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Purchase Seven Samurai (1954) Movie Online and Download - Akira Kurosawa 🎥
Year:
1954
Country:
Japan
Genre:
Drama, Action, Adventure
IMDB rating:
8.7
Director:
Akira Kurosawa
Takashi Shimura as Kambei Shimada
Toshirô Mifune as Kikuchiyo
Yoshio Inaba as Gorobei Katayama
Minoru Chiaki as Heihachi Hayashida
Daisuke Katô as Shichiroji
Isao Kimura as Katsushiro Okamoto
Yukiko Shimazaki as Rikichi's Wife
Kamatari Fujiwara as Manzo, father of Shino
Yoshio Kosugi as Mosuke
Yoshio Tsuchiya as Rikichi
Kokuten Kodo as Gisaku, the Old Man
Storyline: A poor village under attack by bandits recruits seven unemployed samurai to help them defend themselves.
Type Resolution File Size Codec Bitrate Format
720p 960x704 px 7680 Mb h264 4829 Kbps mkv Purchase
Reviews
10
Kurosawa can stay at home, for only having done this work summit and go into the annals of cinema. This fresco made on the history of feudal Japan and customs is more than a movie adventure. For nearly four hours, we dive in Japan like we were there, watching the battles, helping farmers, or looking samurai. A monument, a work of love of cinema, a perfect film.

The epic has printed the entire film is undoubtedly its great strength. Assuming that the adventure genre is single-minded and topic, this film already has a plus point. And in his feature film, Kurosawa shows a variety of characters. It gives you time to show us every corner of the samurai, but also of the vast majority of farmers. Kurosawa's intention is that, at the end of the film, we understand why each samurai has accepted the position of defending the peasants, and came to realize that none has the same reasons as the other. His characters are never flat, because we know its past, its present, and what they expect of the future with just a conversation. They are characters who live with their concerns, and a code, Bushido, marked by honor, courage and respect are based. And it is strange in an adventure film, because you could say that Kurosawa "put aside" action. And all this not to mention the extraordinary end the battle. A final scenes full of a truly Fordian lyricism, and that far exceed anything that sometimes mars a movie: a bad end.

But all this must be added the care that puts Kurosawa in Japan show as it was portrayed in the film. It seems almost cool, a photograph taken in the feudal Japan. All customs, feelings, and ideas of the time are reflected on the screen: misogyny, the cowardice of the peasants, samurai courage, friendship and honor, something important in characters filled with so much charisma.

And I no longer remains to talk about the direction of the teacher. Its direction is simple, pure, without cheap sensationalism to give more spectacular. Their intimate scenes are recreated in a lyrical way, but real at the same time, with battle scenes where we know at all times what is happening thanks to Kurosawa, like Master Ford, do not move the camera to not be necessary, based on the subtlety of telling the facts, as when rescue a child without knowing what happens. Without a frenzied assembly, always we know what happens, because it raises the choreography as a true samurai would plan the battle. And for this he had a unique cast, headed by his two favorite actors: Mifune and Shimura, reaching in this movie performing a supreme heights.
2016-11-07
The real Magnificent Seven.
Given carte blanche after the worldwide successes of *Rashomon* and *Ikiru*, Akira Kurosawa embarked on creating what amounted to a new national epic -- *Seven Samurai*. In the process, he changed movies forever.

You know the story even if you've never seen the movie: the citizens of a rural village, weary of being harassed by a local gang of bandits, recruit a rag-tag group of seven samurai warriors to help defend their homes. The only pay the farmers can offer to the samurai is three squares a day. Just the right inducement for these adventurers, led by Takashi Shimura as the wise leader, and Kurosawa regular Toshiro Mifune as a wanna-be samurai whose antecedents were farmers.

The story doesn't amount to much, but Kurosawa more than compensates for this lack of complexity by creating about 10 interesting characters and by setting a whole new standard for action scenes in the cinema. Therefore, the 3.5-hour length of the movie certainly isn't a handicap, unless good drama and well-choreographed action are too much for your CGI-conditioned brain.

Which brings me to a point: I tend to read a dozen or so IMDb reviews of a film before I add my own comments for this website, and I did so with *Seven Samurai*. It was rather disheartening to keep reading, over and over, even from those who LIKED the movie, that it's "pretty good for a black & white movie". Or, "pretty good for an old movie". Or, "pretty good for a foreign movie". Uh, yeah. *Seven Samurai* is pretty good, OK? Even if it's an old, black & white foreign movie. What's with the xenophobia and the complete lack of appreciation for film history? I'm glad that everyone has found this masterpiece "good enough" for today's standards, but in the meantime let me offer a tip: it's the recent, Hollywood movies -- in color -- that tend to suck. OK? *Seven Samurai* needs no apologies for being black & white, Japanese, and old.
2003-11-28
Nice Movie
If you haven't watched this movie; then you have watched nothing. This is a movie which contains every spice in it. Old is Gold. This movie is about how few men come together. They reignite their minds and soul. Got to know the true meaning of being samurai. On the journey helps other people, become a team. Fights for justice. A must watch movie. This movie touches your heart and soul. You can not wait to watch it again and again. Samurai's work only for handful of rice to eat because they understand that farmers can not pay them much. Even some times they share the food with poor farmers; which is really sentimental.

Many characters die in "Seven Samurai," but violence and action are not the point of the movie. It is more about duty and social roles. The samurai at the end have lost four of their seven, yet there are no complaints, because that is the samurai's lot. The villagers do not much want the samurai around once the bandits are gone, because armed men are a threat to order. That is the nature of society. The samurai who fell in love with the local girl is used significantly in the composition of the final shots. First he is seen with his colleagues. Then with the girl. Then in an uncommitted place not with the samurai, but somehow of them.
2013-11-14
Kurosawa is the greatest director that ever lived
Akira Kurosawa's masterpiece... The Japanese equivalent to Orson Welles' Citizen Kane.. I say it's just as good, if not even better. Not only Kurosawa's most well known film, but the most widely recognized Japanese film ever made. This movie will forever be known as a milestone in motion picture history.

The story revolves around a village that has become a group of bandits' common looting and pillaging ground. The villagers cannot take this any longer and go to town to hire warriors to defend the village from the bandits. A wandering ronin, Kambei (Takashi Shimura) agrees to help them and with his help, they recruit six others that agree to take the job. The seven samurai teach the villagers how to stand up to the bandits and defend themselves. Finally, when the time comes, they engage in a fierce battle with the attacking bandits.

About once in every 20 years or so we are gifted with a film that has the meaning, power, richness, and technique that The Seven Samurai has. I cannot urge anyone enough to see this film, the images are true cinematic poetry rich with so much emotion that I cannot even describe them in words. If you have never seen any of Kurosawa's works, then please see Seven Samurai... you will witness the true beauty, excellence and magic that the art form known as film is capable of.
1998-12-26
my favorite.
I admit I am one of the younger generation that needs an I.V. of caffeine to avoid falling asleep when watching a black and white "classic" like Citizen Kane or Gone With the Wind.

I find the acting and general direction of those films boring and uninteresting.

Seven Samurai was a different story.

It has nothing to do with it being about samurai, this movie doesn't even have much violence till the very end of its 3½+ hours. Even the subtitles, which I am sure lost much in the translation, didn't bother me at all.

This movie lacks absolutely nothing. To sum up everything I love about it would take many paragraphs.

Next time someone tells you Pulp Fiction or Star Wars is the "Best Movie Ever", sit them down in front of Seven Samurai.

I only wish I was fluent in Japanese so I could experience this the way it was intended.
2000-02-01
This film can be described in one word...Awesome!!
This is my favorite Kurosawa film, the man was a true master of the cinematic arts. If you have never seen a Kurosawa film definetly make this your first. Though extremely long at about 3 1/2 hours it is well worth the time spent.

To quickly summarize, a poor Japanese village hires 7 Samurai to protect it from being raided by bandits. Don't get me wrong there is way more to it than that, I just dont want to give anything away. This is an intense and emotional movie that hooks you from the first scene and keeps you on the line till it is all over. The battle scene at the end is in true Kurosawa form. The acting is outstanding by everyone involved from the main characters all the way down to the very last extra. Of course the best way to see any film, especially a Kurosawa film is on the big screen if you are able to. Beautifully filmed, in black and white, anyone familiar with Kurosawa's work has to wonder visually how much more gorgeous it could have been had Kurosawa had the option of color in 1954.

The camera use is brilliant and every scene is balanced visually. This film is also the first one to use "the wipe" as a way of changing from one scene to another. This technique was later used by George Lucas in his Star Wars movies. I would also recommend the DVD version that has the commentary option by the Japanese cinema expert if anyone is interested in a deeper understanding of the "hows" and "whys" of Kurosawa's film making. Any man, woman, boy or girl who just wants to see a really, really great movie, THIS IS THE ONE! An A+++ in my book.
2002-09-30
A Solid Defense of Art
Spoilers herein.

We are all villagers through whose small world great artists pass.

This is so clean, so effortless -- the originality is hard to appreciate because so much has been absorbed into the vernacular, but it still amazes.

My idea of genius is when someone can show you something you have never seen, but show it to you in such a way that you believe you knew it all along.

This is a work of genius.
2001-11-27
One of the Greatest
This original Akira Kurosawa's classic which trampled upon its remakes, is indeed one of the greatest films ever made. In all film lists discussed by experts, agreeable or not, "Seven Samurai" had mostly made in the first 10 position. The fact postulated the idea that "Seven Samurai" is still vital to world cinema, and from its highly influential plot devices to its strong filmmaking, and to its haunting ending, it is all perfect in its facets.

Set during the civil wars in Japan in the 16th century, conflicts led villages to be vulnerable and be overran by bandits. They are about to raid a village and the news quickly being raised up to the elder (chief), in which he advises the villagers they should hire hungry Samurai to defend themselves against the onslaught of the thieves, specifically stating "Even bears come down from mountains when they're hungry." (This refers to the seven Samurai.).

"Seven Samurai" goes into depth depicting philosophical ideas, human nature and genuine human emotions. One of the sequences explores Ronin (masterless Samurai) Kambei Shimada's (Takashi Shimura) background, in which he speaks about him ambitions in his early days, but to be unfortunate when he did realise that he had spent too much time chasing his dreams but achieves nothing. Perhaps the character was being directed or written not to articulate his emotions clearly, but through experiences we could comprehend that he is remorseful for his failures. Another haunting moment is its ending, where the surviving inhabitants of the village completely shown to disregard the Samurai, notwithstanding the seven heroes being their primary support. The notion is further accentuated with the closing line: "In the end, we lost the battle too…The victory belongs to the peasants. Not to us." Earlier, the villagers could already be seen as cold when they refuse to greet the Samurai upon their arrival to the village, thus giving a cold reception. But there might be another theory for this; the villagers are actually afraid of the Samurai exploits, which explains on why they beg off to go out from their hiding place, and face the Samurai.

"Seven Samurai" is a great tool for film students to look into character development. Seven great characters, played by seven great actors, are regurgitated for good. In it we could discover unalike personalities, and each of them being explored accordingly throughout. Even the relationship between the villagers and Samurai is well developed. Other than its strong writing and performances, its editing, cinematography and directing are all solid.

More than five decades after its release, "Seven Samurai" still comes unscathed to serious viewers; such is the quality of it. And with the rehash of it that we witness today ("The Magnificent Seven" is the most obvious one), we can say it is one of the most influential works of cinematic art. Its withheld influence would suggest that Kurosawa might have had done this for posterity. Call it entertaining, but "Seven Samurai" is the epitome of movie masterpiece, no more no less.

(Cinematicmadness.blogspot.com)
2016-09-02
The Seven Samurai
In 16th century Japan, civil war has broken out and farm land is under siege by bandits. The farmer cries out: "Is there no god to protect us?" The farmer is born to suffer. Fed up, they seek advice from the old sage of the village, "grand dad," and he advises seeking help from samurai and gaining retaliation against the bandits.

The samurai hired are men of a certain attainment of character, which is obvious, since the farmers have so little to offer as recompense. In spite of their faith in the samurai, the safety of the village women is suspect in the presence of these seven men. Traditionally, as warriors, they are rumored to enamor women, seduce them, and then leave.

When the warriors come to town, they are introduced to the patriarch. One sneaks off to sound a false alarm of intrusion to expose the double sided agenda of the towns people. They want protection, but cannot entirely trust these men. Even as the samurai train the village men in the ways of warfare, there is an outburst from one farmer about the prevailing class differences between peasants and the seven who are of noble descent.

Kikuchiyo, the one warrior of somewhat questionable motive (as evidenced by his flagrant disrespect toward others and disregard for the traditional somber wisdom a warrior must carry himself with, and lack of documentation attesting his pedigree nobility,) discovers the women the farmers have tried to hide. Eventually, all are preparing for war. Three bandits scouting the village are captured and the leader of samurai unsuccessfully tries to stop the villagers from torturing them, once again illustrating the sentiment for humanity that the samurai class was said to be lacking.

Three samurai warriors and some farmers then case the bandits' camp, and Rikuchi (who has heretofore been tight lipped about his personal life) is discovered to have a spouse who is living with the villains. This foreshadows other emotional scars soon to be revealed. Kikuchiyo declares he is like the orphan baby he holds among the mill house ruins, a victim of the same criminal element when he was a child.

He disguises himself as a bandit, infiltrates their forces and steals a weapon, just as another warrior did. But he is chastised for it, once again revealing the double standard between nobility and peasant class. Manjo, who's daughter, Shino has fallen in love with a warrior, insults them by disowning her once he discovers she has had relations with Katshuro, the youngest.

Al last, the farmers and samurai win the battle. But in the end, "The winners are the farmers, not us." The samurai, who were historically denounced from noble class status, were exploited as a police force for the weak, bearing the prejudice from their own past abuses toward their society.

Kurosawa's storyline is elemental. It is superficial and holding to only its essential dramatic elements without the depth and weight of symbolism he is known for in later films. Why? He makes room for developing the various and sundry political statements he only pointed at in Roshomon. The film is sociology (the caste of noblemen vs. peasants), feminism (a woman disguising herself as a male out of her father's false pride for her honor,) and cultural relativity (the good guys have some bad in them and the bad guys have some good,) all in one. The farmers are the victims and the samurai are the heroes at arm's length, until the heroes beat the villain. Then the farmers are the victors and the samurai are again set aside.

It's pulp compared to Throne of Blood and Ran. I give it a 6.5
2006-09-26
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