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Purchase The Treasure of the Sierra Madre (1948) Movie Online and Download - John Huston 🎥
Drama, Action, Adventure, Western
IMDB rating:
John Huston
Walter Huston as Howard
Tim Holt as Curtin
Barton MacLane as McCormick (as Barton Mac Lane)
Alfonso Bedoya as Gold Hat
Arturo Soto Rangel as Presidente (as A. Soto Rangel)
Manuel Dondé as El Jefe (as Manuel Donde)
José Torvay as Pablo (as Jose Torvay)
Margarito Luna as Pancho
Storyline: Fred C. Dobbs and Bob Curtin, both down on their luck in Tampico, Mexico in 1925, meet up with a grizzled prospector named Howard and decide to join with him in search of gold in the wilds of central Mexico. Through enormous difficulties, they eventually succeed in finding gold, but bandits, the elements, and most especially greed threaten to turn their success into disaster.
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One of Warner Brother's triumphs of the forties…
Having had his day as an idolized star and romantic leading man, it was now time for Bogart to get down to the serious business of acting… For eighteen years it had usually been Bogart playing Bogart in various shadings… Now that Bogart was gone and in his place was an older and far less romantic figure, one who found new challenges and was able to meet most of them successfully… This new phase of his continued growth began with a story of three men in search of gold…

Although "The Treasure of the Sierra Madre" is indisputably one of Bogart's best films, it was co-star Walter Huston who won an Academy Award as did the movie's director and scenarist, John Huston…

Based on a novel by the mysterious B. Traven, the film told a riveting tale which explored the degenerative effects of encroaching greed, distrust, and hatred on three prospectors who team up to search for gold in Mexico…

Bogart's Fred C. Dobbs was an amazingly complex creation whose slow disintegration into paranoia was brilliant1y managed on camera… He is a born loser with no potential for change in sight… Suspicious, unfeeling, savage, and easily corruptible, he seems clearly destined for a tragic fate almost from our first meeting with him…

Tim Holt was also excellent as Bob Curtin, a man who, like Bogart, is tempted but whose conscience will not permit him to exercise his baser desires. (He could have let Bogart die in a cave-in, but saved him instead.) Young, impressionable, and unprepared, he has never seen the likes of a Fred C. Dobbs and he finds himself overwhelmed and uncertain as to how he will cope with Dobbs's rage and greed…

However, it is the director's father, Walter Huston, who literally stole the picture from both Bogart and Holt as he played Howard, a wise old toothless codger who knew all along what would happen and took it all in stride, kicking up his heels and having a marvelous time… Life can't surprise him any more… He's already had successes and failures enough for one lifetime… Like a faithful dog, he's along for the thrill of the hunt, and should there be another pot of gold at the end of this rainbow, well, that's just a bonus…

It is mainly the interaction of these three men from their first meeting and uneasy partnership through their final confrontation that made "The Treasure of the Sierra Madre" one of Warner Brothers' triumphs of the forties…
Well concluded movie
Dobbs and Curtin are two guys that are desperate from living on streets and after meeting Howard they decide to go on gold searching journey which will bring a lot to table. All three of them went there with hopes to find anything that will give them some kind of life but after realizing how much they could get Dobbs starts to change attitude towards them leaving with quantity of gold they have. Dobbs slowly but surely starts to lose himself in so much gold that starts to eat him and now his mistrust is pointed into everybody. After encountering Cody, there arrives trouble with bandits and now they are face to face and trying to survive. Cody ends up dead and bandits running away from Federals and now three companions decide to leave. One night they come in touch with indios that seek help for their kid and Howard decides to help them and tomorrow they are going away but villagers are determined that Howard stays and enjoys with them leaving Dobbs and Curtin to carry his gold. Dobbs finally lost it and in his madness he shots Curtin taking all gold and hoping to leave with everything. Dobbs soon after gets caught recognized by bandits which led to his death and Curtin was found by indios so now they are leaving to find Dobbs. Their discovery shocked them but it had a great sarcastic ending. It was a great journey and adventure but sometimes movie feels to slow and to long but it had a a great point of view on humans. There were some great and intense moments alongside with a great script by John Huston. All three men Bogart (Dobbs), Holt (Curtin) and Walter Huston were great in the movie giving three different portrayals of men but original. 9.4/10
It's The All-Time Number One
There are many reasons why this masterwork of art is the greatest film ever made but there are two major ones. First, it is the best combination of creative expression and realism ever put on film. Second it touches on more genres (adventure, character study, drama, murder, psychology, cultures and social values) than any other film. All these genres are wrapped around the central theme of GREED. The other reasons are, of course, named Huston, Bogart, Huston and Traven. The great John Huston outdid himself with both his screenplay and direction in this film which he took many years to undertake and finish. His incomparable scene making is displayed in monumental glory here. Huston insisted on much of the film being made on location in Mexico (extremely rare in Hollywood at the time) and WB was in the end despite the cost, thrilled when they saw the outcome. Huston's dad, Walter was nothing short of sensational in this, his career performance. Bogart's Fred C. Dobbs was perhaps only topped by Capt. Queeg among his many singularly memorable fictional film characters. Huston as the supreme screen writer he was, worked with the book's mysterious author B. Traven and stayed close to the book's story. This film was nothing like Hollywood had ever produced up to that time and was more like an "arty-Euro" film. There were two injustices inflicted on the appreciation side of this amazing film experience. Neither Bogart or Bedoya were even nominated by the academy for their riveting and unique performances. Needless to say, this is the number one "must see" in American film.
This movie is perfection :D
I'm left speechless. This movie is perfect. John Huston did awesome job researching background for this movie, writing screenplay and directing one of the best movies of all time. He won two Oscars for same movie and his father got third one. Walter Huston is one of the best actors of his time and, though he had supporting role, he stole the movie from much more famous Bogart. To be honest, Bogart deserves Oscar for this movie too and Holt is not far behind either. I can not recall last time I saw movie whom I can not find any faults. Although story has very complex and deep characterization, all roles are perfectly played and overall atmosphere of the movie is simply magical. It sucked me in completely and two hours just flew in a blink of an eye. Ending is karmically perfect. It gives us innuendo of how stories of our heroes end and more than anything I wished to see those endings, but instead I got only ending credits. Happy endings are left to our imaginations.

One of the very best movies I ever saw. Pure 10/10.
When dreams turn to dust blown away in the desert wind
A morality story of distrust, savagery, and survival in the Mexican desert

Three men roaming the world at loose ends hook up in Tampico, Mexico and band together to prospect for gold. We have the hard-luck, embittered wanderer, Fred Dobbs, "Dobsy," the grizzled, veteran prospector, Howard, and the youngest of the trio, the decent, callow Bob Curtin.

Joining forces, they share a commonality of purpose: they all lust to find that one big strike that will give them the riches to set them up for life. Humphrey Bogart, Walter Huston and Tim Holt play these three itinerants, making for a powerful ensemble of talent whose performances bring a timeless relevance to this story of human greed, and redemption. With these elements the film could have easily been just another preachy sermon with cardboard characters representing good and evil. But here… not so. The acting is superb, the script is intelligent and vivid. John Huston's direction shows that he understood the motivational complexities at play in these three men; he knew what these men were about and was able to transfer that admirably to the movie screen.

Humphrey Bogart's "Dobsy," a man embittered by life, is fully invested, body and soul in this search for gold. His commitment is fierce, total and uncompromising. The desert trek for the big gold strike is his last chance to grab the prize of the brass ring after enduring a lifetime of long, dead end, bumpy rides.

Howard, as masterfully portrayed by Walter Huston, is the wise old man seasoned by hardscrabble experience. No illusions for this old-timer; he serves as the voice of reason and moral principles. He's the pillar of strength straddling the middle ground, constantly policing clashes between his two cohorts. When Dobbs and Curtin clash he's the mediating force working to diffuse tension and stave off violent argument.

Tim Holt plays the guy who has the physical and emotional advantages of youth on his side. Not yet beaten down by life into a fatalistic pessimism, he has an inner decency, and expectations; to him life is still a vista of possibilities.

The threat of Mexican bandits lurks among the three prospectors as a constant threat. The banditos offer a hovering menace as well as a device for black humor. Actor Alfonso Bedoya, the head bad guy, utters a few lines of dialogue that still resonate today. When challenged he voices a self-proclaimed authority that needs no official validation. He doesn't "need no stinking badges!"

A story of desperation, greed, and of how fate… that unpredictable determinator inserts itself into events to throw a wrench in the works, turning the best laid plans of men into just dust blowing in the desert wind.
"The Treasure" of American Cinema ...
A brutal and uncompromising portrayal of greed's effects on the human spirit and an exhilarating quest of the Mexican El Dorado, the Treasure of the Sierra Madre. You'll be thrilled by John Huston's masterpiece, a genuine monument that would catch by surprise, even the most skeptical viewers when it comes to 'old' movies.

The "Sierra Madre" was the first major studios films set outside Hollywood, in Mexico, when even the most acclaimed masterpieces didn't raise such a level of authenticity in their exotic setting, like in "Casablanca" when Captain Renault refers to the titular town as the middle of the desert. The geography in Huston's film is crucial as it provides the obligatory escapism for any adventure film, with a unique flavor. In "Sierra Madre" we get the same authentic feeling that probably inspired Clouzot's "Wages of Fear", with the proverbial financial struggle of the white men in South America. There's almost the same criticism of capitalism that prevailed in B. Travel's novel, as these men have been purely and totally exploited by the capitalistic majors that literally raped Mexico from its precious resources.

Huston's movie is less politically loaded, but it portrayed capitalism in a negative light through the downfall and total disintegration of its main character, Humphrey Bogart as Fred C. Dobbs. Bogie, after having been a gangster, a private eye, a cynical, detached, and sometimes romantic lead, probably gives one of his best performances as a big s.o.b. And how he didn't get a nomination is unbelievable. His evolution from a decent man who wants a job and some money to the cold-blooded paranoid lunatic who tries to keep the gold for himself is not only fascinating but also mirrors the evolution of the film from a light-hearted mood, made of some comedic running gags like the encounters with Huston as the rich man in a white suit, to a heart-pounding thriller.

And on that very level, the differences between the characters set the perfect circumstances for tension, despite the many signs of camaraderie displayed in the beginning. Curtin, Tim Holt in a remarkable performance, is younger and exudes a certain idealistic naiveté that counterbalances Dobbs' growing cynicism. Howard, the old-time prospector, an unforgettable Walter Huston, knows everything about prospecting, with enough experience to foresee the psychological changes on people when gold is at stakes. Of course, the movie is also remembered for the famous 'Gold Hat', Alfonso Bedoya with his unforgettable "stinking badges" line but more than an exotic villain, Bedoya foreshadows with a sort of charming charisma the evolution of Dobbs as a similar bastard.

Indeed, one never knows how gold would transform us, and one must have the guts to work alone without falling into madness. During their journey guided by Howard, Dobbs and Curtin discover the true meaning of the word 'value' as measurable through the efforts you spend, days and nights, to find the treasure. Walter Huston deservedly won the Oscar for best supporting character, but he's as central as Vito Corleone in "The Godfather". Whatever Howard says, we know it's the truth, when he's reluctant, we understand it's a bad premonition. And when Howard esteems that the best would be to split the share when it becomes money, Dobbs, already showing signs of suspicion, recommends that each one takes care of his own share. Howard is experimented enough to resign, with all the wisdom of a man who doesn't want trouble.

Dobbs' gradual descent into paranoid madness is highlighted in the episode when a gila monster gets stuck under the rock that covered his share while he suspects Curtin to have come for another reason. The paranoia grows and contaminates the whole team when another American named Cody, joins them and proposes his help. He's obviously smarter than them and doesn't deny that murdering him is an option they would consider. The way the team handled his proposal says a lot about the conservative instinct that could govern so called 'civilized' hearts, and again, doesn't speak in favor of the monopolistic systems regulated by capitalism. The alienation that grows within the team erodes all the camaraderie built during these months of labor, to a point even the word 'partner' loses its humanistic meaning.

Bogart perfectly embodied the metamorphosis of a man alienated by his own greed, where the value of his share of gold, exceeded, every kind of principle that made him a decent man. As it's almost impossible to break free from a gila's bite, Dobbs became that gila with paranoia as a venomous poison, too mistrustful to go, to let go or to be reasoned. When Curtin says he protected Howard's money as he would have done for Dobbs, Dobbs uses the same reasoning in a reverse way, pushing cynicism to its paroxysm : betraying before being betrayed. And in an ironic anticlimactic twist, Dobbs is killed by bandits, 15 minutes before the end of the film as to highlight the pointlessness of this entire struggle. After all, what's the point of earning money if you lose principles?

Failure is a recurrent theme in Huston's films with this double dimension of cynical denunciation, generally driven by an impeccable script, and this entertaining dimension that pleases the crowds as much as the more sophisticated audience, both who, matured enough by World War II, accepted a story about greed and deception, but maybe not Bogie so far from his usual character, playing such an unsavory bastard. I don't know, if like some said, this is why the film's flopped. One thing for sure, after 60 years, it remains as one of the most enduring classics ever, that beautifully earned a father and a son three deserved Oscars.

And any other consideration is as pointless as crying over the loss of the Treasure of the Sierra Madre, and the only reaction it deserves is the unique loud and hysterical, jig-driven, maniacal laugh of Walter Huston …
Bogart's Best Work, A Fantastic Flick
Humphrey Bogart's journey as a leading man started with The Maltese Falcon and reached its pinnacle in The Treasure Of The Sierra Madre. That's not just because his performance was so terrific. What's impressive is that Bogie goes from an ultra-cool detective in Falcon and a noble Nazi-killer in Casablanca to a crazy loser in Sierra Madre. He didn't coast by playing lovable heroes. He was willing to look terrible and to play a despicable human being in a character-actor kind of way.

Fred C. Dobbs (Bogart) is a jobless American in Tampico, Mexico, begging for food money. He pools what money he has with that of a friend (Tim Holt as Bob Curtin) and they head out with Howard (Walter Huston) for the titular mountain to find gold. Howard has been on many such journeys and knows this isn't going to turn out well. It doesn't take more than few months for Dobbs' paranoia to cloud his vision. Before long, he's hiding his gold and proving he'll do anything to protect his burgeoning fortune.

Don't worry, "Badges? I don't have to show you any steenking badges", I haven't forgotten about you! Yup, this is the movie with that quote. People love (mis)quoting the line, but they shouldn't overlook the subtext: there's no law up in the wild Mexican mountains. Then again, the real villain is not a gang of baddies. It's Bogie. Dobbs' alienation of his friends not only proves how paranoid he is, but in doing so, he puts his gold and his life in serious danger from steenking bandits.

The Treasure Of The Sierra Madre was highly ranked on both the 1998 and 2007 Top 100 lists released by the American Film Institute...and rightly so. It's nearly 66 years old and it holds up remarkably well. Writer/director John Huston made several fine films, but this was his peak. It's one of the best pictures of the 1940s and its dirty influence continues to this day, with Paul Thomas Anderson and Breaking Bad's exec producer Vince Gilligan citing it as highly influential of their recent projects. This one is rough, but for all the right reasons. Great, great movie.

If you found some gold in this quick take of the flick, check out the website I share with my wife (www.top100project.com) and go to the "Podcasts" section for our 38-minute Treasure Of The Sierra Madre 'cast...and many others. Or find us on Itunes under "The Top 100 Project".
A Tale of Greed, With Outstanding Direction and Performance of the Cast
In 1925, in Mexico, Fred C. Dobbs (Humphrey Bogart) is an American begging for food and trying to get any job. He meets Bob Curtin (Tim Holt), another American in horrible economical situation and also looking for job, and the former gold prospector Howard (Walter Huston), and together they go to the Mexican mountains seek for gold. After ten months of hard and tense work, including confrontation with bandits, each one of them gets a small fortune in gold. Meanwhile, their personalities are disclosed, and Dobbs shows himself a man obsessed by greed. The end of their journey is ironic and tragic. This movie is a masterpiece. Having an outstanding direction of John Huston, an astounding performance of Humphrey Bogart, Walter Huston and Tim Holt and supported by a fantastic screenplay, it is certainly one of the best movies ever, highly recommended for any audience. Walter Huston and Humphrey Bogart are really stupendous in their roles. My vote is ten.

Title (Brazil): `O Tesouro de Sierra Madre' (`The Treasure of the Sierra Madre')
Ann Sheridan, my eye!
Ann Sheridan my eye.

I've just viewed the new Warner Brother's Classic DVD of this great film with commentary by Eric Lax and I have some commentary of my own.

Firstly, I saw the still of Anne Sheridan posing with the crew in Mexico among the 'extras' but I have run the scene where she supposedly plays the prostitute back and forth and even considering Hollywood's make-up know-how, the black wig, etc., there is no way at all that is her. I looked at it with a picture of Ann Sheridan next to the screen and the eyes and jaw-line are totally different than that. My theory is that Sheridan did go to Mexico and did film such a scene but Huston or Warners decided not to use it for some reason and it was reshot but the story that that is Anne Sheridan remained alive.

Mr. Lax identified the guy in the bar who warns Dobbs and Curtain about McCormick as Tim Holt's father Jack and goes on to tell the story of his life and career but in fact that actor, as the IMDb shows is Pat Flaherty. Jack Holt is the guy in the flophouse that Howard is talking to when we first encounter him.

Lax has a tendency to discuss the biographies and resumes of people involved with the film ad nauseum instead of discussing what we are seeing on screen, which is what commentaries are all about. At one point he describes the history of the Warner Brothers and how they got into the movie business.

One thing he could have spent more time on is Humphrey Bogart's hairpieces. In the barber shop scene, we see Dobbs setting all slicked up- and slicked down. He actually looks awful in this scene, like a 70 year old trying to make himself look half his age, (he is of course looking for female companionship but the prospects appear dimmer than he imagines unless money is involved). Later, when Dobbs is going nuts, he sports a wonderful thatch of thick curly hair. Even though his character is dirty and exhausted Bogart somehow looks a generation younger than he does in the barbershop scene. He looks downright handsome and a little wild.

Lax continually describes Bogart's character as 'loathsome' and compares him to the gangsters he played early in his career. I disagree. What this really is is the greatest departure from the 'star' system by a male actor in the history of the Golden Age of Hollywood. All the characters they played were either virtuous, with their virtue somehow granting them great mental and martial abilities, or tragically flawed but powerful, with a great 'Is this the End for Rico?' or 'Top of the World Ma!' ending. Here we see that Dobbs, even at the beginning is a rather pathetic man who has been beaten down by life. He still has a few shreds of common decency left, enough to forge a tenuous friendship with Curtin and a partnership with Howard. The thought that his ship has finally come in through the acquisition of gold becomes his undoing. He expects life to take it away from him and figures, wrongly, that his partners are the biggest threat to his salvation. His growing paranoia separates him from them and leaves him vulnerable to the bandits who fulfill his expectation of doom. He does a despicable thing but is a pathetic, almost sympathetic character who is in no way similar to the gangsters Bogie played in the previous decade.

Look at the careers of Gable, Tracy, Cooper, Cagney, Fonda, Stewart or any of the others and you'll not find a single Fred C. Dobbs.
Extraordinary and marvelously performed film about a grizzled hustler decides to join with other prospectors to find gold
Magnificent rendition of B. Traven's story of ambition and human nature at its worst and dealing with an unlikely trio of ambitious prospectors . As Fred Dobbs (Humphrey Bogart) and Bob Curtin (Tim Holt) , two Americans searching for work in Mexico, convince an old prospector (Walter Huston) to help them mine for gold in the Sierra Madre Mountains . Through a lot of troubles they eventually succeed in finding gold, but greedy outlaws (Alfonso Bedoya) , and most especially craziness lead to disaster . As they sold their souls for the treasure of the Sierra Madre .

It's an intelligent semi-western that scrutinizes the greed and paranoia that afflicts a misfit group , including their enormous difficulties and breathtaking taking on between protagonists and the Mexican enemies that stalk to them . The film blends thrills , emotion , intrigue , high body-count and it's fast moving and exciting ; being filmed in Mexico, though Warners' studio head Jack L. Warner had the unit return to Hollywood when the budget started to exceed $3 million . Thought-provoking screenplay by the same Huston , concerning about greed and ambition that threaten to turn their success into disaster . Director John Huston had read the book by B. Traven in 1936 and had always thought the material would make a great movie . Based on a 19th-century ballad by a German poet , Traven's book reminded Huston of his own adventures in the Mexican cavalry . When Huston became a director at Warner Bros. , the smashing success of his initial effort, The Maltese Falcon (1941), gave him the clout to ask to write and direct the project, for which Warner Bros had previously secured the movie rights . Although by many to be director John Huston's finest film , this is a tale of fear , greed and murder , as three partners fall out over the gold they have clawed out of the inhospitable and bandit-ridden deserts and mountains . It also has probably the most brutal gold bar fight ever put on film along with "The Ruthless Four" . Overrated by some reviewers , but very interesting and attractive to watch . It above all things mostly also remains a real characters movie, in which the three main roles are the essentials . Their dynamic together is also great and is what mostly keeps this movie going . They are three totally different characters, which is the foremost reason why they work out so great together on film . Bogart is superbly believable and gives a nice portrait of an increasingly unhinged prospector , Walter Huston is very good as a cunning veteran and Tim Holt is also pretty well . John Huston has a cameo as an American tourist , this scene was directed by Humphrey Bogart, who took malicious pleasure on his director by making him perform the scene over and over again. And the little boy who sells Bogart the portion of the winning lottery ticket is Robert Blake . The bum seated near Walter Huston in the first scene in the Oso Negro flophouse is Jack Holt, father of Tim Holt . Walter Huston, father of director John Huston, won the Academy Award for best supporting actor , John won for best direction . This was the first father/son win .

The musician Max Steiner composes a vibrant soundtrack and well conducted ; including a catching leitmotif and considered to be one of the best . Atmospheric scenario with barren outdoors , dirty landscapes under sunny exteriors and a glimmer sun and fine sets with striking cinematography by Ted McCord , this was one of the first American films to be made almost entirely on location outside the USA . Also shown in computer-colored version . The picture was shot on location in Tampico, Mexico ; just as John Huston was starting to shoot scenes in, the production was shut down inexplicably by the local government ; it turns out that a local newspaper printed a false story that accused the filmmakers of making a production that was unflattering to Mexico . Fortunately, two of Huston's associates, Diego Rivera and Miguel Covarrubias, went to bat for the director with the President of Mexico , then the libelous accusations were dropped . The motion picture was stunningly realized by John Huston and the film took 5-1/2 months to shoot and was 29 days over schedule ; Robert Rossen submitted at least nine drafts of rewrites on the screenplay when John Huston was away during the war . Rating : Above average . Well worth watching , essential and indispensable seeing . In 2007: The American Film Institute ranked this as the #38 Greatest Movie of All Time.
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