the most shocking and grisly slasher moment of all time. The investigation of Marion's disappearance has a specific odyssey to it--intriguing and unsatisfying. All these minor elements contribute to making "Psycho" the most talked about films ever.

There is a small, but quite noticeable, opinion flaw in the last ten minutes of "Psycho," however. It is the scene where the detective explains the disturbing behavior of Norman Bates to the film's remaining characters, but also to the audience. This scene has never been necessary. The picture would have ended with much more controversy and fantasy if the writers would have left the strangeness of Norman to the imagination rather than explaining elements to us, not to mention the fact that all answers are revealed in the many sequels. I think it would have been interesting to see what happened if Gus Van Sant would have left that sequence out of his re-make, after all, he added a lustful masturbation scene, so why couldn't he have taken out some unneeded material as well. Oh well, I guess, until another actor attempts to master the terror found in the eyes of Anthony Perkins, we'll just have to juggle around these ideas in our minds of how this near-perfect movie could have been better. Don't you love it when movie's make you do that!

Brought to you by Paramount Pictures and Universal Pictures.

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