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Purchase The Shining (1980) Movie Online and Download - Stanley Kubrick 🎥
Drama, Thriller, Mystery, Horror
IMDB rating:
Stanley Kubrick
Jack Nicholson as Jack Torrance
Shelley Duvall as Wendy Torrance
Danny Lloyd as Danny Torrance
Scatman Crothers as Dick Hallorann
Barry Nelson as Stuart Ullman
Philip Stone as Delbert Grady
Joe Turkel as Lloyd the Bartender
Anne Jackson as Doctor
Tony Burton as Larry Durkin
Lia Beldam as Old Woman in Bath
Billie Gibson as Old Woman in Bath
Barry Dennen as Bill Watson
David Baxt as Forest Ranger #1
Manning Redwood as Forest Ranger #2
Storyline: Signing a contract, Jack Torrance, a normal writer and former teacher agrees to take care of a hotel which has a long, violent past that puts everyone in the hotel in a nervous situation. While Jack slowly gets more violent and angry of his life, his son, Danny, tries to use a special talent, the "Shining", to inform the people outside about whatever that is going on in the hotel.
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The tension is everywhere
The movie is amazing from the beginning to the very end. You simply can't stop watching and the tension is present at all time. The first time I saw it, I couldn't move an inch, because I didn't want to miss a moment of it. I've seen the move for a few times now, but it still takes my breath away. It is amazing, that a movie, which was made in 1980 can get your attention at it's every second. Jack Nicholson appears as a real psycho and every time you see him appear on screen, there is this slightly uncomfortable feeling. His acting is of course astonishing! He can convince you completely through out the whole movie. But the thing I find most interesting is the ending. Because you have to think for a while to figure out what the photo means. And when you do...it just gives you the chills!
Fact: Kubrick is better than King
It's well know that Stephen King doesn't like Stanley Kubrick's version of The Shining (so much so that he scripted an abysmal TV movie version). According to him, Kubrick didn't understand the horror genre. Well, I think Kubrick did. I think he understood it only too well. He knew that it was a genre full of conventions, cheap tricks and tired clichés. Therefore Kubrick decided to throw all that nonsense out of the window and make a film based on atmosphere rather than predictable thrills. You don't get people here jumping out of the dark time after time. You don't get worthless shocks. Kubrick's version of The Shining is an insidious film. It gets under your skin. In other words, it isn't for Pavlovian dogs that have spent a lifetime being conditioned by cretinous nonsense.

What runs deepest through The Shining is a frustration with family. Right from the beginning it's obvious that Jack isn't happy with his lot – as he's being shown around the hotel he can't help but take a sneaky look at the backsides of a couple of women. Well, can you blame him? The poor man is married to a bug-eyed, bucktoothed Olive Oil look-a-like.

Then there's Jack's quiet frustration with his son Danny. As he's driving to the hotel, he's bothered by requests for food. And then his son makes out that he's knowledgeable because he saw a programme on TV. Already he's slightly irked - he's got to spend months alone with these people; one who resembles Popeye's missus and one who talks to his finger.

So really the hotel brings out nothing that isn't already there. It merely brings everything to the surface – Jack's resentment as regards his wife, his frustration as regards his lack of writing talent and his annoyance at having a troubled son. It's kind of like he's testing his family. Are they strong enough as a unit to survive being cooped up together?

One of the underlying themes in the film seems to be television. What happens in The Shining is what happens when someone stops watching the idiot box. With it, a person can find solace in mindless programming and retreat from the strictures of family life. Without it they're faced with all their problems and all the failings of their loved ones. Even the strongest family can be brought to its knees when there's no escape from each other's company. Therefore it's quite telling, when Jack loses the plot completely, that he spouts lines from TV: "Honey, I'm home" and "Here's Johnny." Just watch some television, Jack.

But it's also the pain of writing that contributes to Jack's insanity. There's nothing quite as harrowing as an empty page. Plus there's nothing more annoying than being interrupted mid-flow. One of the best scenes in the film is when Jack tells his wife to get lost when she interrupts him. It's extremely violent in how cold Jack is towards Wendy. And because it's grounded in a reality, it's all the more effective.

Also rather unsettling is the scene where Jack talks to his son. He makes Danny sit on his lap and he proceeds to tell him how much he loves him and how he'd never hurt him. It works so well because it's so cold and because there's such an obvious lack of affection. The words are just empty platitudes. They mean absolutely nothing.

Jack's true feelings are only revealed when he gets to talk to Lloyd. It's in this scene that you realise the marriage isn't all it's cracked up to be – Wendy has never forgiven him for accidentally hurting his son. And it's also in this scene that you realise (as if you hadn't noticed earlier) that Jack is absolutely crackers. He's talking to ghosts. But they could also be figments of his imagination, for there are mirrors behind most of the ghosts he talks to. Effectively he's talking to himself. And I love this matter of fact way of dealing with the supernatural. There are no fancy tricks. Everything just seems unnaturally natural.

In fact, everything to do with the ghosts is superbly handled. The twins are spooky, Lloyd is amiable and Grady is out of his mind. And it's Grady who's probably the most chilling presence in the film. He starts off as a bumbling waiter but then quickly becomes a stone cold killer. Just the way he says 'corrected' conveys more terror than a million slasher films. And Philip Stone's performance is a million times more subtle than Nicholson's. I mean, as much as I like Jack in the film, he does chew the scenery. But Kubrick likes his over the top performances, so that's the way he wanted it.

And undoubtedly it's Kubrick's movie. He's the real star. And I love everything he brings to the film. I love his command of lighting – just look at The Gold Room scenes. I love his use of music. I love the way that he turns the Room 237 scene, one that could have been a standard 'jump' scene, into a comment on Jack's marriage – his willingness to be unfaithful. I love the way that he leaves lots of unanswered questions. I love the shots of the blood coming out of the lift. I love the helicopter shots at the start. I love the way that pages and pages of typed words are the most frightening visual in the film. I love the maze. I love the fact that you see a ghost getting a blow-job from a ghost in a bear suit… Man, I love absolutely everything about this film. It's horror for people who know that true horror isn't being stalked by a man in a mask, but being trapped alone with your family.
A legendary horror film, from a legendary director
'The Shining' is one of the finest horror films ever made, and one of Stanley Kubrick's most amazing achievements (however there was many more). It was the only horror movie Kubrick ever made, which may be positive on our part; because he was always motivated by a style that seldom had seen reproduction from other filmmakers, this allows one to look at the product from a neutral perspective, canceling out all standard comparisons to other horror movies, especially those that were also tailored from Stephen King novels (although King himself thinks Kubrick's adaptation of his novel was butchery, for some reason?). To say that the picture is one of a kind is accurate, but one in a million feels even more appropriate. It is in that small handful of the scariest horror movies ever made, and it distances itself from the typical 'slasher' genre, which is now very tiring, because no remake in made in the 2000s can beat out the original 1970s/1980s version.

Another equally amazing thing is, after all this time, is how well Kubrick used his actors, music and visuals to underscore the themes of the story itself. The technical details are prototypes in themselves, helping the story build massive tension; the long hallway shots, the eerie musical score, the use of words written backwards, the implication of a blizzard, and the tall, wide staircases establish a sense of uncertainty for both the audience and the individuals in the movie. Each of the characteristics are also evidence of the haunting craftsmanship—the photography of the hotel, for instance, creates a portrait of breathtaking beauty long before the breakdown of the characters' lucidity chars our attraction to it.

The performances are just brilliant, but with the exception of Shelly Duvaull, while her performance as a caring mother is good, her mousy screams get very overacted, and tedious after a while. But Jack Nicholson was AMAZING in this film, his performance was strong, believable and terrifying. It is easily his best performance to date!

Overall, everything in The Shinning works brilliantly. Full of brilliant psychological scares and flawless imagery.

The Mind Plays Us Nasty Games
Jack Nicholson seems like he was born for roles like these. His face will immediately tell you that the character is mad, but he is mad as well. It explains us so convincingly the performance. He is quite mad to play so good as such, said Martin Landau.

Besides Jack Nicholson riveting, unworldly acting that transposes madness slowly in the most subtle, cleverly professional way I've ever seen, the movie is the Grandfather of suspense films. Technically, it innovates on the standard of the "backwards camera" that makes you feel that you are actually in the scene, following the characters in their solitude like we were omnipotent watchers. But we are just witnesses in the upcoming Odyssey.

The setting is a vast, isolated hotel that is settled on the snowed valley of Colorado. We can almost feel our skin wrinkle, our hair freeze. The atmosphere is cold, giving a great sense of loneliness. The snow will act as a curtain of natural power that will cover the scene from others and seclude them from the outer world.

The movie's pace is fantastic, while you long for some heart braking scary moments, you will find that the movie will twist your mind not ultimately with the supernatural but with the deviation of the Human psyche on the film. It's men who you have to fear, mostly.

Did I feel the change on Jack Torrance's mind. The transformation is bitching, moving us restless while introducing us in the most hideous basement of the human Mind.

"The Shining" will not disappoint you, Im sure. It's tricky all over, and will manipulate you with fear, suspense and at the same time, will hold you tight to the chair sensing that in any moment you will get a heart attack. But trust me, your heart won't get an attack. Your brain will.
Life sketches
Life in a small community. Scatman Crothers and passing of time. Small facts, games of nephews, memories of a young girl and the silence of a world behind fears or great expectations. A UK film about a deep and ancient Canada. Delicate, warm, relaxing, nostalgic. As a spring day. In same time, questions source.About the time and its rules, about the sweet colors of childhood, about the lost figures, about expectations and feelings.And about the land of birth.

Many basic questions. And few answers. Pieces of subjective world. Aand the crumbs of a lost universe. Gold of days, honey of mornings. And a photo album as axis of the recreation of that time. A film about the values of small spaces and the passing of time.
One of the worst movies of all time!
I am dismayed at the overwhelming positive response to this garbage of a movie. The only explanation I can come up with is the responses are affected by what I can the "Genius Effect" and time. The Genius Effect (which I'm sure someone else probably has coined - but if not, I'll take credit!) would dictate that if the filmmaker is a genius, then the film is a work of genius and must be excellent. Since I don't consider Kubrick a genius, I don't think all he had done was great. Some of it was OK, probably the best was FULL METAL JACKET, but I digress. I do think this point has some merit because reviews of Eyes Wide Shut were very good and, very recently, it was revealed that Kubrick himself thought it was bad (see Guardian Unlimited Film, http://film.guardian.co.uk/news/story/0,,1888077,00.html).

The other effect, time, is more of what I remember people saying when the movie first came out. There were many comments that it shouldn't be considered a horror film but rather a comedy because audiences were laughing more than screaming (and not just at the funny moments, i.e. "Here's Johnny!"). It seems audiences are more kind as time goes by, or at least in this case anyway.

The "acting" in this film is absolutely atrocious, especially that of Shelley Duvall, which one IMDb user stated "is very naturalistic. It does not seem like acting at all." That's because it isn't. It is flat and unemotional (even when she tries to be emotional). Jack Nicholson doesn't become crazy due to isolation, he's nuts from the beginning. His character's dealing with his wooden family doesn't beg the question, "Why does he want to kill his family," but, "Why didn't he do so long before this?" Not saying I condone injury to the dull and irritating, but being locked up with those two would put anyone's nerves on edge. I can't believe they survived the car ride to the hotel.

Needless to say, I didn't find THE SHINING scary in any way, even when I saw it at age 11. By then, I had the wits scared out of me by a far worse movie IT'S ALIVE (gimme a break, I was 7). After that, I have yet to be scared by any other movie, and THE SHINING never even came close.

In all honesty, I have tried to give THE SHINING a reasonable chance. I've seen it more than five times, thinking "I must be missing something." Each time it gets worse.
A truly brilliant and scary film from Stanley Kubrick.

I can't praise this film long enough!

The Shining is, without doubt, one of Stanley Kubrick's undisputed masterpieces and a true classic in horror cinema. It is a film that, over the course of the years, has managed to scare the living hell out of its audiences (and still does). The film is an adaptation of Stepehen King's original novel, written in the late '70s, and although the film is not very loyal to the book, it still stands as a thing of its own.

Right from the beginning, as we contemplate the car going to the hotel from those stunning aerial shots, deeply inside us we know that something in the film, somehow, sometime is going to go wrong. As we obtain that severe warning, an almost inaudible voice gently whispers to us 'sit tight', a sense of unexpectedness invades us all, and it is that very same feeling that makes our hair stand on end throughout out the entire movie.

The plot is simple: Jack Torrance (Jack Nicholson) becomes the caretaker of the Overlook Hotel in up in the secluded mountains of Colorado. Jack, being a family man, takes his wife (Shelley Duvall) and son (Danny Lloyd) to the hotel to keep him company throughout the long, isolated nights. During their stay, strange things occur when Jack's son Danny sees gruesome images powered by a force called 'the shining' and Jack is heavily affected by this. Along with writer's block and the demons of the hotel haunting him, Jack has a complete mental breakdown and the situation takes a sinister turn for the worse.

The film, unlike many horror-oriented films nowadays, doesn't only rely on stomach-churning and gory images (which it does contain, anyway) but on the incredibly scary music based on the works of Béla Bartók and on the excellent cinematography (the Steadicam is superbly used, giving us a sense of ever-following evil), as well. The terrifying mood and atmosphere of the film is carefully and masterfully woven by Kubrick, who clearly knows how to really make a horror movie.

Jack Nicholson's powerful performance as the mad father and husband is as over the top as it is brilliant. Shelley Duvall, who plays the worrying wife who tries to help her son, is also a stand out; she shows a kind of trembling fear in many scenes and is able to display weakness and vulnerability in a very convincing way. Undoubtedly, The Shining is full of memorable moments (the elevator scene or the 'Heeeeeere's Johnny' one-liner for instance) and, simply put, it's flawlessly brilliant.

Stanley Kubrick's direction is pure excellence, giving the whole film a cold and atmospheric look, thus creating an unbearable sense of paranoia and terror. There are moments of sheer brilliance and exquisite perfection in this film; the horrifying maze chase is a perfect example. Every single shot is masterfully created and there are some genuinely scary scenes which will make you sit on the edge of your seat.

The Shining is, in my opinion, a special landmark in horror cinema which will always be regarded as one of the scariest movies in film history. Since I saw it last year, when I was 13, I have rarely been able to have a bath in my bathtub.Just in case, ya know. Overall, The Shining is incomparably the scariest film I've ever seen in my whole life (and I can tell you I've seen a great deal of horror films).

It is an unforgettable, chilling, majestic and truly, profoundly scary film crafted by an eccentric genius who wants to show that the impossible can be done. The Shining is a sublime, hauntingly intriguing and endlessly watchable film that shows Kubrick at his best.
How to confuse a shallow mind.
I believe the perfect way to describe The Shining is to describe Stanley Kubrick. He is a man with vision and original ideas, but he lacks a purpose. While The Shining aims to be a horror movie, and by the way, fails in that miserably, in my eyes, it takes the worst and most typical horror movie route. That's not necessarily bad, but.

There is always a mystery and the great unknown behind horror movies. This is what The Shining builds up in an impressive manner. The sole terminology and amount of mysteries and mystery elements leads the viewer to think all this build up will lead to an epic conclusion where the great reveal finally tells us what is going on, why is Jack getting insane, why does the boy see those things, who is Tony, what are these shining people and will the black man die first. Nope. Instead we are shown scenes where ghost sets Jack free from the stockroom because that's the only way for him to get out, okay? He needs to get out so he gets out. Of course that is never explained. And this leads to the biggest problem with the story. Nothing is ever explained. "Too many answers will just ruin it." Yeah? I see this as nothing but a terrible excuse for a lousy storytelling and lack of brains since there was hardly anything to get beyond what was told.

The loose ends, unanswered questions and all the other spooky stuff that was in the movie just to make it more spooky and mysterious are, in a one word; cheap. And with few more words; a waste of potential. I guess many of us have seen a meme picture of a dog sitting on an airplane, it looks like the dog is flying it and then there is a text "I have no idea what I am doing." When I imagine Stanley Kubrick directing this film, I recall that picture. I see him behind the camera, the cast, the hotel, the stairs and a text "I have no idea what I am doing" and that's what we call The Shining. Not that the story was even the biggest problem, nor that the ending scene makes no sense due this not being a movie about Jack, but the characters and the sounds too. From this point on, I will act like there are no loose ends, and the story telling and plot is flawless, and I will get into why this movie is bad solely because of it other merits.

In the beginning, I mentioned this failing miserably to be a horror film. The sounds will kill the theme quicker than Kubrick creates a loose end. (This is a joke, so I did not lie 2 sentences ago). I find it incredibly hard to get in the horror mood when the "music" can be described as wheezing. One thing they did miraculously well; they captured the feeling of tinnitus. Seriously, when you hear sounds like that, you go to the doctor and wish for the best. Then suddenly my bass is yelling, I hear the exact sound C-Class horror movies use when jump-scare scene is executed. What does this movie do with a sounds like that? They show us a black frame with a text "Thursday" in it. I ask myself, "Do these guys take this movie as a joke?" but I do not know the answer. I am not sure if these sounds are supposed to be spooky and scary, create atmosphere even, but one thing they do is remind you that you are sitting on your sofa and that you can always turn down the volume because it is just a ridiculously bad sound directing in a movie.

Now, let's get to my favorite part. The cast. Jack Nicholson, what a bastard, I love him. But I see The Shining as his worst acting, not even acting, a role. He looks insane in every single picture that was ever taken of him. How is a man who looks insane a suitable person to be character in a movie where the character changes from your average fellow to a completely insane psycho? Well, he is not. He was a bad pick. I can only say that this is not the story it was supposed to be. There is good acting too. Shelley Duvann does an amazing job acting out a dull retard. Then a question. Who likes dull retard characters? This movie is her story, her family goes insane, she is in the middle of it all, she experience the horror. Then a second question. Why should we give a damn about what happens to a retard like her?

This leads us to final and one of the biggest elements I am going to analyze. The kid. He is shining, he hears Tony, he can contact other shining, he is the reason why Jack does anything, he sees the horror, glimpses of past, future and future past, he is everything this movie is about. He drives the story towards the truth behind the hotel and towards everything this movie is. But what is he exactly? He is called a plot element. This is not a bad thing in my eyes, I think it is great. What is bad is what he wasn't. Imagine with me. He makes Jack shining, he makes Tony talk to Johnny, he resolves Jack's humanity, he is the one who experiences the horror while being the horror itself. After this the movie ends the same way, but now it has changed to a story about Jack who was inflicted by the horror of the kid and Tony. Instead we get an ending where Kubrick is basically saying, "Since we don't know how to end this movie, let's insert bunch of stuff which makes it look deep." Cop-out. That's how you confuse a shallow mind.
The Most Eerie and Memorable Horror Movie of All Time
The Shining is an example of horror done right. Long before the days of over-reliant jump scares and found footage, The Shining relies on atmosphere and symbolism to give the movie an ominous and creepy tone. Every little aspect of the movies gives the viewer a sense of claustrophobia and isolation. Kubrick uses these themes to further enhance the viewing experience. From Jack Nicholson's brilliant performance to the meticulous camera work done in every shot, The Shining is a very memorable movie and is what may be the best horror movie of all time.
Amazing achievement in filmmaking and the art of terror.
Chilling, majestic piece of cinematic fright, this film combines all the great elements of an intellectual thriller, with the grand vision of a director who has the instinctual capacity to pace a moody horror flick within the realm of his filmmaking genius that includes an eye for the original shot, an ice-cold soundtrack and an overall sense of dehumanization. This movie cuts through all the typical horror movies like a red-poker through a human eye, as it allows the viewer to not only feel the violence and psychosis of its protagonist, but appreciate the seed from which the derangement stems. One of the scariest things for people to face is the unknown and this film presents its plotting with just that thought in mind. The setting is perfect, in a desolate winter hideaway. The quietness of the moment is a character in itself, as the fermenting aggressor in Jack Torrance's mind wallows in this idle time, and breeds the devil's new playground. I always felt like the presence of evil was dormant in all of our minds, with only the circumstances of the moment, and the reasons given therein, needed to wake its violent ass and pounce over its unsuspecting victims. This film is a perfect example of this very thought.

And it is within this film's subtle touches of the canvas, the clackity-clacks of the young boy's big wheel riding along the empty hallways of the hotel, the labyrinthian garden representing the mind's fine line between sane and insane, Kubrick's purposely transfixed editing inconsistencies, continuity errors and set mis-arrangements, that we discover a world guided by the righteous and tangible, but coaxed away by the powerful and unknown. I have never read the book upon which the film is based, but without that as a comparison point, I am proud to say that this is one of the most terrifying films that I have ever seen. I thought that the runtime of the film could've been cut by a little bit, but then again, I am not one of the most acclaimed directors in the history of film, so maybe I should keep my two-cent criticisms over a superb film, to myself. All in all, this movie captures your attention with its grand form and vision, ropes you in with some terror and eccentric direction, and ties you down and stabs you in the heart with its cold-eyed view of the man's mind gone overboard, creepy atmosphere and the loss of humanity.

Rating: 9/10
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