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Purchase The Usual Suspects (1995) Movie Online and Download - Bryan Singer πŸŽ₯
Year:
1995
Country:
USA, Germany
Genre:
Crime, Thriller, Mystery
IMDB rating:
8.6
Director:
Bryan Singer
Stephen Baldwin as Michael McManus
Gabriel Byrne as Dean Keaton
Benicio Del Toro as Fred Fenster
Kevin Pollak as Todd Hockney
Kevin Spacey as Roger 'Verbal' Kint
Chazz Palminteri as Dave Kujan, US Customs
Pete Postlethwaite as Kobayashi
Giancarlo Esposito as Jack Baer, FBI
Suzy Amis as Edie Finneran
Dan Hedaya as Sgt. Jeffrey 'Jeff' Rabin
Paul Bartel as Smuggler
Carl Bressler as Saul Berg
Phillipe Simon as Fortier
Jack Shearer as Renault
Storyline: Following a truck hijack in New York, five conmen are arrested and brought together for questioning. As none of them is guilty, they plan a revenge operation against the police. The operation goes well, but then the influence of a legendary mastermind criminal called Keyser SΓΆze is felt. It becomes clear that each one of them has wronged SΓΆze at some point and must pay back now. The payback job leaves 27 men dead in a boat explosion, but the real question arises now: Who actually is Keyser SΓΆze?
Type Resolution File Size Codec Bitrate Format
720p 1280x544 px 4463 Mb h264 4245 Kbps mkv Purchase
HQ DVD-rip 852x362 px 1286 Mb h264 1724 Kbps flv Purchase
iPhone 480x204 px 570 Mb mpeg4 750 Kbps mov Purchase
Reviews
Why The Usual Suspects is the best movie of all time
The best movies of all time are often the types of movies that you can watch over and over again and find something you never noticed the first time you watched it. The Usual Suspects, directed by Bryan Singer, is everything that a thriller mystery movie should have. The story follows a criminal played by Kevin Spacey who recalls the story of his partners in crime and how they all ended up getting killed by a man named Kaiser Soze, a supposed myth in the criminal world. The story, as it unfolds, is full of mystery about who the true identity of this Kaiser Soze character is, making the audience believe that Dean Keaton, portrayed by Gabriel Byrne, is only man that could be Kaiser Soze.

What makes this movie stand out above the others and makes one want to watch it multiple times is the twist. The major twist at the end shocks not only the audience, but also the characters in the movie, making the reaction that much better. What makes the twist in this movie so effective and shocking is the fact that the audience finds out the truth at the same time as the characters. Seeing the characters and how they react to the twist gives the audience a certain way to feel and how they should also react to the mind boggling realization. Not only does the way that the story is told, first person and through flashbacks, make the movie great, but the artistic climax at the very end makes it a movie you would watch over and over again. Since the movie is able to draw the audience in by having two climaxes at the end of the film, of which also happen to be the two twists, the audience is left even more in shock and awe the second time compared to the first. The first climax occurs with only ten minutes left in the movie, as the officer doing the interrogating draws the conclusion from Verbal Kint's, played by Kevin Spacey, story that Dean Keaton is the alleged Keyser Soze. Five minutes later, the second climax occurs after Kint leaves the police station, as the officer realizes with shock and disbelief that Kint is actually Keyser Soze. The way the the officer realizes the truth as well is so methodically thought out. After Kint leaves, the officer sits on his desk, drinking coffee and just looking at all the police stories posted on the wall behind his desk. Wide eyed, the officer realizes that some of the stories Kint told were just stories from the wall. It is this single moment that makes the viewer want to watch the movie multiple times as you're never completely sure what parts of Kint's story is real and what parts are simply made up.

Along with the twists, and the story telling, the acting done by Kenvin Spacey is that of legends and fine tuned actors. The writing of the script and how Spacey was able to portray the emotions of his character, a "crippled man," makes you feel a special connection to him, but the big twist is able to take that well crafted connection and completely topple it over. The artistic way that the camera follows Kint in the last closing scenes also makes this movie mind blowing and jaw dropping. One of the last shots is of Kint's crippled feet, limping away from the police station. However, with the audience now knowing that Kint is Keyser Soze, when they witness Kint's limp evolve into a regular stride, showing that Kint faked even his disability, everything becomes clear.

Besides just being entertaining, the movie can also contain a deeper, darker meaning in that shows the audience that not every story told will be a hundred percent true and can often times be perverted for the benefits of a story teller. Due to the great story, the effectiveness of the twists, and the acting, the Usual Suspects is one of many movies that belong in everyone's top movies list.
2017-03-03
Stylish crime drama with little content
[**Major spoilers**] This movie began on a sour note in the opening scene with a man on an upper floor pissing down onto a ribbon of flaming gasoline on a lower floor to put it out. Right off we know that there is going to have to be some major suspension of disbelief.

The story line is not nearly as complicated as it is made out to be. Within the context of this movie, maybe that was a goal. I never did figure out what the deal was with the image of the rope heading into a rat's nest of junk that was shown several times.

A real problem for me was that the two main thugs in this were not at all threatening. The final plot twist only furthered this dissonance - it was kind of like finding out that behind the mask of Darth Vader we find Pee-wee Herman. And I felt manipulated by the final twist (that was in fact somewhat anticipated, after all Verbal was smoking his cigarette in the Turkish style). Are we to believe that Verbal boarded the boat and changed into a fedora and black overcoat to perform the crucial murder? What was the point of that besides trying to fool the audience?

And so many times in the exchanges between Verbal and Kujan, I felt I was watching actors rather than characters.

The bottom line on this movie is that it is no more than a tricked out episode of "Law and Order" without offering anything substantial to think about after it's over.
2006-02-06
Slick nonsense
The more one thinks about this film, the more outlandish it becomes. To me, this film falls into the thriller/mystery trap. Create a bunch of cool characters, throw in a lot of swearing (I guess it makes them seem tougher) and then create a story that keeps boxing itself into the corner and then at the end throw in a twist so audacious that the audience in amazement at the filmmaker's arrogance will capitulate. Well, not me. I can't believe one bit of it. Bryan Singer gets a good performance from his cast, the exception being Kevin Pollak who comes across a someone desperately trying to show how tough he is even though he isn't. The film looks slick and stylish but sadly the ending is just too unbelievable to let me recommend it.
2002-10-20
"and like that...he was gone."
Boasting petty criminal characters conceived so brilliantly they achieve near-mythological status, The Usual Suspects is known for riveting suspense and action, an intriguing plot line and a jaw- dropping twist at the end. It also features some of the most memorable lines of the 1990s: "How do you shoot the devil in the back--what if you miss?" The characters, Roger "Verbal" Kint (Kevin Spacey), Dean Keaton (Gabriel Byrne), Michael McManus (Stephen Baldwin), Fred Fenster (Benicio Del Toro), Todd Hockney (Kevin Pollak), Dave Kujan (Chazz Palminteri) and Kobayashi (Pete Postlethwaite) have real character details and cues.

The film is set in the aftermath of a ship fire that totally burns the cargo and crew. Though meek and disabled, Verbal is the only survivor to walk away from the incident unscathed. He is taken into custody and grilled by the police. Brilliantly played in a characteristic, understated style that earned Spacey an Academy Award for Best Supporting Actor, Verbal is cleared and allowed to leave. But before he can go, agent Kujan from US Customs shows up to interrogate him. Kujan is trying to build a case against Keaton and he wants Verbal to testify in exchange for immunity. Verbal refuses, but Kujan still bullies Verbal into recounting his story of Keaton, McManus, Fenster and Hockney, leading up to the explosion on the ship.

What follows is a fantastic yarn of lies and half-truths sprinkled within the facts of the case. It is all masterfully portrayed as a series of flashbacks while Verbal and Kujan sip coffee and talk in the LA police station. The story begins six weeks earlier in New York City as Verbal and the other four criminals are brought in to stand side-by-side in a police lineup. None of them are formally charged with a crime, and there are indications Keaton has actually gone straight prior to the roundup. But before they are released, the five hatch a plan to get revenge on the corrupt NYPD and make a large sum of money in the process by robbing a police-protected jewel smuggler and leaking news of the police involvement to the press. Keaton is reluctant and must be coaxed into it with the promise that no one will be killed in the heist. He agrees and the quintet pulls off the robbery to perfection. The acting and writing take chances that pay off, with each actor fully immersing himself in his role. Del Toro creates a uniquely colorful persona in his portrayal of Fenster, Baldwin conveys a reckless abandon and lust for violence, Pollak shows steely courage and resolve, Byrne is a complex mesh of toughness with motives pulling him in all directions. Each actor is at the top of his game.

The five criminals go to Los Angeles to lay low in the aftermath of the New York heist. There, they are enticed into another robbery that is also supposed to involve no killing. Unfortunately, this LA heist goes horribly wrong. As Verbal recounts this carnage, its aftermath and the growing problems and hostility in the crew, agent Kujan receives a tip from one of his colleagues who has a survivor pulled from the water near the charred wreckage of the ship. The witness is badly burned and cannot speak English, but insists that the man responsible for the destruction of life and property on the ship is named Kaiser Soze.

Whether it is attributable to lies in Verbal's yarn or odd casting decisions, several characters in The Usual Suspects add to the film's mystique. Chief among these is the Irish Postlethwaite cast as the Japanese Kobayashi. There is a strong clue at the end that the name Kobayashi is used solely to mislead Kujan. But Kobayashi is not the only instance of a character's name failing to match his appearance. Another example is McManus' contact in LA, Redfoot, which one would expect to be the name of a Native American. But Redfoot appears to be caucasian. Again, at the end there is an indication that Verbal used Redfoot to avoid giving Kujan a real name. Strange ethnic inconsistencies crop up constantly. Kaiser Soze is said to be Turkish, possibly with a German father. These mixed-up character portraits add a layer of complexity to the plot, but one must always consider the source, Verbal Kint, and his motives.

The dynamic between Kujan and Verbal itself is pure entertainment. A kind of cat-and-mouse game, nuances are thrown into the proceedings that make it more interesting and add depth to the characters. Even the way the interrogation is filmed is unique. Verbal didn't achieve his nickname for no reason. He knows how to run his mouth and Kujan has a difficult challenge in corralling him. Underlying the interrogation is Kujan's suspicion of Keaton and his belief that Keaton manipulated Verbal. But Verbal is hard to pin down and Kujan occasionally resorts to bully tactics. But who is Kaiser Soze? Did he orchestrate the police lineup in New York, and pull all the strings ever since? Is the cargo of the ship drugs or only human cargo? Why did Verbal survive unharmed while so many others did not? Did Keaton really die, as Verbal insists, or did he slip away, as Kujan believes? Is Verbal telling the truth? Much is revealed in the final moments of the film, which wash over the viewer like an enormous wave of recognition. Snippets of dialogue from earlier in the film are montaged over the complex score, providing spine-tingling clues about exactly what part of Verbal's yarn was fact and what was fiction. The final snippet of dialogue, followed by a fortissimo string finale is especially powerful: "and like that...he was gone."
2009-11-21
Surprising ending with little behind it
Just about everyone agrees that the surprise ending to "The Usual Suspects" is very satisfying, as is Kevin Spacey's performance as the pathetic yet strangely-likeable Verbal Kint. Unfortunately, I found that there is little else to be enjoyed.

All in all, the cast's performances were not all that superb. Spacey is an exception, but that's nothing new. The story itself is well written, but not very interesting. It's conceivable that the cast would be seen as fulfilling the characters well precisely because the characters themselves are so vague. The screenwriter makes sure to lay the idiosyncrasies on thick without allowing us to know the characters and better understand their quirks. Naturally, there's only a given amount of depth that can be accomplished in an hour and a half, but "The Usual Suspects" still barely reaches that.

So while I would recommend this film for Spacey and the ending, I don't think its worth waiting around for 80+ minutes of ho-hum "gritty crime drama" to get to all the scenes where he really shines and where the script isn't so dull.
2000-06-13
The Film That Made Kevin Spacey a Star
"The Usual Suspects" is a complicated puzzle of a movie that I bet you can't watch just once. The film deals with five career crooks who have big plans after they are all brought together in a police lineup. However, their mayhem is interrupted by a mysterious character named Kaiser Sose who plans to eliminate all five of the crooks after they all crossed him in various ways during their checkered pasts. An amazing original screenplay and tight direction keep up a substantial amount of tension throughout. Gabriel Byrne, Stephen Baldwin, Benicio Del Toro, Kevin Pollak, Pete Postlethwaite, and Chazz Palminteri all give top-notch performances. But it is Kevin Spacey (in an Oscar-winning part) that makes "The Usual Suspects" work on all levels. This part put him in a higher class of actors and can be compared to Robert DeNiro's star-making job in "The Godfather, Part II". 5 stars out of 5.
2000-06-26
The Usual Suspects Certainly Defies Pigeon Holing or Labeling!
.......................................................from Pasto,Colombia...Via: L.A. CA., CALI, COLOMBIA and ORLANDO, FL

SUSPECTS larger-than-life allure results from a seamless blending of elements: Psychodrama, Action, Suspense and Mystery, all built on intricate storytelling, a dynamic screenplay and taut direction, by Bryan Singer. The aforementioned are all bolstered by credible in-depth character development, brought to life by an outstanding cast, who flesh out each role to chilling near perfection. (Kevin Spacey, seen here before most people would have recognized his name, received an Oscar for his "supporting" role!)

But let's not get sidetracked. More than anything else,"SUSPECTS" is about the unparalleled unsettling reaction you get from viewing it! From the first scene to the end credits, it gets a headlock on your psyche, while sending the pit of your stomach into endless free fall! The only way to illustrate this, without giving away any key elements of the film, is a detailed look at the opening scene....a peerless example of instant timeless classic film noir.

On a boat, docked in San Pedro Harbor, the dying sole-survivor of an apparently devastating bloodbath shootout painfully ignites a thin trail of gasoline. His obvious intention: Destroy EVERYTHING...himself included! From a deck higher up, an unseen someone pisses out the trail of flames. The shadowy figure walks down the stairs with an unhurried deliberation and saunters over to the agonizing man he has just saved. They exchange somewhat forced greetings and a few disjointed words of banter.

Without warning, the intruder firmly raises a pistol, his unblinking gaze reflected in eyes locked in contact with his own. Unhesitatingly, he fires two consecutive shots. A brief pause of contemplation ends when he casually lights a cigarette, strategically dropping his lighter to rekindle the liquid fuse, and then beats a hasty off-board retreat. What better way to introduce a character whose twisted iron resolve is so perverse, so deranged, that he saves a doomed man seconds before certain death, solely for the unmitigated pleasure derived from looking him squarely in the eye, his victim looking right back, while pulling the trigger himself.

Without uttering a syllable, his actions shout out, "I p**s on you and your puny existence!" His victim's final moments are thusly converted into a living/dying testimony, clearly demonstrating who it is that decides the particulars of when and how he will die! "SUSPECTS" has been severely critiqued by a vocal minority (to paraphrase another reviewer) for not knowing the difference between a plot twist and a non sequitur. With all due respect to the reviewer, who painstakingly highlighted the difference for us, perhaps a careful second viewing would shed some light on the source of this common confusion. After watching "SUSPECTS" four times making every effort to employ my most discerning eye, I am convinced the true genius of the movie hinges on this particular point!

Let me underscore my unequivocal recommendation of this film with a special note to those of you who avoid the Action or Suspense genre because of your distaste of the excessive violence that generally characterizes them. Well, THIS IS NO Robert Rodriguez FILM! A lot of the scenes are done in the "Old School" style, where the violence is kept off-screen. Although there is considerable TALK in "SUSPECTS" about some of the most dastardly deeds imaginable, virtually none of this is graphically portrayed. So, PLEASE, if you have not seen it yet, because of this reason, I urge you to make an exception in this case...

10* STARS*! GET IT AND SEE IT!......ENJOY/DISFRUTELA!

Any comments, questions or observations, in English or Español, are most welcome!
2016-08-02
Cause of THIS fücking movie - you have to down-rate all other about 1-3 notes!
13 out of 10! Yeahyeah, i saw a lot of and more good, very good and perfect movies...

BUT: This fascinates me every time i watch it and watch it again and again! And it's worth!!! Pros: - director - all(!) Actors (i knew K. Spacey beforehand) - Script - a 999th other things Cons: - maybe... no!

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2017-02-10
and just like that...hes gone
No matter how many times I watch The Usual Suspects, and believe me it's been many, I still get the same diabolical thrill, the same rapturous excitement and the same rush of storytelling and dramatic payoff as I did the very first time I saw it. Every performance from the vast and diverse cast is a devilish creation packed with red herrings, juicy dialogue and bushels of menace, every scene piles on the mysticism of the criminal underworld beat by beat, until the characters begin to pick it apart and the whole thing unravels like a great serpent coiling forth bit by bit, scale by scale, swerving toward the shocking, disarming third act that has since become as legendary as it's elusive and terrifying antagonist. In the crime/mystery corner of cinema, there's no arguing that this delicious piece of hard boiled intrigue reigns supreme, and it's easy to see why. In a seemingly random police lineup, five career criminals are harassed by an unseen hand, pushed into carrying out dangerous heists and violent manoeuvres by a shadowy campfire tale among the world of organized crime, a Boogeyman called Keyser Soze, if he even exists at all. Slick and sleazy ex cop Dean Keaton (Gabriel Byrne) heads up this dysfunctional crew of vagabonds which includes hothead McManus (Stephen Baldwin in a role originally intended for Michael Biehn, which kills me to this day), weirdo Fenster (Benicio Del Toro, using an indecipherable mishmash of an accent that would be the first of many), spitfire Hockney (Kevin Pollak) and Verbal Kint (Kevin Spacey) the runt of the litter. The lot of them are intimidated into performing risky enterprises by lawyer Kobayashi (Pete Postlethwaite) until the climate of their actions reaches a boiling point and answers emerge from the darkness. This is all told in retrospect by Spacey, to a rabid customs agent (Chazz Palminteri) who has designs on ensnaring Soze. Spacey scored Oscar gold for his heavy work here, spinning a tale whose layers interweave and pull the wool over our eyes time and time again before offering any glimpses of truth. Byrne is a fiercely guarded storm as Keaton, a man with secrets so deep even he doesn't know who he is anymore, letting the anger set and smoulder in those glacial eyes of his. The supporting cast adds to the class and confusion terrifically, with fine work pouring in from Dan Hedeya, Suzy Amis, Giancarlo Esposito and a wicked cameo from Peter Greene, who provides a moment of inspired improv. The score of the film rarely relies on dips and swells until all is said and done, keeping a tight lid on the orchestra and feeding us nervous little riffs of anxious portent that keeps tension on a tightrope and anticipation on call. A mystery this tantalizing is irresistible the first time around, but the trick is to make your story re-watchable, and I've seen this thing over a dozen times. Every viewing provides some new angle to the story I didn't see before, or I notice a subtle interaction in the very naturalistic and funny dialogue which escaped me in the past. My favourite thing to do is watch films with someone who hasn't seen them before, observe their reactions and opinions on every little story beat and cinematic flourish, it's almost more fun for me than the actual film itself. The Usual Suspects is a showcase piece for that activity, because you get to see this very complex revelation unfold through new eyes as you watch them experience the revelations. Whether your first viewing or your fiftieth, it never loses its power, and the spell it casts just doesn't dim. Masterpiece
2016-12-04
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