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Purchase The Godfather: Part II (1974) Movie Online and Download - Francis Ford Coppola 🎥
Year:
1974
Country:
USA
Genre:
Crime, Drama, Thriller
IMDB rating:
9.0
Director:
Francis Ford Coppola
Al Pacino as Don Michael Corleone
Robert Duvall as Tom Hagen
Diane Keaton as Kay Adams Michelson
Robert De Niro as Vito Corleone
John Cazale as Fredo Corleone
Talia Shire as Connie Corleone Rizzi
Lee Strasberg as Hyman Roth
Michael V. Gazzo as Frankie Pentangeli
G.D. Spradlin as Senator Pat Geary
Richard Bright as Al Neri
Gastone Moschin as Don Fanucci
Tom Rosqui as Rocco Lampone
Bruno Kirby as Young Peter Clemenza
Frank Sivero as Genco Abbandando
Storyline: The continuing saga of the Corleone crime family tells the story of a young Vito Corleone growing up in Sicily and in 1910s New York; and follows Michael Corleone in the 1950s as he attempts to expand the family business into Las Vegas, Hollywood and Cuba.
Type Resolution File Size Codec Bitrate Format
1080p 1920x1080 px 20591 Mb h264 128 Kbps mkv Purchase
HQ DVD-rip 852x480 px 2378 Mb h.264 1500 Kbps flv Purchase
Reviews
This is a sequel that demands respect!
After the huge success of The Godfather, Francis Ford Coppola and Mario Puzo go on with narrating the history of the Corleone family. It picks up right where we left it: Michael Corleone (Al Pacino) has replaced his deceased father as head of the family, becoming one of the most powerful criminals in America. Soon enough, however, he will realize absolute power also means absolute solitude. Apart from his henchmen and his lawyer (Robert Duvall) he can't trust anyone ("Keeps your friends close, but your enemies closer"), including his own brother Fredo (John Cazale). Hell, even his wife (Diane Keaton) doesn't feel safe next to him anymore.

As we witness Michael's dealings with power, corruption and murder, we're also given the chance to see what gave birth to the Corleone dynasty in the first place. We learn, through flashbacks, that a boy named Vito Andolini had to escape from his native Sicily when his father was brutally assassinated. Once at Ellis Island, his home-town was mistaken for his surname. From that day on, he would be known as Vito Corleone. Yes, it's the same Vito Corleone who made "offers you can't refuse" in the first movie, and this time we're shown how he slowly became a feared gangster in his younger years. It's a riveting look at yesterday's society, which doesn't differ that much from ours: power is still as easy to obtain as it is to lose forever, and no matter how sophisticated man's methods can get, violence is still the "best" way to achieve something under specific circumstances.

Just like Part I, this impeccable, superior sequel is masterfully staged by the filmmakers, their passion for the material breaking out of every single frame. The screenplay is flawless, Coppola and Puzo seamlessly moving back and forth in time to show us the origin and fate of the most beloved cinematic family that's ever shown up on a screen.The family theme emerges off-screen as well, as the director's father, Carmine Coppola, helps Nino Rota with the superb, tragic score.

But let's not forget the extraordinary actors who made each member of the Corleones memorable: Pacino steals the show with his best performance alongside Scarface's Tony Montana, while Duvall, Cazale and Talia Shire (not to mention James Caan in a priceless flashback cameo) display the same charisma they had in the previous installment. Yet there's one guy who tops all of them, the only one I haven't mentioned so far: Robert De Niro, who won his first Oscar for playing the young Vito Corleone. It's one of those rare times people don't complain about the fact that a thespian was replaced in a sequel (okay, so Marlon Brando wouldn't have looked young enough for the part, but otherwise he would have been perfect): De Niro's star-making turn has the power of not making you miss the older Don for the entire movie. It's a top notch performance based on gestures and looks rather than words (but then again, he only speaks Sicilian throughout the film), which would become De Niro's trademark and which he proved to master perfectly long before Travis Bickle, Jake La Motta and Jimmy Conway made their appearance.

Before The Godfather: Part II was released, all sequels were considered B-movies. I can see why opinions changed after this film: watch it back-to-back with its predecessor and you'll feel rewarded for giving that awesome twosome part of your time.
2006-03-15
Certainly the best movie
I love this movie for of the very interesting scenario. I also consider the actors playing, certainly amongst the best of their generation. Decors, costumes are also part of the reason I love it.

The fact it is about European immigrants in the US, makes it also better for European to watch, without it being one 100% US culture movie. Also some points are true story, that makes it quite remarkable.

Overall, I can say that this movie is truly violent, but not as per 2015 understanding. The violence can come in many ways. However, and despite this aspect, this is quite one remarkable movie which deserves to stay up and high in the IMDb ratings.

The second part is maybe the best, but is actually really close from the first episode, which in my eyes is actually on the same level.
2015-01-03
more complex and even richer than the original
It's rare for a sequel to match its predecessor, but the follow-up to Francis Ford Coppola's monumental mob family drama does more than simply continue the same story, expanding on themes only suggested in Part One to present an ambitious overview of organized crime in 20th century America. The Corleone family tree is divided here into parallel histories, with young Vito (Robert De Niro) arriving in the New World to begin a family, and a family empire, which a generation later his bitter and lonely son Michael (Al Pacino) would consolidate, destroying in the process everything he holds dear. The sudden displays of gangland violence are no longer placed in ironic juxtaposition to the unlikely richness of Corleone family values, being used instead to measure the corruption of il padrone's immigrant idealism: murder to young Vito is strictly a matter of honor, but to Michael it's only an extension of his absolute power. The crosscutting between two stories sacrifices a consistent narrative flow in favor of complexity and depth, but it's a fair trade, and seen together with Part One (Part Two should not be seen without the introduction provided by the earlier film) is a rich experience not soon forgotten.
2010-11-22
This should be #1 in the top 250 here in IMDb.
"The Godfather" is basically the bridge that connects to stories in this movie.This movie takes you to the origins of Don Corleone and gave you an idea of how he rose to power and how respected he was in Sicily.While "The Godfather" is a work of art, this is a masterpiece.Everything you saw in the original movie plus more.A lot of character development, strong performances from all actors and great storytelling exist in this Dark Drama.Al Pacino, Robert De Niro, Robert Duvall and the rest are all excellent in their respected roles.With a movie this good, who knew the third one would not be as good as the first one at least? Highly recommended.

My rating: 10/10
2008-09-23
The greatest sequel ever made and equally as good as the original
It seems impossible to think that the first Godfather could be topped, but its direct sequel may be even better. It effectively takes all the elements from the first and makes them bigger and more complex, as well as revolutionising the idea of flashbacks. The plot is possibly the greatest of all time, the characters are more diversely fascinating and everything feels even more epic than before.

The plot is split in two, one following the Corleone family in modern day and the other early life of Vito. The first follows Michael who is now Don as he attempts to expand the family business into Las Vegas. He faces much dissatisfaction in his own family, from Capo Frank Pentangeli and his own sister. He later survives an assassination attempt, and as he tries to learn who made the attempt he also faces a committee investigation that tears his family apart. This story is one of the best in film history, everything about it is incredibly set-up. The second charts the young life of Vito Corleone as he raises his family in New York and aims to build his own legacy. This sees him challenge the local Don and gain friends to help him achieve his goal. This part gives us a true insight into how all of what we're seeing started and is a fantastic mirror image to the modern events.

The huge cast is once again truly outstanding. Al Pacino gives an incredible performance as we see Michael transform into a cold monster who has no feelings for his family. The way Pacino shows the struggle as he edges closer to the abyss is astonishing. The other star is John Cazale as Fredo, he is outstanding as the timid Fredo, the chemistry between himself and Pacino sets their scenes alight. Robert Duvall is solid as a rock once again as the reserved Tom, while Diane Keaton is great showing Kay as confused and frightened of her situation. Michael V. Gazzo is superb as Frank showing him as a genuinely troubled person. Richard Bright deserves praise as, despite few lines, he commands the screen as the loyal but brutal Al Neri. Joe Spinell is great as the doubtful Cicci as is Lee Strasberg as the devious Hyman Roth. Robert De Niro made his name here, he plays Vito with assured comfort and is just as good as Brando, which is praise itself.

The film looks stunning. It is lit similar to the first and carries the same gloomily authentic feel being very atmospheric. The scenes of early New York and of Sicily are both excellent having a very natural look to them. The music from Nino Rota is once again marvellous. The script is full of classic lines, "Keep your friends close but keep your enemies closer" and "I don't want to kill everyone, just my enemies" to name but two. It's great how the film focuses more on Michael and it's reflected by the look at Vito. Michael grows increasingly paranoid and unstable as he places the family business above all else. We see the differences in how the family is set. Vito's was built on loyalty and love, whereas Michael's family is built on fear and violence. It is a fascinating contrast which the film itself is built on, the whole scope is formed from this showing the pleasant start of the family and then it's tragic fall. There are so many classic scenes, Michael finding out the traitor, Kay's pregnancy reveal, all of the conversations with Fredo, the scenes at the hearing and the famous 'fishing trip' to name a few. The final shot of Michael sitting alone is one of the most memorable of all time.

The Godfather Part II is a breath taking achievement in film and has possibly the greatest story ever put on screen.
2013-10-29
Overrated.
There has been an argument raging for year about which is the better movie, Part one or Part two. It isn't even a contest. Part one is a much much muchhhhhh better film. If you took away the Robert De Niro's scenes, you can make the argument that this movie is in fact a bad film. Frankly De Niro saved this movie. Without the flashbacks this film is uninteresting and boring. Even the actors look bored. Sure, some parts of the plot are interesting but overall the execution this good enough to honestly make you give a sh!t. The first Godfather movie is one of the greatest movies of all time. This movie on the other hand is one of the most overrated movies of all time. The next time I watch it I'm just going to save myself time and fast forward to the De Niro parts.
2017-08-12
Didn't get it
I was compelled by the storyline & performances therein but at the end of the movie I just didn't get it. It was to much a misch-masch of stuff & I just didn't get much out of it.

Godfather 1 is the definition of a film, a true classic. This is a sequel with mixed-bag emotions. I think it's something of a let-down. Not a huge one, but yeah. It is a let-down.
2003-04-13
A cinematic epic by Coppola
The Godfather II is not really a movie about the mafia. The themes that run throughout the film are of power,corruption of power and family. Coppola expertly tells the parallel stories of a father and his son with the use of flashbacks and flashforwards. He simultaneously shows how the father builds an empire and how his son subsequently unwittingly destroys it. The scenes involving the son Michael Corleone are very serious in nature,whereas the scenes involving the father,a young Vito Corleone, are presented in a more jovial manner.Before a flashback or flashforward, Coppola uses an effective technique of having children or the mention of children in the scene in order to emphasize the generational link through children. The flasback scenes are also photographed using different methods of lighting to contrast the different moods.Metaphorically, the story of the Corleones parallels the rise and subsequent corruption of America. The ultimate symbol of America in the form of the Statue of Liberty appears throughout the film. The assassination of Hyman Roth the Jewish Mafia chieftain, is eerily similar to the assassination of Lee Harvey Oswald the alleged assassin of President John Kennedy. Coppola effectively uses symbols such as the orange to represent evil. Several scenes show characters that do evil holding an orange (the fruit being a biblical symbol of evil).In an early scene Johnny Ola an emissary for Hyman Roth brings an orange to Michael Corleone from Miami. In a flashback scene, Don Fannucci (the black hand), is seen handling an orange before his demise. Michael Corleone is eating an orange as he plots the murder of his enemies. Coppola also uses catholic religious rituals as backdrops in major murder sequences. As Vito Corleone murders Don Fannucci there is a religious procession on the street. As Michael's brother Fredo is being murdered he is reciting the Hail Mary prayer. In the end Michael loses his soul and family to maintain his power. A great film by a talented director.
2005-04-10
"I came here because there's going to be more bloodshed".
It's difficult to imagine that "Godfather II" could trade punches with the original and still remain standing, but this is one brilliant film. Masterfully tracing the history of the Corleone Family from Vito's arrival at Ellis Island in 1901 to the Lake Tahoe empire of 1958, the story is a decades spanning saga that makes you wonder how almost three and a half hours can blow by so quickly. The picture's numerous flashback scenes work well to establish the beginnings of Don Corleone's rise to power, and Robert de Niro's portrayal of the young Vito effectively allow us to forget about asking why Marlon Brando didn't show up even once. Pacino is no longer the fresh faced kid home from the military who takes up the family business, but the brooding, brutal leader of a crime syndicate with a chessboard strategy of staying two and three steps ahead of his enemies at all times.

If you haven't seen the movie in a long time, you might be surprised like I was while watching today. It's easy to recall the highlights like Frank Pentangeli's courtroom scene and subsequent suicide, and the way Fredo met his timely demise. What I had long forgotten was the way the picture opens with the Sicilian back story, and the way the New York neighborhood flashback thread literally runs throughout the entire picture. It's funny how I recall those scenes as a single sequence leading up to the murder of Don Fanucci, but it just goes to show you how faulty memory can be.

You know, it's hard to believe that the first two Godfather movies are nearing the forty year mark since their original release. They've become American classics that have well withstood the test of time, and will continue maintain their appeal. It's fair to say that seeing both of these iconic films are a must for the true cinema fan.
2010-04-10
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